This authoritative, new edition of the world's most loved songs and arias draws on original manuscripts, historical first editions and recent research by prominent musicologists to meet a high standard of accuracy and authenticity. Includes fascinating background information about the arias and their composers as well as a singable rhymed translation, a readable prose translation and a literal translation of each single Italian word.
This is the first comprehensive historical overview of music created by women from the 9th through the 20th centuries. Each volume features 10-25 complete musical scores or complete movements from multi-movement compositions--most of which have been previously inaccessible. Expert scholars provide original essays about the composers, including biographical information, a discussion of the music in historical context, and critical analysis of each work. Entries also include bibliography, a list of works by the composer, and a discography.
This collection of 32 songs celebrates the joy of singing with a potpourri of vocal gems in Italian. Lyrics are in Italian and English and each song is in piano/vocal format with guitar chords.
(Vocal Collection). Contents: Handel: V'adoro pupille (Giulio Cesare) Mozart: Porgi, amor (Le Nozze di Figaro) * Dove sono (Le Nozze Figaro) * Deh vieni, non tardar (Le Nozze di Figaro) * Bester Jungling (Der Schauspieldirektor) * Batti, batti, bel Masetto (Don Giovanni) * Vedrai carino (Don Giovanni) * Ach, ich fuhl's (Die Zauberflote) Beethoven: O war' ich schon mit dir vereint (Fidelio) C.M. von Weber: Kommt ein schlanker Bursch gegangen (Der Freischutz) Verdi: Caro nome (Rigoletto) * Saper vorreste (Un Ballo in Maschera) * Sul fil d'un soffio etesio (Falstaff) Gounod: The Jewel Song (Faust) * Ah! Je veux vivre (Romeo et Juliette) Bizet: Je dis que rien ne m 'epouvante (Carmen) Offenbach: Elle a fui, la tourterelle! (Les Contes d'Hoffmann) Massenet: Adieu, notre petite table (Manon) Leoncavallo: Ballatella (I Pagliacci) Puccini: Mi chiamano Mimi (La Boheme) * Donde lieta (La Boheme) * Quando men vo (La Boheme) * Un bel di (Madama Butterfly) * O mio babbino caro (Gianni Schicchi) * Signore, ascolta (Turandot) * Tu che di gel sei cinta (Turandot) Menotti: The Black Swan (The Medium) * Monica's Waltz (The Medium) Moore: Willow Song (The Ballad of Baby Doe) * The Silver Aria (The Ballad of Baby Doe) Mechem: Fair Robin, I love (Tartuffe).
This classic text, first published in 1972, has withstood the test of time as a teaching aid for English-speaking singers, teachers, coaches, and accompanists, in order that their art may be more communicative to the public. These word-by-word translations of songs and arias allow the artist to properly interpret and express the feelings and emotions that the words require at the proper time.
A sampling of the world's greatest Baroque and Classical arias. In addition to offering fascinating background information about the arias and their composers, the editor has corrected a multitude of errors which have accumulated over time, and has replaced Romantic-era misinterpretations with accompaniments that are faithful to historical styles. Includes word-by-word transcriptions into the International Phonetic Alphabet.
More great teaching material, at the same level as Volume 1. The contents, completely new and unduplicated from Volume 1, once again include American and English art songs, folk songs, sacred songs, and an introduction to singing in German, French, Italian, and Spanish. Over 30 songs in each book. Joan Boytim, who has emerged as the nationally recognized expert in the field of teaching pre-collegiate voice, has done exhaustive research in preparing these volumes.
(Vocal Collection). This indispensable volume is a great resource full of vast variety, useful for any singer trying to please any bride or groom. The selections are in five musical styles: classical/traditional, Broadway, standards in custom arrangements, pop/rock classics in custom arrangements, and contemporary Christian. CLASSICAL TRADITIONAL: Alleluja (Mozart) (high voice only) * Ave Maria (Bach/Gounod) * Ave Maria (Schubert) * Bist du bei mir (Stozel) * Dank sei Dir, Herr (Ochs) * Entreat Me Not to Leave Thee (Gounod) * Jesu, Joy of Man's Desiring (Bach) * Let the bright Seraphim (Handel, with trumpet part) (high voice only) * The Lord's Prayer (Malotte) * Mein glaubiges Herz (My Heart Ever Faithful) (Bach) * Now Thank We All Our God (arr. Walters) * Panis Angelicus (Franck) * Pur ti miro, pur ti godo (Monteverdi, duet from L'incoronazione di Poppea). BROADWAY: All Good Gifts (Godspell) * All I Ask of You (duet, The Phantom of the Opera) * And This Is My Beloved (Kismet) * The Greatest of These (Philemon) * More I Cannot Wish You (Guys and Dolls) * Some Enchanted Evening (South Pacific) * Someone like You (Jekyll & Hyde) * Sunrise, Sunset (Fiddler on the Roof) * Till There Was You (The Music Man) * Unexpected Song (Song & Dance). STANDARDS: All the Way * Fly Me to the Moon (In Other Words) * I Could Write a Book * Let It Be Me (Je T'appartiens) * The Promise (I'll Never Say Goodbye) * Starting Here, Starting Now * Time After Time * Walk Hand in Hand * The Way You Look Tonight * With a Song in My Heart. POP/ROCK CLASSICS: Annie's Song * Endless Love * Grow Old with Me * Here, There and Everywhere * I Will * In My Life * We've Only Just Begun * You Are So Beautiful * You Raise Me Up. CONTEMPORARY CHRISTIAN: How Beautiful * I Will Be Here * If You Could See What I See * Love of My Life * My Place Is with You * Parent's Prayer (Let Go of Two) * This Day * This Is the Day (A Wedding Song).
(Vocal Collection). For well over a century, the G. Schirmer edition of 24 Italian Songs & Arias of the 17th and 18th Centuries has introduced millions of beginning singers to serious Italian vocal literature. Offered in two accessible keys suitable for all singers, it is likely to be the first publication a voice teacher will ask a first-time student to purchase. The classic Parisotti realizations result in rich, satisfying accompaniments which allow singers pure musical enjoyment. For ease of practice, carefully prepared accompaniments are also available that were recorded by John Keene, a New York-based concert accompanist and vocal coach who has performed throughout the United States for radio and television. Educated at the University of Southern California, Keene has taught accompanying at the university level and collaborated with Gian Carlo Menotti and Thea Musgrave on productions of their operas.
