Pop Culture Germany!

Pop Culture Germany!

Author: Catherine C. Fraser

Publisher: ABC-CLIO

Published: 2006-09-25

Total Pages: 440

ISBN-13:

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From the reality TV show Superstar to Formula One ace Michael Schumacher, Pop Culture Germany! explores the exciting world of contemporary German popular culture.


Neolithic Farming in Central Europe

Neolithic Farming in Central Europe

Author: Amy Bogaard

Publisher: Psychology Press

Published: 2004

Total Pages: 232

ISBN-13: 9780415324854

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This book evaluates competing models of early crop husbandry in Central Europe using available archaeobotanical evidence.


Spaces of Experience

Spaces of Experience

Author: Charlotte Klonk

Publisher:

Published: 2009-01-01

Total Pages: 305

ISBN-13: 9780300151961

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This fascinating study of art gallery interiors examines the changing ideals and practices of galleries in Europe and North America from the 18th to the late 20th century. It offers a detailed account of the different displays that have been created—the colors of the background walls, lighting, furnishings, the height and density of the art works on show—and it traces the different scientific, political and commercial influences that lay behind their development. Charlotte Klonk shows that scientists like Hermann von Helmholtz and Wilhelm Wundt advanced theories of perception that played a significant role in justifying new modes of exhibiting. Equally important for the changing modes of exhibition in art galleries was what Michael Baxandall has called “the period eye,” a way of seeing informed by the impact of new fashions in interior decoration and by department store and shop window displays. The history of museum interiors, she argues, should be appreciated as a revealing chapter in the broader history of experience.


Aesthetics of Interaction in Digital Art

Aesthetics of Interaction in Digital Art

Author: Katja Kwastek

Publisher: MIT Press

Published: 2015-08-21

Total Pages: 381

ISBN-13: 0262528290

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An art-historical perspective on interactive media art that provides theoretical and methodological tools for understanding and analyzing digital art. Since the 1960s, artworks that involve the participation of the spectator have received extensive scholarly attention. Yet interactive artworks using digital media still present a challenge for academic art history. In this book, Katja Kwastek argues that the particular aesthetic experience enabled by these new media works can open up new perspectives for our understanding of art and media alike. Kwastek, herself an art historian, offers a set of theoretical and methodological tools that are suitable for understanding and analyzing not only new media art but also other contemporary art forms. Addressing both the theoretician and the practitioner, Kwastek provides an introduction to the history and the terminology of interactive art, a theory of the aesthetics of interaction, and exemplary case studies of interactive media art. Kwastek lays the historical and theoretical groundwork and then develops an aesthetics of interaction, discussing such aspects as real space and data space, temporal structures, instrumental and phenomenal perspectives, and the relationship between materiality and interpretability. Finally, she applies her theory to specific works of interactive media art, including narratives in virtual and real space, interactive installations, and performance—with case studies of works by Olia Lialina, Susanne Berkenheger, Stefan Schemat, Teri Rueb, Lynn Hershman, Agnes Hegedüs, Tmema, David Rokeby, Sonia Cillari, and Blast Theory.


Participation

Participation

Author: Claire Bishop

Publisher:

Published: 2006

Total Pages: 212

ISBN-13:

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Participation in art has become a prevalent and contested phenomenon since the 1990s. Artists have increasingly sought to create situations and events that invite spectators to become active participants, in dialogue both with their context and with each other. This reader charts a historical lineage and theoretical framework for this tendency, presented through the writings of artists, curators and philosophers from the late 1950s to the present--Publisher's description.


Art History After Modernism

Art History After Modernism

Author: Hans Belting

Publisher: University of Chicago Press

Published: 2003-08

Total Pages: 246

ISBN-13: 9780226041841

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"Art history after modernism" does not only mean that art looks different today; it also means that our discourse on art has taken a different direction, if it is safe to say it has taken a direction at all. So begins Hans Belting's brilliant, iconoclastic reconsideration of art and art history at the end of the millennium, which builds upon his earlier and highly successful volume, The End of the History of Art?. "Known for his striking and original theories about the nature of art," according to the Economist, Belting here examines how art is made, viewed, and interpreted today. Arguing that contemporary art has burst out of the frame that art history had built for it, Belting calls for an entirely new approach to thinking and writing about art. He moves effortlessly between contemporary issues—the rise of global and minority art and its consequences for Western art history, installation and video art, and the troubled institution of the art museum—and questions central to art history's definition of itself, such as the distinction between high and low culture, art criticism versus art history, and the invention of modernism in art history. Forty-eight black and white images illustrate the text, perfectly reflecting the state of contemporary art. With Art History after Modernism, Belting retains his place as one of the most original thinkers working in the visual arts today.


Thinking About Exhibitions

Thinking About Exhibitions

Author: Bruce W. Ferguson

Publisher: Routledge

Published: 2005-08-11

Total Pages: 520

ISBN-13: 1134820011

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An anthology of writings on exhibition practice from artists, critics, curators and art historians plus artist-curators. It addresses the contradictions posed by museum and gallery sited exhibitions, as well as investigating the challenge of staging art presentations, displays or performances, in settings outside of traditional museum or gallery locales.


Customary International Humanitarian Law

Customary International Humanitarian Law

Author: Jean-Marie Henckaerts

Publisher: Cambridge University Press

Published: 2005-03-03

Total Pages: 610

ISBN-13: 0521808995

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Customary International Humanitarian Law, Volume I: Rules is a comprehensive analysis of the customary rules of international humanitarian law applicable in international and non-international armed conflicts. In the absence of ratifications of important treaties in this area, this is clearly a publication of major importance, carried out at the express request of the international community. In so doing, this study identifies the common core of international humanitarian law binding on all parties to all armed conflicts. Comment Don:RWI.


Fluxus Codex

Fluxus Codex

Author: Jon Hendricks

Publisher: Harry N. Abrams

Published: 1988-10-15

Total Pages: 616

ISBN-13: 9780810909205

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Fluxus was an art movement of the 1960s and 70s that set out to abolish the canonized art idioms of the day. Pioneers of Conceptual Art and Minimalism, the Fluxus artists were known for their environments, performance art and mass-producible objects. This book is a study of the Fluxus movement.