The production of pottery is one of the oldest of Mexican crafts. This book displays Mexican ceramics of the twentieth century organized by geographic area, style, family, and individual artisan. Based upon an exhibition of over 1,200 pieces, each color picture is accompanied by a detailed description of the piece, including, when possible, the artist, style, place of origin, date of production, and size of the piece.
* Deep insights the development of studio ceramics in Portugal* Comprehensive overview with a focus on the 1950s and 1960sIn a country known for its lively azulejos (tiles) and clay crafts, local studio pottery in Portugal has remained practically unknown, yet throughout the last century, a considerable number of potters and visual artists -- from Portugal as well as Germany, Hungary, and Mozambique, among other countries -- have created an original corpus of work. Based on what is probably the most comprehensive collection of local ceramic art, this publication discusses with greater detail 30 potters' work and is illustrated with over 200 ceramics. It covers the entire 20th century, but gives particular emphasis to the 1950s and 1960s, when there was a boom in interest for the discipline, and when both state and private patrons commissioned significant artworks. This is the first seminal study of such an eclectic production, aiming to become a standard reference for the general public, collectors, and museum curators.
Produced for the novice collector of ceramics produced in the 20th century, this title covers a diverse range of pottery and ceramics. It aims to provides a starting point for all would-be collectors.
This detailed and comprehensive survey charts the entire history of British studio ceramics from the emergence of modern ceramics from the Victorian factories around 1900 to the wide variety of extraordinary work being produced today. All the best-known potters such as Leach, Hamada, Cardew, Rie, and Coper are examined in depth in terms of their different areas of interest and influence. An extensive appendix gives information on 200 leading makers with their identifying marks and cross-references with a list of museums where their work can be seen. Lavishly illustrated throughout with some 250 color photographs, this is a book for the collector needing in-depth information or for those who just want an introduction to this important and beautiful work.
This guide -- the first to cover a wide range of 20th-century North American and British ceramics factories in detail -- explores over 200 factories, covering pre-war designers, the innovative designs of the 1950s and 1960s and collectables of the future. Ellen Paul Denker is a museum consultant and researches, plans, and coordinates exhibitions all over the USA.
The first publication to focus on individual designers in ceramics over the whole 20th century. Covers all the major female designers with up to date findings. Also some male designers previously almost undocumented.
From the Inside Cover: The history of American ceramics from the celebration of the Centennial (1876) to the present day is rich, varied, and relatively undocumented. It is a period studded with men and women of genius, uncompromising ethical standards, and engaging eccentricity. The purpose of the exhibition at the Everson Museum of Art, Syracuse, New York, and this book based on it is to present the history of American ceramics, its aesthetic and its influence, and so provide a perspective. Comprised of over 400 pieces, the majority of which are illustrated in this book, the exhibition and book span one hundred years of creative endeavor. In the decade-by-decade presentation, a variety of styles, philosophies, and techniques of ceramic artists is shown in this first study focusing on the role of ceramics in the modern, decorative, and fine arts of the United States. The journey of self-discovery and purpose that is surveyed here is an extraordinary one. It takes the ceramic medium in the United States from an imitative, exploratory stance in the late nineteenth century to a vanguardist role in the 1950s and beyond. The achievement is twofold. On the one hand, the American ceramists had established a beachhead for a traditional craft medium in the fine arts, redefining the vessel aesthetic and presenting ceramic sculpture as an intimate and meaningful alternative to the cerebral quality of postwar metal sculpture. More broadly, however, it reflects the triumph of a nation that has been able to achieve a cultural voice and identity through the arts in the brief space of one hundred years.
A landmark survey of the formative years of American studio ceramics and the constellation of people, institutions, and events that propelled it from craft to fine art
"Published in conjunction with the exhibition Great pots: contemporary ceramics from function to fantasy at The Newark Museum, February 14-June 1, 2003"--T.p. verso.
