Henry Crabb Robinson
Henry Crabb Robinson

Author: Philipp Hunnekuhl

Publisher: Romantic Reconfigurations Stud

Published: 2020

Total Pages: 304

ISBN-13: 178962178X

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Henry Crabb Robinson (1775-1867) earned his place in literary history as a perceptive diarist from 1811 onwards. Drawing substantially on hitherto unpublished manuscript sources, this book discusses his formal and informal engagement with a wide variety of English and European literature prior to this point. Robinson emerges as a pioneering literary critic whose unique philosophical erudition underpinned his activity as a cross-cultural disseminator of literature during the early Romantic period. A Dissenter barred from the English universities, Robinson educated himself thoroughly during his teenage years and began to publish in radical journals. Godwin's philosophy subsequently inspired his first theory of literature. When in Germany from 1800 to 1805, he became the leading British scholar of Kant, whose philosophy informed his discussions of Goethe, Schiller, Lessing, and August Wilhelm Schlegel. After his return to London, Robinson aided Hazlitt's understanding of Kant and, thus, Hazlitt's early career as a writer. His distinctive comparative criticism further enabled him to draw compelling parallels between Wordsworth, Blake, and Herder, and to discern 'moral excellence' in Christian Leberecht Heyne's Amathonte. This also prompted Robinson's transmission of Friedrich Schlegel and Jean Paul in 1811, as well as a profound exchange of ideas with Coleridge. In this new study, Philipp Hunnekuhl finds that Robinson's ingenious adaptation of Kantian aesthetic autonomy into a revolutionary theory of literature's moral relevance anticipated the current 'ethical turn' in literary studies.

Henry Crabb Robinson in Germany
Henry Crabb Robinson in Germany

Author: Eugene L. Stelzig

Publisher: Bucknell University Press

Published: 2010

Total Pages: 139

ISBN-13: 0838757634

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The book will be of interest to students of autobiography and life writing as well as specialists in Romantic literature and Anglo-German literary relations. The book includes sections on Robinson and nineteenth-century autobiography, on the different stages of Robinson's five years in Germany, including his initial stay in Frankfurt; his personal friendships and first meeting with literary lions; his days as a Jena student and aspiring "literator"; his contacts with Weimar; and his role as a philosophical informant for Mme de Stael on her visit there; his return to England and the failure of his hopes of achieving the professional literary career that he had dreamed about in Germany. --Book Jacket.

George Eliot
George Eliot

Author: David Carroll

Publisher: Routledge

Published: 2013-06-17

Total Pages: 528

ISBN-13: 1136174095

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The Critical Heritage gathers together a large body of critical sources on major figures in literature. Each volume presents contemporary responses to a writer's work, enabling students and researchers to read for themselves, for example, comments on early performances of Shakespeare's plays, or reactions to the first publication of Jane Austen's novels. The carefully selected sources range from landmark essays in the history of criticism to journalism and contemporary opinion, and little published documentary material such as letters and diaries. Significant pieces of criticism from later periods are also included, in order to demonstrate the fluctuations in an author's reputation. Each volume contains an introduction to the writer's published works, a selected bibliography, and an index of works, authors and subjects. The Collected Critical Heritage set will be available as a set of 68 volumes and the series will also be available in mini sets selected by period (in slipcase boxes) and as individual volumes.

Governess
Governess

Author: Ruth Brandon

Publisher: Bloomsbury Publishing USA

Published: 2011-02-01

Total Pages: 315

ISBN-13: 0802779751

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Between the 1780s and the end of the nineteenth century, an army of sad women took up residence in other people's homes, part and yet not part of the family, not servants, yet not equals. To become a governess, observed Jane Austen in Emma, was to "retire from all the pleasures of life, of rational intercourse, equal society, peace and hope, to penance and mortification for ever." However, in an ironic paradox, the governess, so marginal to her society, was central to its fiction-partly because governessing was the fate of some exceptionally talented women who later wrote novels based on their experiences. But personal experience was only one source, and writers like Wilkie Collins, William Makepeace Thackeray, Henry James, and Jane Austen all recognized that the governess's solitary figure, adrift in the world, offered more novelistic scope than did the constrained and respectable wife. Ruth Brandon weaves literary and social history with details from the lives of actual governesses, drawn from their letters and journals, to craft a rare portrait of real women whose lives were in stark contrast to the romantic tales of their fictional counterparts. Governess will resonate with the many fans of Jane Austen and the Brontës, whose novels continue to inspire films and books, as well as fans of The Nanny Diaries and other books that explore the longstanding tension between mothers and the women they hire to raise their children.

William Wordsworth's Golden Age Theories During the Industrial Revolution
William Wordsworth's Golden Age Theories During the Industrial Revolution

Author: M. Keay

Publisher: Springer

Published: 2001-09-26

Total Pages: 307

ISBN-13: 1403919569

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Wordsworth's romantic critique of industrial life and society was backward-looking. His 'Golden Age ideal' of pastoral life and rural relationships falls within the scope of English 'populism' as found among the middle ranks of small independent producers and their idealogues. Furthermore his rural education and up-bringing in the remote North of England explain his long-term shift from radical and whig reformer to tory placeman in the years 1789 to 1832 as well as his relative demise as a poet.

Caribbean Literature in Transition, 1800–1920: Volume 1
Caribbean Literature in Transition, 1800–1920: Volume 1

Author: Evelyn O'Callaghan

Publisher: Cambridge University Press

Published: 2021-01-14

Total Pages: 501

ISBN-13: 1108678327

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This volume examines what Caribbean literature looked like before 1920 by surveying the print culture of the period. The emphasis is on narrative, including an enormous range of genres, in varying venues, and in multiple languages of the Caribbean. Essays examine lesser-known authors and writing previously marginalized as nonliterary: popular writing in newspapers and pamphlets; fiction and poetry such as romances, sentimental novels, and ballads; non-elite memoirs and letters, such as the narratives of the enslaved or the working classes, especially women. Many contributions are comparative, multilingual, and regional. Some infer the cultural presence of subaltern groups within the texts of the dominant classes. Almost all of the chapters move easily between time periods, linking texts, writers, and literary movements in ways that expand traditional notions of literary influence and canon formation. Using literary, cultural, and historical analyses, this book provides a complete re-examination of early Caribbean literature.

The Poet-Hero in the Work of Byron and Shelley
The Poet-Hero in the Work of Byron and Shelley

Author: Madeleine Callaghan

Publisher: Anthem Press

Published: 2019-02-28

Total Pages: 242

ISBN-13: 1783088982

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Byron’s and Shelley’s experimentation with the possibilities and pitfalls of poetic heroism unites their work. The Poet-Hero in the Work of Byron and Shelley traces the evolution of the poet-hero in the work of both poets, revealing that the struggle to find words adequate to the poet’s imaginative vision and historical circumstance is their central poetic achievement. Madeleine Callaghan explores the different types of poetic heroism that evolve in Byron’s and Shelley’s poetry and drama. Both poets experiment with, challenge and embrace a variety of poetic forms and genres, and this book discusses such generic exploration in the light of their developing versions of the poet-hero. The heroism of the poet, as an idea, an ideal and an illusion, undergoes many different incarnations and definitions as both poets shape distinctive and changing conceptions of the hero throughout their careers.