An intriguing and very sexy collection of Bloomsbury painter Duncan Grant's personal erotica. Often executed on mere scraps of paper they leave us in absolutely no doubt about his sexual desire. These small drawings can be very beautiful in their depiction of gay sex and also incredibly humorous.
This Bulletin presents new discoveries and historical documentation on the preeminent New York cabinetmaker George A. Schastey, illuminating his life and his under-appreciated body of work while providing the first in-depth analysis of the Worsham-Rockefeller house and its patron Arabella Worsham.
This is the first book on the history of the virtually unknown phenomenon of the importation of Continental church furniture into England since the early 19th century, fuelled by the Romantic mediaevalising enthusiasm of Pugin and the Catholic Revival, as well as the eccentric whims of the Anglican Squiresons. It is well illustrated throughout, with over 100 pieces, from pulpits to choir stalls, discussed in detail. There is also an invaluable gazeteer of the main English churches containing fragments of this material.
A specialist in Asian art at Sotheby's, Mason presents a very useful introduction to a complicated subject. He begins with an essay on the history of Asia, which despite its brevity will be useful for the collector targeted by this book. Individual chapters range from ceramics and metalwork to prints, paintings, and textiles; the chapter on "The Artisan and Craftsman" examines the quality, condition, and authenticity of works in areas such as arms, armor, glass, ivory, and jewelry. The book contains appendixes of chronological tables and major marks on Chinese and Japanese works of art, as well as an index and a fine bibliography. The narrative does not confuse readers new to the subject with excessive detail, and the photographs are clear and very instructive. A beautiful book at a reasonable price, this volume contains an amazing wealth of information on a very broad subject. Recommended for both public and academic libraries.-Martin Chasin, Adult Inst., Bridgeport, CT Copyright 2003 Reed Business Information.
From the contents:0Chapter 1: Summary of Principle Findings0Chapter 2: The global art market in 20130Chapter 3: Changing patterns of global wealth0Chapter 4: The global cross border trade0Chapter 5: Focus on the art market in the US0Chapter 6: Focus on the art market in China0Chapter 7: Economic impact of the market.
This monograph covers a fifty-year period from 1946-1996 in the life's work of the renowned African-American artist Elizabeth Catlett. Catlett was born and raised in Washington, DC. She received her B.A. in painting from Howard University in Washington and her M.F.A. in sculpture from the University of Iowa. From the beginning of her career as an artist and a teacher in the early 1940s, Catlett's themes have reflected her concerns for social injustice, the human condition, and her life as an African-American woman and mother. Formally, her sculpture draws upon African and pre-Columbian traditions, as well as early modernism in Europe, the United States and Mexico. For a period of twenty years Catlett was involved with the Taller de Grafica Popular, a collaborative print-making workshop that addressed the concerns of working people. She has exhibited her work internationally and it is represented in the collections of the Metropolitan Museum of Art, The Museum of Modern Art and The Studio Museum of Harlem in New York City, among many others.