Charles W. Chesnutt was an important voice in his day and remains a precious reading for those who want to better understand the period of construction of African American identity, from the end of the Civil War to the beginning of the Civil Rights Movement. Critic August Nemo chose seven short stories that bring the best of this author to your appreciation. This books contains: - The Wife of His Youth - The Passing of Grandison - Her Virginia Mammy - The Bouquet - The Sheriffs' Children - The Web of Circunstance
Credited with almost single-handedly pioneering a genuine African-American literary tradition in the short story, Chesnutt has influenced writers such as James Weldon Johnson and Charles Johnson. This collections contains all the stories in Chesnutt's two published volumes, The Conjure Woman and The Wife of His Youth and Other Stories of the Color Line, along with two uncollected works.
Death is one of the most important themes in literature - the fragility of human life and our own finitude have haunted authors since the early days. So what about murder? The act of taking a human life goes beyond the scope of crime and haunts our own concept of humanity. Many authors have dedicated themselves to this subject and you can check out these short stories in this volume of our collection. This book contains: - The Tell-Tale Heart by Edgar Allan Poe. - A Jury of Her Peers by Susan Glaspell. - The Caballero's Way by O. Henry. - The Sheriff's Children by Charles W. Chesnut. - Moon-face by Jack London. - Brothers by Sherwood Anderson. - Markheim by Robert Louis Stevenson.
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Fourteen conjure tales by one of America's most influential African American fiction writers. This Norton Critical Edition of The Conjure Stories arranges the tales chronologically by composition date, allowing readers to discern how Chesnutt experimented with plots and characters and with the idea of the conjure story over time. With one exception, the text of each tale is that of the original publication. (The text of "The Dumb Witness" was established from two typescripts held at the archives of Fisk University.) The stories are accompanied by a thorough and thought-provoking introduction, detailed explanatory annotations, and illustrative materials. "Contexts" presents a wealth of materials chosen by the editors to enrich the reader's understanding of these canonical stories, including a map of the landscape of the conjure tales, Chesnutt's journal entry as he began writing fiction of the South, as well as writings by Chesnutt, William Wells Brown, and Paul Laurence Dunbar, among others, on the stories' central motifs-folklore, superstition, voodoo, race, and social identity in the South following the Civil War. "Criticism" is divided into two parts. "Early Criticism" collects critical notices for The Conjure Woman that suggest the volume's initial reception, assessments by William Dean Howells and Benjamin Brawley, and a biographical excerpt by the author's daughter, Helen Chesnutt. "Modern Criticism" demonstrates rich and enduring interest in The Conjure Stories with ten important essays by Robert Hemenway, William L. Andrews, Robert B. Stepto, John Edgar Wideman, Werner Sollors, Houston A. Baker, Eric J. Sundquist, Richard H. Brodhead, Candace J. Waid, and Glenda Carpio. A Chronology of Chesnutt's life and work and a Selected Bibliography are also included.
This volume offers a survey of American short fiction in 59 tales that combine classic works with 'different, unexpected gems', which invite readers to explore a wealth of important pieces by women and minority writers. Authors include: Amy Tan, Alice Adams, David Leavitt and Tim O'Brien.
