To be Scottish is to have a lot to live down, and as Allan Brown shows, this lot do the job superbly. Whether it be Robert Burns, indecipherable bard of rustic gibberish or Sean Connery, die-hard advocate of a country he refuses to live in. Or, Alex Salmond, the chortling bullfrog of separatism or Tommy Sheridan, the sexy socialist hardliner. They’re all here, and many others; a veritable embassy of bad ambassadors. 50 People Who Screwed Up Scotland is a humorous and chronologically-sequential series of essays, histories and anecdotes that consider those episodes and occurrences in Scotland's political, cultural and social story where, against all odds, defeat was plucked from the jaws of victory.
"To be Scottish is to have a lot to live down, and as Allan Brown shows, this lot do the job superbly. Whether it be Robert Burns, indecipherable bard of rustic gibberish or Sean Connery, die-hard advocate of a country he refuses to live in. Or, Alex Salmond, the chortling bullfrog of separatism or Tommy Sheridan, the sexy socialist hardliner. They're all here, and many others; a veritable embassy of bad ambassadors. 50 People Who Screwed Up Scotland is a humorous and chronologically-sequential series of essays, histories and anecdotes that consider those episodes and occurrences in Scotland's political, cultural and social story where, against all odds, defeat was plucked from the jaws of victory."--Publisher's description.
Fifty years ago, a small unit in HM Prison Barlinnie, Glasgow, became a radical experiment whose approach polarised opinion. It encouraged shared decision-making between prisoners and staff, allowed greater access to families and enabled prisoners to explore creative activities. Through the support of visiting artists, and the voices of the prisoners themselves, notably the sculptor Jimmy Boyle (author of A Sense of Freedom), its impact challenged prevailing, disciplinarian prison culture. Arts of various kinds, plus respectful and challenging dialogue, released dormant abilities and strengths in hitherto recalcitrant, formerly violent prisoners. Always controversial, the legacy of the Barlinnie Special Unit challenges overly punitive ideas around crime to this day. The first edited collection on the Barlinnie Special Unit’s almost 22-year history with contributions by those who were there at the time, or helped preserve its legacy. They include artist filmmaker Bill Beech, Scotland’s first art therapist Joyce Laing, leading Scottish impresario Richard Demarco, Sara Trevelyan, ex-wife of Jimmy Boyle (who also contributes), Rupert Wolfe Murray, son of Boyle’s publisher, Professor Mike Nellis of Strathclyde University, Claire Coia, a curator at Glasgow’s Open Museum, Andrew Coyle, founding Director of the International Centre for Prison Studies and journalist, and former Scottish MP Brian Wilson. Based on first-hand accounts, the book is a definitive retrospective and the first detailed history/analysis of the unit. A supreme record of an ‘iconic’ social experiment which includes diverse and largely unpublished materials. Review ‘Looking again at the BSU is a reminder that we have to reform the prison system. It means treating people in a humane way, even those who have committed serious crime, and by inventing creative projects which restore a person’s self-worth as a better route to redemption than mere punishment’ — Baroness Helena Kennedy KC (from the Foreword).
To be Scottish is to have a lot to live down, and as Allan Brown shows, this lot do the job superbly. Whether it be Robert Burns, indecipherable bard of rustic gibberish or Sean Connery, die-hard advocate of a country he refuses to live in. Or, Alex Salmond, the chortling bullfrog of separatism or Tommy Sheridan, the sexy socialist hardliner. They’re all here, and many others; a veritable embassy of bad ambassadors. 50 People Who Screwed Up Scotland is a humorous and chronologically-sequential series of essays, histories and anecdotes that consider those episodes and occurrences in Scotland's political, cultural and social story where, against all odds, defeat was plucked from the jaws of victory.
The first in a scintillating series by the New York Times bestselling author Karen Hawkins follows a desperate beauty on an urgent quest, a dark earl scarred by his beastly past—and the ancient treasure that binds their fates. Someone is holding her brother prisoner in exchange for a gold-and-onyx box covered in mysterious runes, so Mary Hurst boldly sets out from the family vicarage to find the priceless artifact. But the man who possesses it, Angus Hay, the Earl of Erroll, is less than sympathetic to her plight. Himself a prisoner of his dark past, Angus refuses to yield the box—or allow Mary to leave. Suspicious of the alluring lass’s mission, he vows to wrest a confession from her, but unearths a fiery temper and a will as strong as his own. Passion flares between them, but now there is more at stake: an unknown enemy is hunting down the precious box and will stop at nothing. Risking all for love, Angus must solve the mystery behind the runes…and trust the only woman who can awaken his forgotten heart.
Next year sees the 30th anniversary of The Blue Nile's first work together. Four albums – containing a total of just 33 songs – have followed since. Yet scarcity has served only to intensify love for the band's intensely romantic songs. The Blue Nile are one of modern music's greatest mysteries, as secretive about their plans and status as they are about their painstaking methods. For the first time Allan Brown, a fan from the time of the band's first album in 1983 and friend of the band's composer Paul Buchanan, gets behind the veil to analyse the band's appeal through personal memoir, critical study, access to unreleased recordings and encounters with those who have been central to the strange romantic, melancholy course of The Blue Nile.
From the Sunday Times bestselling author Which fifty people made Britain the wreck she is? From ludicrous propagandist Alastair Campbell to the Luftwaffe's allies, the modernist architects, it's time to name the guilty. Quentin Letts sharpens his nib and stabs them where they deserve it, from TV gardener Alan Titchmarsh, the dumbed-down buffoon who put the 'h' in Aspidistra, to the perpetrators of the 'Credit Crunch'. Margaret Thatcher ruptured our national unity. The creators of EastEnders trashed our brand over high tea. Thus, he argues, are the people who made our country the ugly, scheming, cheating, beer-ridden bum of the Western world. Here are the fools and knaves and vulgarians who ripped down our British glories and imposed the tawdry and the trite. In a half century we have gone from end-of-Empire to descent-into-Hell.
