Witch trials in the European or American sense were not common in Ireland although they did occur. In this book the stories of four remarkable court cases that took place from the fourteenth to the nineteenth century are told; other chapters chronicle the extraordinary lives of individuals deemed to be practitioners of the black arts – hedge witches, sorcerers and sinister characters. The book gives a unique insight into the fascinating overlap between witch belief and the vast range of fairy lore that held sway for many centuries throughout the land.
In 1622, thirteen-year-old Elizabeth Jennings fell strangely ill. After doctors’ treatments proved useless, her family began to suspect the child had been bewitched, a suspicion that was confirmed when Elizabeth accused their neighbor Margaret Russell of witchcraft. In the events that followed, witchcraft hysteria intertwines with family rivalries, property disputes, and a web of supernatural beliefs. Starting from a manuscript account of the bewitchment, Kirsten Uszkalo sets the story of Elizabeth Jennings against both the specific circumstances of the powerful Jennings family and the broader history of witchcraft in early modern England. Fitting together the intricate pieces of this complex puzzle, Uszkalo reveals a story that encompasses the iron grip of superstition, the struggle among professionalizing medical specialties, and London’s lawless and unstoppable sprawl. In the picture that emerges, we see the young Elizabeth, pinned like a live butterfly at the dark center of a web of greed and corruption, sickness and lunacy.
Where can you find the 'Devil's footprints'? What happened at the 'hangman's stone'? Did Sweeney Todd, the demon barber of Fleet Street, ever really exist? Where was King Arthur laid to rest? Bringing together tales of hauntings, highwaymen, family curses and lovers' leaps, this magnificent guide will take you on a magical journey through England's legendary past.
“A Demon-Haunted Land is absorbing, gripping, and utterly fascinating... Beautifully written, without even a hint of jargon or pretension, it casts a significant and unexpected new light on the early phase of the Federal Republic of Germany’s history. Black’s analysis of the copious, largely unknown archival sources on which the book is based is unfailingly subtle and intelligent.” —Richard J. Evans, The New Republic In the aftermath of World War II, a succession of mass supernatural events swept through war-torn Germany. A messianic faith healer rose to extraordinary fame, prayer groups performed exorcisms, and enormous crowds traveled to witness apparitions of the Virgin Mary. Most strikingly, scores of people accused their neighbors of witchcraft, and found themselves in turn hauled into court on charges of defamation, assault, and even murder. What linked these events, in the wake of an annihilationist war and the Holocaust, was a widespread preoccupation with evil. While many histories emphasize Germany’s rapid transition from genocidal dictatorship to liberal democracy, A Demon-Haunted Land places in full view the toxic mistrust, profound bitterness, and spiritual malaise that unfolded alongside the economic miracle. Drawing on previously unpublished archival materials, acclaimed historian Monica Black argues that the surge of supernatural obsessions stemmed from the unspoken guilt and shame of a nation remarkably silent about what was euphemistically called “the most recent past.” This shadow history irrevocably changes our view of postwar Germany, revealing the country’s fraught emotional life, deep moral disquiet, and the cost of trying to bury a horrific legacy.
The spirits of the dead return in many shapes and in many locations in Ireland. There are the wraith-like ghosts and the full-bodied type, the dangerous and damaging, the threatening and the merely frightening. There are notorious buildings where down through the centuries spectres have been seen or heard, some, such as Leap Castle, where psychics have been overwhelmed by the intensity of the atmosphere. There are families pursued by spirits who warn them of impending death or seem to be trying to get back at them for some long-forgotten wrongdoing. Here are stories and details of the amazing variety of hauntings to be experienced throughout the country.
"Herein, we bring you to sites that have been central to the lives of 'the people' of Greater Boston over four centuries. You'll visit sites associated with the area's indigenous inhabitants and with the individuals and movements who sought to abolish slavery, to end war, challenge militarism, and bring about a more peaceful world, to achieve racial equity, gender justice, and sexual liberation, and to secure the rights of workers. We take you to some well-known sites, but more often to ones far off the well-beaten path of the Freedom Trail, to places in Boston's outlying neighborhoods. We also visit sites in numerous other municipalities that make up the Greater Boston region-from places such as Lawrence, Lowell and Lynn to Concord and Plymouth. The sites to which we do 'travel' include homes given that people's struggles, activism, and organizing sometimes unfold, or are even birthed in many cases in living rooms and kitchens. Trying to capture a place as diverse and dynamic as Boston is highly challenging. (One could say that about any 'big' place.) We thus want to make clear that our goal is not to be comprehensive, or to 'do justice' to the region. Given the constraints of space and time as well as the limitations of knowledge--both our own and what is available in published form--there are many important sites, cities, and towns that we have not included. Thus, in exploring scores of sites across Boston and numerous municipalities, our modest goal is to paint a suggestive portrait of the greater urban area that highlights its long-contested nature. In many ways, we merely scratch the region's surface--or many surfaces--given the multiple layers that any one place embodies. In writing about Greater Boston as a place, we run the risk of suggesting that the city writ-large has some sort of essence. Indeed, the very notion of a particular place assumes intrinsic characteristics and an associated delimited space. After all, how can one distinguish one place from another if it has no uniqueness and is not geographically differentiated? Nonetheless, geographer Doreen Massey insists that we conceive of places as progressive, as flowing over the boundaries of any particular space, time, or society; in other words, we should see places as processual or ever-changing, as unbounded in that they shape and are shaped by other places and forces from without, and as having multiple identities. In exploring Greater Boston from many venues over 400 years, we embrace this approach. That said, we have to reconcile this with the need to delimit Greater Boston--for among other reasons, simply to be in a position to name it and thus distinguish it from elsewhere"--
The spirits of the dead return in many shapes and in many locations in Ireland. There are the wraith-like ghosts and the full-bodied type, the dangerous and damaging, the threatening and the merely frightening. There are notorious buildings where down through the centuries spectres have been seen or heard, some, such as Leap Castle, where psychics have been overwhelmed by the intensity of the atmosphere. There are families pursued by spirits who warn them of impending death or seem to be trying to get back at them for some long-forgotten wrongdoing. Here are stories and details of the amazing variety of hauntings to be experienced throughout the country.
When a single-dad TV executive hires Melody Seabright--a flaky rich girl and rumored witch--as his babysitter, she magically lands her own cooking show...and makes sparks fly.
Written during the trial for a close friend’s murder, Come the Slumberless to the Land of Nod exposes that the whimsical, horrible, and absurd all sit together. In this ambitious fourth collection, Traci Brimhall corresponds with the urges of life and death within herself as she lives through a series of impossibilities: the sentencing of her friend’s murderers, the birth of her child, the death of her mother, divorce, a trip sailing through the Arctic. In lullaby, lyric essay, and always with brutal sincerity, Brimhall examines how beauty and terror live right alongside each other––much like how Nod is both a fictional dreamscape and the place where Cain is exiled for murdering Abel. By plucking at the tensions between life and death, love and hate, truth and obscurity, Brimhall finds what it is that ties opposing themes together; how love and loss are married in grief. Like Eve thrust from Eden, Brimhall is tasked with finding meaning in a world defined by its cruelty. Unrelenting, incisive, and tender, these poems expose beauty in the grotesque and argue that the effort to be good always outweighs the desire to succumb to what is easy.
