5 November 1866: The Story of Henry Irving and Dion Boucicault’s Hunted Down, or, The Two Lives of Mary Leigh

5 November 1866: The Story of Henry Irving and Dion Boucicault’s Hunted Down, or, The Two Lives of Mary Leigh

Author: Maria Serena Marchesi

Publisher: Skenè. Texts and Studies

Published: 2016-10-01

Total Pages: 164

ISBN-13: 8896419824

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Despite the awakening of critical interest in recent years, Victorian theatre before Wilde and Shaw is still a virtually undiscovered country. The world of Victorian theatres, with their complicated personal interconnections and astonishing feats of professionalism, and Victorian drama itself, often skillfully written and controversial, are worth investigating. Henry Irving, the icon and later the bogeyman of a whole theatrical era, has been the object of several scholarly works and essays, inevitably focusing on his Lyceum years. What was Irving before the Lyceum? Or, in other words, how did Irving become Irving? The present book reconstructs the event that made Irving famous overnight and, as it were, made the Lyceum years possible: the London première of Dion Boucicault’s Hunted Down, or, The Two Lives of Mary Leigh. It investigates the circumstances of the composition of the play and of its first London production, also presenting the first edition of the text of Boucicault’s play in 150 years. The reconstruction presents twenty-first-century readers with a strange world of irascible playwrights, all-powerful stage managers, long-forgotten Pre-Raphaelite beauties and humble theatre folk in which the young Irving moved, a world whose traces remained visible and whose influence remained palpable in the years of Irving’s later fame.


War Discourse in Four Paradoxes: the Case of Thomas Scott (1602) and the Digges (1604)

War Discourse in Four Paradoxes: the Case of Thomas Scott (1602) and the Digges (1604)

Author: Fabio Ciambella

Publisher: Skenè. Texts and Studies

Published: 2022-12-09

Total Pages: 228

ISBN-13:

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In 1602 and 1604 two collections of paradoxes, both entitled Four Paradoxes, authored by Thomas Scott, and Thomas and Dudley Digges, respectively, were published. Scott, a Protestant preacher, wrote four poems about art, law, war, and service. On the other hand, the diplomat and intellectual Dudley Digges published his father’s two paradoxes about the art of war together with his own two texts concerning the worthiness of war and warriors. What do these two collections of paradoxes have in common, and why publishing their critical edition together? Apparently, besides sharing the same title, the two works do not seem to have anything else in common. Nevertheless, this modern spelling critical edition of both texts aims at demonstrating that they share political, cultural, and genre-related features connected with the circulation of paradoxical discourse about war in early modern England.


A Feast of Strange Opinions: Classical and Early Modern Paradoxes on the English Renaissance Stage 1.2

A Feast of Strange Opinions: Classical and Early Modern Paradoxes on the English Renaissance Stage 1.2

Author: Marco Duranti

Publisher: Skenè. Texts and Studies

Published: 2023-12-20

Total Pages: 286

ISBN-13: 884676837X

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This volume originates as a continuation of the previous volume in the CEMP series (1.1) and aims at furthering scholarly interest in the nature and function of theatrical paradox in early modern plays, considering how classical paradoxical culture was received in Renaissance England. The book is articulated into three sections: the first, “Paradoxical Culture and Drama”, is devoted to an investigation of classical definitions of paradox and the dramatic uses of paradox in ancient Greek drama; the second, “Paradoxes in/of Elizabethan and Jacobean Drama” looks at the functions and uses of paradox in the play-texts of Shakespeare and his contemporaries; finally, the essays in “Paradoxes in Drama and the Digital” examine how the Digital Humanities can enrich our knowledge of paradoxes in classical and early modern drama.


Shakespeare and the Mediterranean 2: The Tempest

Shakespeare and the Mediterranean 2: The Tempest

Author: Fabio Ciambella

Publisher: Skenè. Texts and Studies

Published: 2023-08-23

Total Pages: 202

ISBN-13: 8846767365

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Is Shakespeare’s The Tempest a Mediterranean play? This volume explores the relationship between The Tempest and the Mediterranean Sea and analyses it from different perspectives. Some essays focus on close readings of the text in order to explore the importance of the Mediterranean Sea for the genesis of the play and the narration of the past and present events in which the Shakespearean characters participate. Other chapters investigate the relationship between the Shakespearean play, its resources from the Mediterranean Graeco-Latin past and its afterlives in twentieth-century poems looking at the Mediterranean dimension of the play. Moreover, influences on and of The Tempest are investigated, looking at how Italian Renaissance music may have influenced some choices concerning Ariel’s song(s) and how The Tempest has shaped the production of twentieth-century Italian directors. Finally, other chapters try to reaffirm the centrality of the Mediterranean Sea in The Tempest, bringing to the fore new textual evidence in support of the Mediterraneity of the play, by adopting and/or criticising recent approaches.


Action, Song, and Poetry: Musical and Poetical Meta-performance in Aristophanes and Ben Jonson

Action, Song, and Poetry: Musical and Poetical Meta-performance in Aristophanes and Ben Jonson

Author: Alessandro Grilli

Publisher: Skenè. Texts and Studies & ETS

Published: 2023-01-30

Total Pages: 171

ISBN-13: 8846765826

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This study aims to provide a comparative analysis of the dynamics of musical and poetical meta-performance as they emerge both from the surviving corpus of ancient Attic comedy (which adds up, for our purposes, to Aristophanes’ eleven extant plays) and from Ben Jonson’s comedies. As a matter of fact, both corpora show a huge presence of meta-performative elements, that is, of moments in which musical and/or poetical performance is explicitly thematized or enacted in the drama. Those moments are hardly ever fortuitous, or not significant. On the contrary, they play each time a vital role in the development of the plot, in the portrait of characters, or in the definition of the ideology of the play. By means of a comparative analysis between the two authors, the book aims at providing a taxonomy of meta-performance in Aristophanes and Ben Jonson, with particular attention to its role in the definition of the characters' poetic ability. Such comparison will show that, despite using similar comic and performative strategies, the two authors draw a completely different ideology around the crucial themes of culture and titularity.


Ellen Terry and Her Sisters

Ellen Terry and Her Sisters

Author: T. Edgar Pemberton

Publisher: Good Press

Published: 2021-05-19

Total Pages: 200

ISBN-13:

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This book describes the story of sisters who took the stage by surprise and impacted lots of people with their love for the craft. Ellen Terry showcased great love for acting throughout her life and became one of the most celebrated actresses of her time. This book is centered on passion and interest.


McGraw-Hill Encyclopedia of World Drama

McGraw-Hill Encyclopedia of World Drama

Author: Stanley Hochman

Publisher:

Published: 1984

Total Pages: 618

ISBN-13:

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Ranging from the earliest drama to the theater of the 1980's this encyclopedia includes coverage of national drama and theater around the world, theater companies, and musical comedy. Arrangement of the 1,300 entries is alphabetically by name or subject with nearly 950 of these devoted to individual playwrights and their works.


The Shaughraun

The Shaughraun

Author: Dion Boucicault

Publisher: Alpha Edition

Published: 2020-08-17

Total Pages: 30

ISBN-13: 9789354049613

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This book has been considered by academicians and scholars of great significance and value to literature. This forms a part of the knowledge base for future generations. So that the book is never forgotten we have represented this book in a print format as the same form as it was originally first published. Hence any marks or annotations seen are left intentionally to preserve its true nature.