Steve Hutchison reviews 300 horror adventure films and ranks them. Each article includes a picture of the main antagonist, a release year, a synopsis, a star rating, and a review.
Steve Hutchison reviews 300 horror fantasy films and ranks them. Each article includes a picture of the main antagonist, a release year, a synopsis, a star rating, and a review.
Steve Hutchison reviews 300 horror science fiction films and ranks them. Each article includes a picture of the main antagonist, a release year, a synopsis, a star rating, and a review.
Steve Hutchison reviews 300 action horror films and ranks them. Each article includes a picture of the main antagonist, a release year, a synopsis, a star rating, and a review.
Steve Hutchison reviews 300 horror comedies and ranks them. Each article includes a picture of the main antagonist, a release year, a synopsis, a star rating, and a review.
The following recommendations represent the top 13% of 2250 horror movie reviews. I use a classification method that combines genres, subgenres, ambiances, and antagonists. My evaluation ratings are stars, story, creativity, action, quality, creepiness, and rewatchability
Steve Hutchison reviews 300 horror adventure films and ranks them. Each article includes a picture of the main antagonist, a release year, a synopsis, a star rating, and a review.
A lively and reliable narrative account of the horror genre, featuring new and revised material throughout The Horror Film: An Introduction surveys the history, development, and social impact of the genre. Covering American horror cinema from its earliest period to the present, this reader-friendly volume explores the many ways horror movies have been received by filmmakers, critics, and general audiences throughout the decades. Concise, easily accessible chapters describe historical instances of the genre's social reception based on primary research, analyze landmark films such as Frankenstein, Invasion of the Body Snatchers, and The Texas Chain Saw Massacre, and more. Incorporating recent scholarship on the genre, the second edition of The Horror Film contains new discussion and context for Hollywood horror films in the 1980s and 1990s, as well as notable developments in the genre such as “torture porn,” found-footage horror, remakes and reboots of past horror films, zombies, and the “elevated horror” debate. This edition explores the rise of new filmmakers such as Ari Aster, Robert Eggers, and Jordan Peele, surveys horror films made by women and African American filmmakers, and investigates contemporary issues in the production and consumption of horror films. Combining historical narrative with close readings of significant works, The Horror Film: Covers major works in the genre such as Cat People, Halloween, and Bram Stoker's Dracula Examines important antecedents including gothic literature and the Grand Guignol Theater Offers thorough analyses of the style, context, and themes of specific horror milestones Provides examples of close analysis that can be applied to a wide range of other horror films Discusses important representative titles across the genre's evolution, including more recent films such as 2017's Get Out The Horror Film: An Introduction, Second Edition, is an ideal textbook for undergraduate surveys of the horror genre and other courses in American film history, and an invaluable resource for scholars, lecturers, and general readers with an interest in the subject.
Why do humans feel the need to scream at horror films? In Why Horror Seduces, author Matthias Clasen looks to evolutionary social science to show how the horror genre is a product of human nature.
Nowhere to run, nowhere to hide - an electrifying, heartpounding, truly unputdownable thriller - a bestselling debut from talented newcomer, Gabriel Bergmoser. 'A truly terrifying, breathlessly exciting novel. It gut punches you in the first few pages and doesn't let you recover until the final, thrilling climax. An extraordinary book.' M W Craven 'An original and high-octane read, it makes Deliverance look like Picnic at Hanging Rock.' The Times/Sunday Times Crime Club Frank is a service station owner on a little-used highway who just wants a quiet life. His granddaughter has been sent to stay with him to fix her attitude, but they don't talk a lot. When a badly injured young woman arrives at Frank's service station with several cars in pursuit, Frank and a handful of unsuspecting customers are thrust into a life-or-death standoff. But who are this group of men and women who will go to any lengths for revenge? And what do they want? Other than no survivors ...? A ferociously fast-paced, filmic, visceral, tense and utterly electric novel, unlike anything you've read before. Set on a lonely, deserted highway, deep in the Australian badlands, The Hunted is white-knuckle suspense matched to the fast-paced adrenaline of a Jack Reacher novel and the creeping menace of Wake in Fright. This is unmissable reading. 'This slice of outback noir is .... at once exhilarating, gleefully vicious and totally, race-to-the-finish-line unputdownable' Observer 'An audacious walk on the wildest side of outback noir ... a vivid thriller.' Sydney Morning Herald 'A perfectly paced, thrilling read with an unrelenting sense of dread and menace ...building suspense at every turn of the page. Crime and thriller readers will love this savage Rottweiler of a novel that will clamp its jaws around their throat and shake them to the end.' Bookseller+Publisher 'Tough, violent, suspenseful and peopled with great characters, The Hunted could well be the Australian thriller of the year. This is Jack Reacher for adults.' Canberra Weekly