Iconic Turns

Iconic Turns

Author: Liliya Berezhnaya

Publisher: BRILL

Published: 2013-06-01

Total Pages: 270

ISBN-13: 9004250816

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Collection of documents from a section of the World Council of Churches Archives, dealing with Germany and fifteen other countries during the period 1932-1957. Documents include: newspapers, press clippings, press releases, telegrams, correspondence, minutes, manuscripts and personal notes. The collection also includes reports on the situation of the Jews in several European countries, as well as correspondence and personal letters of such notable individuals as Dietrich Bonhoeffer, George Bell, Hans Schönfeld, Karl Barth, James McDonald, Georges Casalis, Adolf Freudenberg, Martin Niemöller, Otto Dibelius, Gerhart Riegner, Marc Boegner, and Willem Adolf Visser 't Hooft. The archives document not only the issues and events of the War, but also the beginning years of the World Council of Churches.


65 Mostra Internazionale D'Arte Cinematografica

65 Mostra Internazionale D'Arte Cinematografica

Author:

Publisher: Mondadori Electa

Published: 2008

Total Pages: 318

ISBN-13:

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Il catalogo della mostra, curato da un team di critici di livello internazionale, rappresenta un importante strumento di studio ed è integrato da circa 250 immagini tratte dai film in gara. La mostra veneziana è uno degli eventi più importanti a livello internazionale. Particolare attenzione verrà rivolta all'aspetto qualitativo che caratterizzerà anche la fase di selezione dei film. La settima arte, da sempre amata e apprezzata dal pubblico più vario, viene anche in questa occasione valorizzata dal catalogo della critica. Nomi di prestigio, interviste esclusive e saggi inediti testimoniano i film e i temi scelti per questa importante rassegna. Annotation Supplied by Informazioni Editoriali


Re-viewing Fascism

Re-viewing Fascism

Author: Jacqueline Reich

Publisher: Indiana University Press

Published: 2002-05-07

Total Pages: 388

ISBN-13: 9780253215185

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When Benito Mussolini proclaimed that "Cinema is the strongest weapon," he was telling only half the story. In reality, very few feature films during the Fascist period can be labeled as propaganda. Re-viewing Fascism considers the many films that failed as "weapons" in creating cultural consensus and instead came to reflect the complexities and contradictions of Fascist culture. The volume also examines the connection between cinema of the Fascist period and neorealism—ties that many scholars previously had denied in an attempt to view Fascism as an unfortunate deviation in Italian history. The postwar directors Luchino Visconti, Roberto Rossellini, and Vittorio de Sica all had important roots in the Fascist era, as did the Venice Film Festival. While government censorship loomed over Italian filmmaking, it did not prevent frank depictions of sexuality and representations of men and women that challenged official gender policies. Re-viewing Fascism brings together scholars from different cultural and disciplinary backgrounds as it offers an engaging and innovative look into Italian cinema, Fascist culture, and society.


Holocaust Memory and the Cold War

Holocaust Memory and the Cold War

Author: Anna Koch

Publisher: Walter de Gruyter GmbH & Co KG

Published: 2024-10-21

Total Pages: 332

ISBN-13: 3110672650

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Even before World War II had ended, survivors, historians, writers, and artists tried to make sense of the Holocaust. To do so, they relied on belief systems and narratives that, as the bloc confrontation intensified, were increasingly shaped by Cold War thinking. Foregrounding the Cold War's role in shaping Holocaust memory, this book highlights how the global conflict between East and West influenced research, legal proceedings, and collective as well as individual memories of the murder of European Jews. Contributions focusing on different parts of the world reveal commonalities, differences, and entanglements between Eastern and Western memories of the Holocaust. Examining Holocaust memory from various disciplinary perspectives, the authors highlight the many ways in which scholars, writers, artists, and survivors both countered and contributed to dominant narratives shaped by oppositional ideological stances. While such distinct ideological positions often mattered greatly, at other times a shared interest in bringing perpetrators to justice, commemorating victims, and providing testimony to the atrocities committed against Europe's Jews led to cooperation and exchange across the Iron Curtain.


A Look Inside South Korean Cinema

A Look Inside South Korean Cinema

Author: Korean Culture and Information Service (South Korea)

Publisher: 길잡이미디어

Published: 2015-01-05

Total Pages: 111

ISBN-13:

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Hollywood films may dominate the world’s box offices today, but in Korea it’s the homegrown product that has been capturing the public’s attention. Korean films industry today and look inside of directors and stars. Korean film directors were getting major press at the world’s different film festivals. Exports were booming, and the films that reached overseas audiences found a warm reception there Contents Prologue Chapter One A Look Inside Korean Cinema The Korean Film Industry Today A Foreign Perspective Fostering New Talent Chapter Two Going Global Hallyu and Korean Film Working Internationally: Co-Productions Acclaimed Directors K-Movie Stars Chapter Three How Korean Film Got Here The Early Years (1920–1939) Golden Age: The 1960s and the ‘Literary Film’ Out of the Quicksand (1970–1989) Renaissance: 'Planned Movies' and Government Support (1990 to today) Chapter Four Film Festivals Busan International Film Festival Jeonju International Film Festival Puchon International Fantastic Film Festival International Women’s Film Festival in Seoul Jecheon International Music & Film Festival Other Festivals Chapter Five Ten Korean Films with Overseas Followings Appendix Further Reading Award-winning Korean Films at Overseas Festivals Park Chan-wook,Hong Sang-soo,Kim Ki-duk,Lee Chang-dong,Bong Joon-ho,Kim Jee-woon, Im Sang-soo, Byun Young-joo, Choi Dong-hoon, Na Hong-jin, Yang Ik-june, Yun Seong-hyeon, Yeon Sang-ho, Song Kang-ho, Jeon Do-youn, Sul Kyoung-gu, Lee Byung-hun, Jun Ji-hyun, Busan International Film Festival (BIFF), The Housemaid, The Coachman, Heavenly Homecoming to Stars, The Surrogate Woman, Why Has Bodhi-Dharma Left for the East?, My Sassy Girl , Oldboy, Spring, Summer, Autumn, Winter. . . and Spring, The Host, Poetry


The Economy of Prestige

The Economy of Prestige

Author: James F. English

Publisher: Harvard University Press

Published: 2008-12-15

Total Pages: 444

ISBN-13: 9780674018846

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This is a book about one of the great untold stories of modern cultural life: the remarkable ascendancy of prizes in literature and the arts. Such prizes and the competitions they crown are almost as old as the arts themselves, but their number and power--and their consequences for society and culture at large--have expanded to an unprecedented degree in our day. In a wide-ranging overview of this phenomenon, James F. English documents the dramatic rise of the awards industry and its complex role within what he describes as an economy of cultural prestige. Observing that cultural prizes in their modern form originate at the turn of the twentieth century with the institutional convergence of art and competitive spectator sports, English argues that they have in recent decades undergone an important shift--a more genuine and far-reaching globalization than what has occurred in the economy of material goods. Focusing on the cultural prize in its contemporary form, his book addresses itself broadly to the economic dimensions of culture, to the rules or logic of exchange in the market for what has come to be called "cultural capital." In the wild proliferation of prizes, English finds a key to transformations in the cultural field as a whole. And in the specific workings of prizes, their elaborate mechanics of nomination and election, presentation and acceptance, sponsorship, publicity, and scandal, he uncovers evidence of the new arrangements and relationships that have refigured that field.


Russia and its Other(s) on Film

Russia and its Other(s) on Film

Author: S. Hutchings

Publisher: Springer

Published: 2008-04-25

Total Pages: 255

ISBN-13: 0230582788

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Russia's interactions with the West have been a perennial theme of Slavic Studies, and of Russian culture and politics. Likewise, representations of Russia have shaped the identities of many western cultures. No longer providing the 'Evil Empire' of 20th American popular consciousness, images of Russia have more recently bifurcated along two streams: that of the impoverished refugee and that of the sinister mafia gang. Focusing on film as an engine of intercultural communication, this is the first book to explore mutual perceptions of the foreign Other in the cinema of Russia and the West during, and after, communism. The book's structure reflects both sides of this fascinating dialogue: Part 1 covers Russian/Soviet cinematic representations of otherness, and Part 2 treats western representations of Russia and the Soviet Union. An extensive Introduction sets the dialogue in a theoretical context. The contributors include leading film scholars from the USA, Europe and Russia.