These plays were either produced during the 2003 theatrical season or written expressly for these volumes. Some are by well-known playwrights, but most are from "new voices" in the theater. Also, most of these plays feature characters who are 35 or younger to help acting students looking for plays to work on in class and young actors looking for plays to do in showcases.
Collected from theaters across America, this new ten-minute collection of 26 plays reveals the power and pleasures of this tightly knit form. Plays for One Man and One WomanThe First Time Out of Bounds by P. Seth BauerBethlehem, PA. by Suzanne BradbeerThe Ghost of Red Roses by David CironeStrange Attractions by David EpsteinCloudy by Michael Griffo5G/10B by Michael GriffoThe Record by Deborah Zoe LauferBoxes by Wendy MacLeodDecoding Fruit by Molly Smith MetzlerThe Orphans by Allison MooreBedtime Stories by Brian MoriThe Morning After by Carey PerloffOn the Edge by Craig Pospisil2B (or Not 2B) Part One by Jacquelyn Reingold2B (or Not 2B) Part Two by Jacquelyn ReingoldAurolac Blues by Saviana StanescuA Medical Breakthrough by Frederick StroppelBrother/Bar by Jeff TabnickFoul Territory by Craig WrightI Think You Think I Love You by Kelly YoungerPlays for Two WomenHalasana by Kayla S. CaganWoman of the Theatre by Julie JensenCreatrix by Don NigroDifferent by Lisa SolandDance by Greg ZittelPlays for Two MenTennessee Ten Minute by Dan O?BrienD. L. LEPIDUS is a freelance critic and editor who has covered the New York theater scene for more than twenty-five years. Since 1993, his work has appeared in theater columns for Chelsea Clinton News and the Westsider.
The hottest collection of 10-minute plays by American playwrights for 2009, The Best Ten-Minute Plays of 2008 for 2 Actors is part of the essential 2-book set for producers looking for high-quality plays and professors who need relevant and engaging material for their class work. Lawrence Harbison has assembled the most compelling comedies, dramas, fantasies, and mysteries of the year a chronicle of what this year's playwrights had to say about the world around them.Plays for One Man and One WomanApricot Sunday by Ed Cardona, Jr.The A-Word by Linda Faigao-HallBride on the Rocks by David WienerCell Mates by Molly Best TinsleyThe Charm of the British by Laura CottonDrury Lane by Don NigroEinstein + the Angels by Laura HarringtonEsla and Frinz Go Partying by Bruce ShearerFlooding by Jami BrandliFuck Tori Amos by Caitlin Montanye ParrishA Funeral Home in Brooklyn by David JohnstonGodfrey by Ian AugustA Great-Looking Boat by Joan AckermannHappy No-Lidays by Keythe FarleyI Have It by Bekah BrunstetterParis Snatch by Brian DykstraThe Passion of Merlin and Vivien in the Forest of Broceliande byDon NigroSigns of Life by Frederick StroppelSkin & Bones by Julian SheppardSpecter (or, Broken Down by Age & Sex) by Neena BeberThat Thing by John ShanahanTongue, Tied by M. Thomas CooperPlays for Two MenDownstairs, Upstairs by Wendy MacLeodRats by Ron FitzgeraldThe Train Ride by Daniel TalbottTwo from the Line by Michael Louis WellsPlays for Two WomenFarewell and Adieu by Jack NearyFemale Dogs by Barbara LindsayThe Giftbox by Francine VolpeHollywood Hills by Stephanie Alison WalkerAbout the AuthorFor over thirty years Lawrence Harbison was in charge of new play acquisition for Samuel French, Inc., during which time he was responsible for the first publication of such luminaries as Jane Martin, Don Nigro, Tina Howe, Theresa Rebeck, Jose Rivera, William Mastrosimone, Charles Fuller, and Ken Ludwig, among many others; and the acquisition of musicals such as SMOKE ON THE MOUNTAIN, PUMP BOYS AND DINETTES, A...MY NAME IS ALICE, and THREE GUYS NAKED FROM THE WAIST DOWN. He is currently Senior Editor for Smith and Kraus Publishers, Inc., the nation's largest theatrical trade publisher, for whom he edits annual anthologies of best plays by new playwrights, best ten-minute plays, best monologues for men and for women and best stage scenes. For many years he wrote a column on his adventures in the theater for the Chelsea News and The Westsider and now writes this weekly column for Smith and Kraus's web site smithandkraus.com. He has also served as literary manager orliterary consultant for several theaters, such as Urban Stages and American Jewish Theatre. He is a member of the NYC press corps and is an Outer Critics Circle member. He has served many times over the years as a judge and commentator for various national play contests and lectures regularly at colleges and universities.
Arranged by gender groupings, provides a selection of contemporary ten-minute plays by playwrights including David Henry Hwang, Tina Howe, Jon Jory, and Craig Lucas.
The hottest collection of 10-minute plays by American playwrights for 2009, The Best Ten-Minute Plays of 2008 for 3 or More Actors is part of the essential 2-book set for producers looking for high-quality plays and professors who need relevant and engaging material for their class work. Lawrence Harbison has assembled the most compelling comedies, dramas, fantasies, and mysteries of the year a chronicle of what this year's playwrights had to say about the world around them.Plays for Two Men and One WomanThe Adventures of . . . by Kathleen WarnockAntarctica by George FreekHow to Survive in Corporate America (A Manual in Eight Steps) by Ian AugustIn the Trap by Carl L. WilliamsMoon Man by Jami BrandliOctober People by Mark LambeckThe Other Shoe by Lisa SolandThe Perfect Red by Paola Soto HornbuckleSqualor by Gina GionfriddoThree Turkeys Waiting for Corncobs by Don NigroTo Darfur by Erik Christian HansonWhatever Happened to Finger Painting, Animal Crackers, andAfternoon Naps? by Nora ChauPlays for One Man and Two WomenThe Answer by Vanessa DavidDo-Overs by Larry HammGloom, Doom, and Soul-Crushing Misery by Robin Rice LichtigThe Growth by Chris Shaw SwansonMeasuring Matthew by Patrick GabridgeNight Terrors by Wendy MacLeodZachary Zwillinger Eats People by Lauren D. YeePlays for Three WomenThe Baby War by Laura CottonSexual Perversity in Connecticut by Mike FolieSister Snell by Mark TroyPlays for Three MenCurrent Season by Vanessa DavidThe Title Fight by Ian AugustPlays for Two Men and Two WomenIntervention by Mark LambeckPlays for Three Men and One WomanGuys, Only Guys! by Jerome ParissePlays for Two Men and Three WomenThe Birthday Knife by Jerome ParissePlays for Three Men and Three WomenCabfare for the Common Man by Mark Harvey LevinePlays for Four Men and One WomanA Case of Anxiety by Mark Harvey LevineFear of Spheres by Lisa LoomerAbout the AuthorFor over thirty years Lawrence Harbison was in charge of new play acquisition for Samuel French, Inc., during which time he was responsible for the first publication of such luminaries as Jane Martin, Don Nigro, Tina Howe, Theresa Rebeck, Jose Rivera, William Mastrosimone, Charles Fuller, and Ken Ludwig, among many others; and the acquisition of musicals such as SMOKE ON THE MOUNTAIN, PUMP BOYS AND DINETTES, A...MY NAME IS ALICE, and THREE GUYS NAKED FROM THE WAIST DOWN. He is currently Senior Editor for Smith and Kraus Publishers, Inc., the nation's largest theatrical trade publisher, for whom he edits annual anthologies of best plays by new playwrights, best ten-minute plays, best monologues for men and for women and best stage scenes. For many years he wrote a column on his adventures in the theater for the Chelsea News and The Westsider and now writes this weekly column for Smith and Kraus's web site smithandkraus.com. He has also served as literary manager or literary consultant for several theaters, such as Urban Stages and American Jewish Theatre. He is a member of the NYC press corps and is an Outer Critics Circle member. He has served many times over the years as a judge and commentator for various national play contests and lectures regularly at colleges and universities.
This book is written for the beginning or seasoned playwright, as well as for actors (or anyone) wishing to attempt their first ten-minute play. Every aspect of writing a ten-minute play is covered, from perking with an idea, to starting the play, to developing it, to effective rewriting, to completing it, even to how to get the most out of readings of your play once you've finished it. Writing the 10-Minute Play also reveals the best ways to market your play and includes an extensive listing of ten-minute play contests. The guide contains many in-depth interviews with international playwrights who have had substantial success with their ten-minute plays, as well as publishers of ten-minute plays and producers of ten-minute play festivals. Included as well are several award-winning ten-minute plays, followed by a discussion by the respective playwrights on how they went about creating their play, from start to finish. The final chapter offers tips and suggestions from artistic directors of ten-minute play festivals and from well-known playwrights whose ten-minute plays have received awards and publishing deals.
Collected from theaters across America, this new ten-minute collection of 23 plays reveals the power and pleasures of this tightly knit form. Plays for 3 Actors:Shot Americans (3W) by Kayla CaganLarry Gets the Call (2W, 1M) by Matt CasarinoShades (1W, 2M) by Mark Harvey LevineEvery Man (2W, 1M) by Michael NiedermanMolly Whuppie (2W, 1M) by Don NigroIt's Called Development (3W) by Anne PhelanAn Ongoing Examination of the True Meaning of Life (2W, 1M or 1W, 2M) by S. W. SenekPistachio Stories (2W, 1M) by Laura ShamasThe Searcher (1W, 2M) by Frederick StroppelMore (1W, 2M) by Jeff TabnickWeird Water (1W, 2M) by Robert Lewis VaughanDead Boy (2W, 1M) by Craig WrightPlays for 4 Actors:Vinny's Vision (4M) by Jim GordonBetting the Karmic House (1W, 3M or 2W, 2M) by Bill JohnsonInfant Morality (3W, 1M) by Craig PospisilHow to Speak Man (4M) by Sharyn RothsteinRemind Me Again (3W, 1M) by Sharyn RothsteinHell Hath Three Furies (3W, 1M) by Aoise StratfordA Moment of Your Undivided Attention (3W, 1M) by Alina TrowbridgePlays for 5 Actors:Tina at the Times or Below the Fold (2W, 3M) by Wendy MacLeodPlays for 6 or More ActorsToys in Babeland (1W, 8M) by Delilah GomezAt the time (5W, 3M) by Winter MillerSmall World (3W, 3M) by Tracey Scott WilsonD. L. LEPIDUS is a freelance critic and editor who has covered the New York theater scene for more than twenty-five years. Since 1993, his work has appeared in theater columns for Chelsea Clinton News and the Westsider.
The Director as Collaborator teaches essential directing skills while emphasizing how directors and theater productions benefit from collaboration. Good collaboration occurs when the director shares responsibility for the artistic creation with the entire production team, including actors, designers, stage managers, and technical staff. Leadership does not preclude collaboration; in theater, these concepts can and should be complementary. Students will develop their abilities by directing short scenes and plays and by participating in group exercises. New to the second edition: updated interviews, exercises, forms, and appendices new chapter on technology including digital research, previsualization and drafting programs, and web-sharing sites new chapter on devised and ensemble-based works new chapter on immersive theater, including material and exercises on environmental staging and audience–performer interaction
