Steve Hutchison reviews 400 horror comedies and ranks them. Each article includes a picture of the main antagonist, a release year, a synopsis, a star rating, and a review.
The following recommendations represent the top 16% of 2441 horror movies reviewed by Steve Hutchison. The classification method combines genres, subgenres, ambiances, and antagonists. The movies are ranked according to their star, story, creativity, action, quality, creepiness, and rewatchability ratings.
The following recommendations represent the top 14% of 2698 horror movies reviewed by Steve Hutchison. The movies are ranked according to their star, story, creativity, acting, quality, creepiness, gimmick, and rewatchability ratings.
This book is the assembly of various texts that are freely available on the web, especially from Wikipedia. The next obvious question is: why buy this book? The answer: because it means you avoid having to carry out long and tedious internet searches. (13 different topics grouped in one book) The topics are all linked to each other organically, and as a function of the subject and, in most cases, contain additional unpublished topics, not found on the web. Moreover, the inclusion of images completes the work so as to make it unique and unrepeatable. (Over 100 poster and film scenes). In addition, each film is linked to Youtube and in most cases the films are viewed in full Movie. Contents of the book: 25 films that made Horror Cinema: Halloween (1978), The Brood (1979), Nosferatu: Phantom der Nacht (1979), The Fog (1980), ...E tu vivrai nel terrore! L'aldilà (1981), Sien lui yau wan (1987), Dracula (1992), Interview with the Vampire (1994), The Others (2001), The Village (2004), El orfanato (2007), 30 Days of Night (2007), Sinister (2012). Of each film: Plot, Production, Background and development, Pre-production, Production, Release, Home media, Critical reception, Aftermath and influence, References, Footnotes, Posters and Film Scenes.
Hammer Vampire Women, whose subject is the biography and filmography of all the actresses who took part in the Hammer films about Dracula and Vampires, is a work divided into three volumes. Each volume is the assembly of various topics available on the web, especially from Wikipedia. The next obvious question is: why buy this book? The answer: because it means you avoid having to carry out long and tedious internet searches. (....... different topics grouped in one book). All topics are assembled in an organic and chronological way and are enriched by numerous images, these not available on Wikipedia, in order to make the work in its conception unique and unrepeatable, which turns into something new and original. In the form of an eBook, the text is enriched by numerous links to external resources and each actress is linked to films that concern her available on the web. Contents of the book: Hammer Vampire Women: Adrienne Corri, Anouska Hempel, Barbara Archer, Barbara Ewing, Barbara Jefford, Barbara Shelley, Barbara Yu Ling, Carol Marsh, Caroline Munro, Caroline Villiers, Christina Paul, Dawn Addams, Delia Lindsay, Domini Blythe, Dorothy Frere, Elizabeth Dear, Elizabeth Seal, Gwen Watford, Helen Christie, Ingrid Pitt, Isla Blair, Isobel Black, Jacqui Cook, Jacquie Wallis, Janet Key, Janina Faye, Jennifer Daniel, Jenny Hanley, Joanna Lumley, Joanna Ross, Joyce Hemson.
We would like to point out that all the texts included in this work come freely from the Internet and are available on Wikipedia. Then the question arises: why buy it? The answer is simple. It is a painstaking work of assembly between text and image that makes the work unique and non-repeatable in its structure. In short, a work that, while coming from the work of others, is transformed into a unicum, assuming its own logical guise which is to describe the film Dracula (1992). Content of the eBook: Dracula: Cast, Plot, Production, Critical reaction, Criticism, Home media, Merchandise and Legacy. More 50 images of the movie.
Hammer Vampire Women, whose subject is the biography and filmography of all the actresses who took part in the Hammer films about Dracula and Vampires, is a work divided into three volumes. Each volume is the assembly of various topics available on the web, especially from Wikipedia. The next obvious question is: why buy this book? The answer: because it means you avoid having to carry out long and tedious internet searches. (20 different topics grouped in one book). All topics are assembled in an organic and chronological way and are enriched by numerous images, these not available on Wikipedia, in order to make the work in its conception unique and unrepeatable, which turns into something new and original. In the form of an eBook, the text is enriched by numerous links to external resources and each actress is linked to films that concern her available on the web. Contents of the book: Hammer Vampire Women: Judy Matheson, Julie Ege, Kate O'Mara, Kathleen Byron, Katya Wyeth, Kirsten Lindholm, Lai Ling, Lalla Ward, Lally Bowers, Linda Cunningham, Linda Hayden, Lisa Collings, Lois Daine, Luan Peters, Lynne Frederick, Madeleine Collinson, Madeline Smith, Malaika Martin, Margo Both, Marion Mathie.
Nazi exploitation (also Nazisploitation) is a subgenre of exploitation film and sexploitation film that involves Nazis committing sex crimes, often as camp or prison overseers during World War II. Most follow the women in prison formula, only relocated to a concentration camp, extermination camp, or Nazi brothel, and with an added emphasis on sadism, gore, and degradation. The most infamous and influential title (which set the standards of the genre) is a Canadian production, Ilsa, She Wolf of the SS (1974). Its surprise success and sequels led European filmmakers, mostly in Italy, to produce dozens of similar films. While the Ilsa series were profitable, the other films were mostly box-office flops, and the genre all but vanished by the mid-1980s. In Italy, these films are known as part of the "il sadiconazista" cycle, which were inspired by such art-house films as Liliana Cavani's The Night Porter (1974), Pier Paolo Pasolini's Salò, or the 120 Days of Sodom (1975), and Tinto Brass's Salon Kitty (1976).[1] Prominent directors of the genre include Paolo Solvay (La Bestia in Calore, also known as The Beast in Heat and SS Hell Camp), Cesare Canevari (Last Orgy of the Third Reich, also known as L'ultima orgia del III Reich, Gestapo's Last Orgy and Caligula Reincarnated as Hitler), and Alain Payet (Train spécial pour SS, also known as Special Train for Hitler and Helltrain), all from 1977. (Definition from wikipedia) The work is accompanied by many scenes from films and videos related to the films. Contents of the book: Ten Movies of Nazi Exploitation: Love Camp 7 with Film and the actresses Kathy Williams, Maria Lease, Sheri Jackson, Shari Mann. SS Girls with Film Scenes, Hot Scenes and the actresses Marina Daunia, Macha Magall, Monica Nickel, Cristina Minutelli, Gota Gobert, Tamara Triffez, Anna Melita. Fräulein Devil with Hot Scenes and the actresses Malisa Longo, Patrizia Gori, Claudine Beccarie, Pamela Stanford. Ilsa, the Wicked Warden with Film Scenes, Hot Scenes and the actresses Lina Romay, Dyanne Thorne, Tania Busselier. Ilsa, Harem Keeper of the Oil Sheiks with Film Scenes, Hot Scenes and the actresses Uschi Digard, Dyanne Thorne, Colleen Brennan, Marilyn Joi, Haji, Tanya Boyd, Su Ling, Unknown. Ilsa, the Tigress of Siberia with Film Scenes, Hot Scenes and the actresses Dyanne Thorne. Women's Camp 119 with Hot Scenes and the actresses Sonia Viviani, Lorraine De Selle. Achtung! The Desert Tigers with Hot Scenes and the actresses Zaira Zoccheddu, Agnes Kalpagos, Lea Lander. S.S. Experiment Camp 2. The She Wolf of Spilberg with Film Scenes, Hot Scenes. Of each film one or more videos, if not the full version, from you tube or other sites.
Nazi exploitation (also Nazisploitation) is a subgenre of exploitation film and sexploitation film that involves Nazis committing sex crimes, often as camp or prison overseers during World War II. Most follow the women in prison formula, only relocated to a concentration camp, extermination camp, or Nazi brothel, and with an added emphasis on sadism, gore, and degradation. The most infamous and influential title (which set the standards of the genre) is a Canadian production, Ilsa, She Wolf of the SS (1974). Its surprise success and sequels led European filmmakers, mostly in Italy, to produce dozens of similar films. While the Ilsa series were profitable, the other films were mostly box-office flops, and the genre all but vanished by the mid-1980s.In Italy, these films are known as part of the "il sadiconazista" cycle, which were inspired by such art-house films as Liliana Cavani's The Night Porter (1974), Pier Paolo Pasolini's Salò, or the 120 Days of Sodom (1975), and Tinto Brass's Salon Kitty (1976). Prominent directors of the genre include Paolo Solvay (La Bestia in Calore, also known as The Beast in Heat and SS Hell Camp), Cesare Canevari (Last Orgy of the Third Reich, also known as L'ultima orgia del III Reich, Gestapo's Last Orgy and Caligula Reincarnated as Hitler), and Alain Payet (Train spécial pour SS, also known as Special Train for Hitler and Helltrain), all from 1977. (Definition from wikipedia) Contents of the book: The Camps of the Sadists. Lager SSadis Kastrat Kommandantur (1976), Lager SSadis Kastrat Kommandantur - Le deportate della sezione speciale SS, Le lunghe notti della Gestapo (1977), Liebes Lager (1976), L'ultima orgia del III Reich (1977), Salò o le 120 giornate di Sodoma (1975), Salon Kitty (1976), Train spécial pour SS, SS Lager 5: L'inferno delle donne (1977). Of each film: Plot, Criticism of the Catholic Film Center and Scenes from the movie.
The four-volume set LNCS 7724--7727 constitutes the thoroughly refereed post-conference proceedings of the 11th Asian Conference on Computer Vision, ACCV 2012, held in Daejeon, Korea, in November 2012. The total of 226 contributions presented in these volumes was carefully reviewed and selected from 869 submissions. The papers are organized in topical sections on object detection, learning and matching; object recognition; feature, representation, and recognition; segmentation, grouping, and classification; image representation; image and video retrieval and medical image analysis; face and gesture analysis and recognition; optical flow and tracking; motion, tracking, and computational photography; video analysis and action recognition; shape reconstruction and optimization; shape from X and photometry; applications of computer vision; low-level vision and applications of computer vision.