20th Century American Folk, Self-taught, and Outsider Art

20th Century American Folk, Self-taught, and Outsider Art

Author: Betty-Carol Sellen

Publisher: Neal-Schuman Publishers

Published: 1993

Total Pages: 504

ISBN-13:

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The biographical section of this resource records 1000 US artists. Other sections contain lists of museums with folk, self-taught and outsider art in their permanent collections; galleries; organisations; publications; exhibitions; educational opportunities; and an annotated bibliography.


Self-taught Artists of the 20th Century

Self-taught Artists of the 20th Century

Author: Elsa Weiner Longhauser

Publisher: Chronicle Books (CA)

Published: 1998

Total Pages: 264

ISBN-13:

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Today the work of so-called "outsider" artists is receiving unprecedented attention. This major critical appraisal of America's 20th-century self-taught artists coincides with a major 1998 traveling exhibition organized by the Museum of American Folk Art in New York. While some of these artists have received critical recognition, others remain virtually unknown, following their muse regardless. 150 color images.


Outsider Art of the South

Outsider Art of the South

Author: Kathy Moses

Publisher: Schiffer Publishing

Published: 1999

Total Pages: 0

ISBN-13: 9780764307294

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An intimate glimpse into the lives and work of 34 self-taught artists. Over 400 color photos show a wide range of artwork that has been called Outsider, Visionary, and Folk. Whatever the labels, the work is passionate, religious, fantastic, heartrending, cryptic, naive, and compelling. What could be more exciting?


Self-Taught and Outsider Art

Self-Taught and Outsider Art

Author: Anthony Petullo

Publisher:

Published: 2005-01-27

Total Pages: 240

ISBN-13: 0252072774

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A collection of self-taught and outsider art with a European representation of artists.


American Self-taught

American Self-taught

Author: Frank Maresca

Publisher: Alfred A. Knopf

Published: 1993

Total Pages: 328

ISBN-13:

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Cent peintres autodidactes américains du vingtième siècle - incluant Victor Duena, la Soeur Gertrude Morgan, Henry Darger et Freddie Brice, avec 260 reproductions toutes en couleurs de leurs oeuvres.


Coming Home!

Coming Home!

Author: Carol Crown

Publisher: Univ. Press of Mississippi

Published: 2004

Total Pages: 220

ISBN-13: 9781578066599

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A fascinating examination of the Bible's influence on seventy-three self-taught artists and 122 works of art


Self-taught Artists of the 20th Century

Self-taught Artists of the 20th Century

Author: Elsa Weiner Longhauser

Publisher: Chronicle Books Llc

Published: 1998

Total Pages: 256

ISBN-13: 9780811820998

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A catalogue to a major travelling exhibition which examines the creative spirit and expressive capacity of artists without formal training. These artists come from a variety of places and a cross section of society, and their art deals with many defining issues of the twentieth century.


Black Folk Art in America, 1930-1980

Black Folk Art in America, 1930-1980

Author: Jane Livingston

Publisher:

Published: 1982

Total Pages: 196

ISBN-13:

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Forms from African and American popular arts, photojournalism, advertising, voodoo and the landscape reflect oral traditions of black culture: rural legends, popular history, Biblical stories, revivalism. No index. Annotation copyrighted by Book News, Inc., Portland, OR


Outsider Art

Outsider Art

Author: Roger Cardinal

Publisher:

Published: 1972

Total Pages: 200

ISBN-13:

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A look at twenty-nine artists who are "outside culture," unencumbered by "all kinds of cultural, social, indeed psychological prejudices."--p. 7.


Gatecrashers

Gatecrashers

Author: Katherine Jentleson

Publisher: University of California Press

Published: 2020-04-07

Total Pages: 264

ISBN-13: 0520303423

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After World War I, artists without formal training “crashed the gates” of major museums in the United States, diversifying the art world across lines of race, ethnicity, class, ability, and gender. At the center of this fundamental reevaluation of who could be an artist in America were John Kane, Horace Pippin, and Anna Mary Robertson “Grandma” Moses. The stories of these three artists not only intertwine with the major critical debates of their period but also prefigure the call for inclusion in representations of American art today. In Gatecrashers, Katherine Jentleson offers a valuable corrective to the history of twentieth-century art by expanding narratives of interwar American modernism and providing an origin story for contemporary fascination with self-taught artists.