The Letters of Sir Walter Scott: 1819-1821
Author: Walter Scott
Publisher:
Published: 1971
Total Pages: 536
ISBN-13:
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Author: Walter Scott
Publisher:
Published: 1971
Total Pages: 536
ISBN-13:
DOWNLOAD EBOOKAuthor: John Gibson Lockhart
Publisher:
Published: 1838
Total Pages: 512
ISBN-13:
DOWNLOAD EBOOKAuthor:
Publisher:
Published: 1862
Total Pages: 430
ISBN-13:
DOWNLOAD EBOOKAuthor: Lockhart
Publisher:
Published: 1893
Total Pages: 828
ISBN-13:
DOWNLOAD EBOOKAuthor: John Gibson Lockhart
Publisher:
Published: 1842
Total Pages: 858
ISBN-13:
DOWNLOAD EBOOKAuthor: John Gibson Lockhart
Publisher:
Published: 1901
Total Pages: 322
ISBN-13:
DOWNLOAD EBOOKAuthor: John Gibson Lockhart
Publisher:
Published: 1845
Total Pages: 840
ISBN-13:
DOWNLOAD EBOOKAuthor: John Gibson Lockhart
Publisher:
Published: 1892
Total Pages: 460
ISBN-13:
DOWNLOAD EBOOKAuthor: Robert Mayer
Publisher: Oxford University Press
Published: 2017-03-01
Total Pages: 236
ISBN-13: 0192514113
DOWNLOAD EBOOKWalter Scott and Fame is a study of correspondences between Scott and socially and culturally diverse readers of his work in the English-speaking world in the early nineteenth century. Examining authorship, reading, and fame, the book is based on extensive archival research, especially in the collection of letters to Scott in the National Library of Scotland. Robert Mayer demonstrates that in Scott's literary correspondence constructions of authorship, reading strategies, and versions of fame are posited, even theorized. Scott's reader-correspondents invest him with power but they also attempt to tap into or appropriate some of his authority. Scott's version of authorship sets him apart from important contemporaries like Wordsworth and Byron, who adhered, at least as Scott viewed the matter, to a rarefied conception of the writer as someone possessed of extraordinary power. The idea of the author put in place by Scott in dialogue with his readers establishes him as a powerful figure who is nevertheless subject to the will of his audience. Scott's literary correspondence also demonstrates that the reader can be a very powerful figure and that we should regard reading not just as the reception of texts but also as the apprehension of an author-function. Thus, Scott's correspondence makes it clear that the relationship between authors and readers is a dynamic, often fraught, connection, which needs to be understood in terms of the new culture of celebrity that emerged during Scott's working life. Along with Byron, the study shows, Scott was at the centre of this transformation.