"I have no interest in real girls!" So claims Okumura, the president of the school's manga club. He's your typical otaku, obsessed with a sexy (fictional) 2D manga character known as Liliel. Then the new school year starts, and a (real!) 3D girl named Lilysa whose passion is cosplay joins the club. Lilysa convinces Okumura to become her photographer–and guess who her favorite manga character is? Not only that, but Lilysa is into modeling the fetishy stuff! The boundaries between 2D and 3D start to blur as this hot-blooded romantic comedy unfolds.
Will Yu make a confession of love? Who would date someone who is both an emo gamer and a former school pariah...? Meanwhile, someone is ready to confess her love to Miyuki—and it’s not Kaguya! Then Miko sabotages a romantic tour of a haunted house, Miyuki reveals some unexpected nonacademic skills, Kaguya accidentally dispenses good advice and a fortune-teller foretells an ominous date for our pride-crossed lovers—no, not that kind of date. Plus, heart-themed key rings, cookies, takoyaki and balloons! But nobody turns down Stanford. -- VIZ Media
The disappearance of the Demon Earth puts all worlds, including Xanth, in danger. It is up to Cynthia Centaur and her companions to use the weapon known as the Swell Foop to put things right.
A sexy and out-of-this-world alien comedy from the creator of Yokai Girls! Yoshitake, your average company drone, is out for a drive one night when he spots a UFO and crashes his car. When he next opens his eyes, he's in his apartment, and next to him is a stunningly beautiful alien girl named Lune! She has come to Earth to save her species from extinction by claiming human seed–and sex-crazed Yoshitake is the perfect mate. Unfortunately, Lune's alien physiology leads to an unexpected difficulty that even the world's horniest man may be unable to overcome.
Iris Greenfeder, ABD (All But Dissertation), feels the “buts” are taking over her life: all but published, all but a professor, all but married. Yet the sudden impulse to write a story about her mother, Katherine Morrissey, leads to a shot at literary success. The piece recounts an eerie Irish fairy tale her mother used to tell her at bedtime—and nestled inside it is the sad story of her death. It captures the attention of her mother’s former literary agent, who is convinced that Katherine wrote one final manuscript before her strange, untimely end in a fire thirty years ago. So Iris goes back to the remote Hotel Equinox in the Catskills, the place where she grew up, to write her mother’s biography and search for the missing manuscript—and there she unravels a haunting mystery, one that holds more secrets than she ever expected. . . .
The third edition of this seminal work includes the original text, first published in 1974, the updates and reflections from the second edition and two groundbreaking new chapters. Power: A Radical View assesses the main debates about how to conceptualize and study power, including the influential contributions of Michel Foucault. The new material includes a development of Lukes's theory of power and presents empirical cases to exemplify this. Including a refreshed introduction, this third edition brings a book that has consolidated its reputation as a classic work and a major reference point within Social and Political Theory to a whole new audience. It can be used on modules across the Social and Political Sciences dealing with the concept of power and its manifestation in the world. It is also essential reading for all undergraduate and postgraduate students interested in the history of Social and Political Thought. New to this Edition: - A revised and refreshed introduction - Two new chapters on 'Domination and Consent' and 'Exploring the Third Dimension'
With the publication of her highly acclaimed and much-cited book Gender Trouble, Judith Butler became one of the most influential feminist theorists of her generation. Her theory of gender performativity and her writings on corporeality, on the injurious capacity of language, on the vulnerability of human life to violence and on the impact of mourning on politics have, taken together, comprised a substantial and highly original body of work that has a wide and truly cross-disciplinary appeal. In this lively book, Moya Lloyd provides both a clear exposition and an original critique of Butler's work. She examines Butlers core ideas, traces the development of her thought from her first book to her most recent work, and assesses Butlers engagements with the philosophies of Hegel, Foucault, Derrida, Irigaray and de Beauvoir, as well as addressing the nature and impact of Butler's writing on feminist theory. Throughout Lloyd is particularly concerned to examine Butler's political theory, including her critical interventions in such contemporary political controversies as those surrounding gay marriage, hate-speech, human rights, and September 11 and its aftermath. Judith Butler offers an accessible and original contribution to existing debates that will be an invaluable resource for students and scholars alike.
Work Time is a sociological overview of a complex web of relations that shapes much of our experience of work and life yet often goes without critical examination. Cynthia Negrey examines work time past and present, exploring structural economic change and the gender division of labor to ask: what are the historical, cultural, public policy, and business sources of current work-time practices? Topics addressed include work-time reduction in the US culminating in the 40-hour statute of 1938, recent trends in annual and weekly hours, overtime, part-time work, temporary employment, work-family integration, and international comparisons. She focuses on the US in a global context and explores how a new political economy of work time is taking shape. This book brings together existing knowledge from sociology, anthropology, history, labor economics, and family studies to answer its central question and will change the way upper-level students think about the time we devote to work.
Today we associate the Renaissance with painting, sculpture, and architecture—the “major” arts. Yet contemporaries often held the “minor” arts—gem-studded goldwork, richly embellished armor, splendid tapestries and embroideries, music, and ephemeral multi-media spectacles—in much higher esteem. Isabella d’Este, Marchesa of Mantua, was typical of the Italian nobility: she bequeathed to her children precious stone vases mounted in gold, engraved gems, ivories, and antique bronzes and marbles; her favorite ladies-in-waiting, by contrast, received mere paintings. Renaissance patrons and observers extolled finely wrought luxury artifacts for their exquisite craftsmanship and the symbolic capital of their components; paintings and sculptures in modest materials, although discussed by some literati, were of lesser consequence. This book endeavors to return to the mainstream material long marginalized as a result of historical and ideological biases of the intervening centuries. The author analyzes how luxury arts went from being lofty markers of ascendancy and discernment in the Renaissance to being dismissed as “decorative” or “minor” arts—extravagant trinkets of the rich unworthy of the status of Art. Then, by re-examining the objects themselves and their uses in their day, she shows how sumptuous creations constructed the world and taste of Renaissance women and men.
