ABHB Annual Bibliography of the History of the Printed Book and Libraries
ABHB Annual Bibliography of the History of the Printed Book and Libraries

Author: Hendrik D.L. Vervliet

Publisher: Springer

Published: 2013-11-11

Total Pages: 489

ISBN-13: 9401188025

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The history of printing, books, and libraries, is confined only to a limited extent within the boundaries of individual countries. There are, indeed, few historical developments which have played a more universal role, in reaction against all kinds of particularism, than type design, printing, book production, publishing, illustration, binding, librarianship, journal ism, and related subjects. Their history should be assessed and studied primarily in an international, not in a local, context. The bibliographical resources, however, which the historian of these sub jects has at his disposal correspond hardly at all to the essentially inter national character of the object of his studies. Since the appearance of the retrospective bibliography of BIG MORE and WYMAN, covering the subject comprehensively up to r88o, the only current bibliography has been the lnternationale Bibliographie des Buck-und Bi bliothekswesens. Covering a representative part of newly published liter ature, it appeared from rgz8, but did not survive the Second World War. More recently, several useful, but limited, bibliographies have appeared.

The Musical World of Charles Avison
The Musical World of Charles Avison

Author: Simon D.I. Fleming

Publisher: Taylor & Francis

Published: 2024-12-02

Total Pages: 286

ISBN-13: 1040253091

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This book explores the works and influence of the eighteenth-century British composer Charles Avison. Although he spent most of his life in the northern town of Newcastle upon Tyne, Avison went on to have a marked impact on the musical life of Britain during the second half of the eighteenth century. His concertos become part of the national concert repertory, while his critical treatise, An Essay on Musical Expression, shaped debates about musical aesthetics. This book provides the first sustained examination of Avison’s musical works and compositional techniques, and it traces how his music not only drew on influences from European composers but also reworked them and in turn, influenced others. Considering Avison’s musical compositions, the circumstances around their composition and dissemination, and their place in music history, the author confronts preconceptions about the quality of Avison’s music, reveals new dimensions of his work as a composer, and demonstrates the enduring popularity and impact of his music. The author also draws on Avison’s writings to consider how closely he adheres to his own musical aesthetics. Reassessing Avison’s contribution to British music history, this study makes the case for understanding him as an important figure in the development and spread of musical styles across eighteenth-century England.

On the Publishing and Dissemination of Music, 1500-1850
On the Publishing and Dissemination of Music, 1500-1850

Author: Hans Lenneberg

Publisher: Pendragon Press

Published: 2003

Total Pages: 198

ISBN-13: 9781576470787

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Here published for the first time, is the final book written by the late Hans Lenneberg, respected scholar and longtime head of the music library at the University of Chicago. In it, the author pursues the impact of printing technologies, methods of distribution, government regulations, and evolving business practices as they affect music and musical life. Written with insight and humor, this book surveys a changing industry, century by century, pulling together information from many specialized studies and pointing out previously unnoticed trends and remaining puzzles.

The First Fleet Piano: Volume One
The First Fleet Piano: Volume One

Author: Geoffrey Lancaster

Publisher: ANU Press

Published: 2015-11-03

Total Pages: 919

ISBN-13: 1922144657

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During the late eighteenth century, a musical–cultural phenomenon swept the globe. The English square piano—invented in the early 1760s by an entrepreneurial German guitar maker in London—not only became an indispensable part of social life, but also inspired the creation of an expressive and scintillating repertoire. Square pianos reinforced music as life’s counterpoint, and were played by royalty, by musicians of the highest calibre and by aspiring amateurs alike. On Sunday, 13 May 1787, a square piano departed from Portsmouth on board the Sirius, the flagship of the First Fleet, bound for Botany Bay. Who made the First Fleet piano, and when was it made? Who owned it? Who played it, and who listened? What music did the instrument sound out, and within what contexts was its voice heard? What became of the First Fleet piano after its arrival on antipodean soil, and who played a part in the instrument’s subsequent history? Two extant instruments contend for the title ‘First Fleet piano’; which of these made the epic journey to Botany Bay in 1787–88? The First Fleet Piano: A Musician’s View answers these questions, and provides tantalising glimpses of social and cultural life both in Georgian England and in the early colony at Sydney Cove. The First Fleet piano is placed within the musical and social contexts for which it was created, and narratives of the individuals whose lives have been touched by the instrument are woven together into an account of the First Fleet piano’s conjunction with the forces of history. View ‘The First Fleet Piano: Volume Two Appendices’. Note: Volume 1 and 2 are sold as a set ($180 for both) and cannot be purchased separately.

Music in Eighteenth-Century Britain
Music in Eighteenth-Century Britain

Author: David Wyn Jones

Publisher: Routledge

Published: 2017-07-05

Total Pages: 333

ISBN-13: 1351557416

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This collection of essays by some of the leading scholars in the field looks at various aspects of musical life in eighteenth-century Britain. The significant roles played by institutions such as the Freemasons and foreign embassy chapels in promoting music making and introducing foreign styles to English music are examined, as well as the influence exerted by individuals, both foreign and British. The book covers the spectrum of British music, both sacred and secular, and both cosmopolitan and provincial. In doing so it helps to redress the picture of eighteenth-century British music which has previously portrayed Handel and London as its primary constituents.

English Keyboard Music Before the Nineteenth Century
English Keyboard Music Before the Nineteenth Century

Author: John Caldwell

Publisher: Courier Corporation

Published: 1985-01-01

Total Pages: 376

ISBN-13: 9780486248516

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English keyboard art from Robertsbridge Codex (c. 1325) to John Field. Illuminating coverage of organ, harpsichord, pianoforte, other instruments; works of Tallis, Byrd, Gibbons, Tomkins, many others. Bibliography.

The Theatre Career of Thomas Arne
The Theatre Career of Thomas Arne

Author: Todd Gilman

Publisher: Rowman & Littlefield

Published: 2013

Total Pages: 645

ISBN-13: 1611494362

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This book concerns the life and theatrical career of the great native-born English composer and musician of the eighteenth century, Thomas Augustine Arne (1710-1778), best known today as the composer of "Rule, Britannia." It will appeal to those interested in the mid-to-late eighteenth-century London and Dublin theatre, opera, and music scenes.