Presents a selection of contemporary ceramics based on the human form, including the work of Wesley Anderegg, Jeffrey Mongrain, Scott Stockdale, and Yeon Joo Lee.
No other volume has ever presented such a diverse and captivating collection of contemporary animal-themed ceramics. Juried by distinguished artist and educator Joe Bova, this magnificent gallery includes pieces from an international group of artists; the beautifully crafted works range from the representational to the abstract, from artful realism to provocative surrealism (including animal-human hybrids). Ann Marais image of a waterfowl painted onto a porcelain dish has a restrained, Asian quality. Sharkus painted and smoke-fired stoneware turtle could easily be mistaken for the living creature. Bova provides astute and illuminating commentary overall, with selected artists notes."
For must of us, plates and chargers are primarily vessels for serving and holding food. In the eyes of the talented artists whose works are showcased in this collection, these objects are spectatular pieces to display on a table, sideboard or hutch.
The successful 500 series shines a spotlight on today's most breathtaking ceramic sculptures. Selected from more than 8,000 entries by the distinguished art critic, historian, and professor Glen R. Brown--an elected member of the International Academy of Ceramics in Geneva--these exquisite works will inspire both beginning and professional ceramists, as well as collectors and enthusiasts. They include Esther Shimazu's hand-built, Asian-influenced nudes; Von Venhuizen's mixed-media, wheel-thrown stoneware, and Katy's Rush's slip-cast and press-molded porcelain. Every work is amazing.
This breathtaking entry in the highly successful 500 Ceramics series ventures into the hottest area of modern ceramics: image transfer on clay. Juried by the renowned artist and teacher Paul Andrew Wandless, it showcases a visually intriguing collection of contemporary work in this rapidly evolving field. The featured pieces include silkscreen; newspaper, tissue, and digital ink transfer; stencils and more, printed on everything from earthenware and porcelain to stoneware and vitreous china.
Volume 2 of this series addresses issues that arise after the fundamental skills of modeling anatomy have been grasped. Written for the 3D artist, whether digital or traditional, techniques for applying gesture and drapery to enhance and bring life to sculptures of the human form are discussed referencing more than 100 of Philippe Faraut's sculptures. In addition, step-by-step demonstrations including topics such as modeling stylized body types and multi-figure sculptures are shown through the use of over 600 photographs. Further Features include: . The illusion of translucent fabric. . Examples of the anatomy of folds. . Exercises for modeling clothing & leather. . Methods for creating armatures. . Techniques to improve speed. . Hollowing techniques for complex figures.
In The American South, William J. Cooper, Jr. and Thomas E. Terrill demonstrate their belief that it is impossible to divorce the history of the south from the history of the United States. Each volume includes a substantial biographical essay—completely updated for this edition—which provides the reader with a guide to literature on the history of the South. Coverage now includes the devastation of Hurricane Katrina in 2005, up-to-date analysis of the persistent racial divisions in the region, and the South's unanticipated role in the 2008 presidential primaries.