A Belle in the Prison of Socrates

A Belle in the Prison of Socrates

Author: Ahmed Etman

Publisher: Cambridge Scholars Publishing

Published: 2009-03-26

Total Pages: 120

ISBN-13: 1443808997

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Socrates represents a turning point in the history of Greek thought. He achieved radical changes in the way of thinking and obtaining knowledge without writing even one word. But through his discussions with his students and contemporary artists and philosophers, he exposed the intellectual vices and failings that dominated Athenian life in the last 30 years of the 5th century B.C., a time that witnessed the disintegration of Athenian Democracy, especially after the Peloponnesian wars which ended with the defeat of Athens. A Belle in the Prison of Socrates presents the character of the renowned Greek philosopher as historically known from the original Greek sources, i.e., The Clouds of Aristophanes, The Dialogues of Plato and the writings of Xenophon. While attempting to capture the historical image of Socrates, the play provides a subtle criticism of our contemporary life as characters and events shed light on the fragility of Democratic practices nowadays. Readers are persistently lured to hold a comparison between Democracy as it originated in ancient Athens and its modern variations and deviations. The play, therefore, addressees not only the classicist but the common reader as well, both in the Arab world and everywhere. A Belle in the Prison of Socrates is a culmination of years of research in Greek history about Athenian intellectual and political life. It blends knowledge and pleasure in a highly entertaining dramatic composition


Rewriting Narratives in Egyptian Theatre

Rewriting Narratives in Egyptian Theatre

Author: Sirkku Aaltonen

Publisher: Routledge

Published: 2016-03-31

Total Pages: 301

ISBN-13: 1317368274

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This study of Egyptian theatre and its narrative construction explores the ways representations of Egypt are created of and within theatrical means, from the 19th century to the present day. Essays address the narratives that structure theatrical, textual, and performative representations and the ways the rewriting process has varied in different contexts and at different times. Drawing on concepts from Theatre and Performance Studies, Translation Studies, Cultural Studies, Postcolonial Studies, and Diaspora Studies, scholars and practitioners from Egypt and the West enter into dialogue with one another, expanding understanding of the different fields. The articles focus on the ways theatre texts and performances change (are rewritten) when crossing borders between different worlds. The concept of rewriting is seen to include translation, transformation, and reconstruction, and the different borders may be cultural and national, between languages and dramaturgies, or borders that are present in people’s everyday lives. Essays consider how rewritings and performances cross borders from one culture, nation, country, and language to another. They also study the process of rewriting, the resulting representations of foreign plays on stage, and representations of the Egyptian revolution on stage and in Tahrir Square. This assessment of the relationship between theatre practices, exchanges, and rewritings in Egyptian theatre brings vital coverage to an undervisited area and will be of interest to developments in theatre translation and beyond.


The Evolution of Theatre and Drama in the Middle East and North Africa

The Evolution of Theatre and Drama in the Middle East and North Africa

Author: Ali Kiani

Publisher: Rowman & Littlefield

Published: 2024-08-06

Total Pages: 249

ISBN-13:

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Cultural expressions of the Middle East and North Africa (MENA) region have a rich tradition, communal narratives, and spiritual connectivity. This tapestry, distinct from the secular drama prevalent in Western cultures, is a unique blend of indigenous traditions and Western influences. This book introduces the rich and diverse theatrical practices developed and matured in the region from the nineteenth to twenty-first centuries. The introduction of Western-style theatre in the nineteenth century marked a shift from traditional entertainment forms. In the twentieth century, subjects of colonialism, nationalism, independence, and Islamic ideology have often dominated the theatrical discourse, reflecting the region’s socio-political realities. The book’s final section looks at theatre from a twenty-first global perspective, including the crucial role of the diaspora. This book shows how colonialism, Islamic ideology, politics, war, refugee crisis, and nationalism have permeated MENA’s theatre in the past and have continued to shape it in the present.


Receptions of Antiquity

Receptions of Antiquity

Author: Jan Nelis

Publisher: Academia Press

Published: 2011

Total Pages: 379

ISBN-13: 9038218834

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"This volume presents a series of papers which cover the general theme of the reception of antiquity, a topic which has in recent years become a discipline in itself, or what some might call a 'cross-discipline'. Indeed the Nachleben of the (culture of) classical antiquity, and of antiquity as a whole, manifests in a number of diverse domains, opening up the field of reception studies to scholars from disciplines other than Classics. This collection of papers illustrates this diversity, uniting as it does original research by scholars from a variety of disciplines: classicists, historians, theatre historians, architectural historians, psychologists, archaeologists, artists, and more, all of whom have treated some aspect of the so-called 'classical tradition' by means of their own individual approaches, leading to a volume rich and dense in themes and methodologies. 'Receptions of antiquity' has been written by friends of Freddy Decreus, in honour of his career, and in celebration of his thought."--


Lucinda Hinsdale Stone, Her Life Story and Reminiscences

Lucinda Hinsdale Stone, Her Life Story and Reminiscences

Author: Belle McArthur Perry

Publisher:

Published: 1902

Total Pages: 400

ISBN-13:

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This is a collection of reminiscences of and about Lucinda Hinsdale Stone (1814-1900), one of Michigan's foremost spokespersons for coeducation and equal educational rights for women during the late nineteenth century. Born in Hinesburg, Vermont, she received a classical education as the first female graduate of Hinesburg Academy. After teaching at Burlington Seminary and, later, as a private tutor on a Mississippi plantation, she married James Andrus Blinn Stone, a Baptist minister. In 1843, Lucinda Stone took over a fledgling branch of the University of Michigan in Kalamazoo. There she began to teach women through a separate female department until she resigned in 1863 in a controversy over exposing students to literature considered inappropriate for ladies. She continued to teach most of her students out of her own home and eventually escorted women on guided study tours of Europe. As part of her efforts to educate women, she helped found the Ladies Library Association of Kalamazoo. In 1873, influenced by various New England women's clubs, she organized the first full-fledged women's club in Michigan. There are few details here about her later life, but there are abundant testimonials about her importance as a public speaker, journalist, and charter member of the Michigan Woman's Press Association. The book also includes abundant excerpts from Stone's writings about eminent people she encountered abroad and at home.