Although war memoirs constitute a rich, varied literary form, they are often dismissed by historians as unreliable. This collection of essays is one of the first to explore the modern war memoir, revealing the genre’s surprising capacity for breadth and sophistication while remaining sensitive to the challenges it poses for scholars. Covering conflicts from the Napoleonic era to today, the studies gathered here consider how memoirs have been used to transmit particular views of war even as they have emerged within specific social and political contexts.
Examining the effect of new technology on the science of prosopography, this academic text also discusses the role of the British Academy and parallel European institutions in developing prosopographical research on the Later Roman Empire, Byzantine, Anglo-Saxon and other time periods.
This compelling and often traumatic book is the memoir of one of the most important figures in modern Russian history, Dmitry S. Likhachev, revered as ‘a guardian of national culture’. Reflections on the Russian Soul is an incredible account of an intellectual’s turbulent journey through twentieth century Russia. Likhachev re-counts the fortunes of people with whom he came into contact and reproduces the air of passed years in Russia. Likhachev vividly portrays his childhood years in St. Petersburg and continues into his student life at Leningrad University that led to an agonizing period of imprisonment and near death. He describes how a harmless prank caught the attention of the Secret Police, resulting in his exile and confinement within the infamous prison island of Solovki. He describes his first-hand experience of brutality in prison during the early Stalin years and the incident that not only saved him but also haunted him for the rest of his life. He reflects on the years after his release from prison and the events leading up to the Second World War. His powerful recollection of the blockade of Leningrad provides the reader with a horrific insight into the harsh effects of war, hunger and survival. Lichachev goes on to describe post-war Russia and how his own livelihood developed from literary editor to a return to Leningrad University as Professor of History. This compelling autobiography finishes with Likhachev’s poignant return to Solovki as a free man.
Annotation This is Vol 3 of the Handbook of Industrial Organization series (HIO). Vols 1 & 2 published simultaneously in 1989 under the editorship of Richard Schmalensee and Robert Willig. Many of the chapters in these successful volumes were widely cited and appeared on graduate reading lists, and some continue to appear even recently. Since the first volumes published, the field of industrial organization has continued to evolve. As the editors acknowledge in the Preface, these volumes had some gaps and this new volume aims to fill some of those gaps. The aim is to serve as a source, reference and teaching supplement for industrial organization, or industrial economics, the microeconomics field that focuses on business behavior and its implications for both market structures and processes, and for related public policies. The first two volumes of the HIO appeared at roughly the same time as Jean Tirole's book The Theory of Industrial Organization. Together they helped revolutionize the teaching of industrial organization, and provided a state-of-the-art summary. Tirole's book is concerned with the relevant theory, and several reviewers noted that the first two volumes of HIO contained much more discussion of the theoretical literature than of the empirical literature. In most respects, this imbalance was an accurate reflection of the field. Since then, the empirical literature has flourished, while the theoretical literature has continued to grow, and this new volume reflects that change of emphasis. *Part of the renown Handbooks in Economics series *Chapters are contributed by some of the leading experts in their fields. *A source, reference and teaching supplement for industrial organizations, or industrial economicists.
To face reality is to embrace change; to resist change is to suffer. This is the liberating insight that unfolds with Living as a River. A masterful investigation of the nature of self, this eloquent blend of current science and time-honored spiritual insight is meant to free us from the fear of impermanence in a world defined by change. “An interesting, lively, and genuinely illuminating teaching of dharma.” —Jack Kornfield, author of A Path with Heart: A Guide Through the Perils and Promises of Spiritual Life “At a time when it's increasingly challenging to find clear and honest direction on the spiritual path, Living as a River offers contemporary insight into an ancient practice and wise counsel we can trust. This book is both beautifully written and useful to all serious seekers.” —Mariana Caplan, PhD, author of Eyes Wide Open: Cultivating Discernment on the Spiritual Path and Halfway Up the Mountain: The Error of Premature Claims to Enlightenment The primary vehicle for this journey is Buddhism's traditional Six Element Practice, a deconstructive process of deep reflection that helps us let go of the belief in a separate, static self—the root of unhappiness. Bodhipaksa takes readers through a systematic yet poetic analysis of the self that supports the realization of: A sense of spaciousness and expansiveness that transcends the limitations of the physical bodyProfound gratitude, awe, and a feeling of belonging as we witness the extent of our connectedness with the universeFreedom from the psychological burden caused by clinging to a false identityThe relaxed experience of “consciousness, pure and bright”Engrossing and incisive, Living as a River is at once an empowering guide and a meditative practice we can turn to again and again to overcome our fear of change and align joyfully with the natural unfolding of creation.
In this brief book one of the most distinguished living American philosophers takes up the question of whether ethical judgments can properly be considered objective--a question that has vexed philosophers over the past century. Reviewing what he deems the disastrous consequences of ontology's influence on analytic philosophy--in particular, the contortions it imposes upon debates about the objective of ethical judgments--Putnam proposes abandoning the very idea of ontology.
We know Shakespeare's writings only from imperfectly-made early editions, from which editors struggle to remove errors. The New Bibliography of the early twentieth century, refined with technological enhancements in the 1950s and 1960s, taught generations of editors how to make sense of the early editions of Shakespeare and use them to make modern editions. This book is the first complete history of the ideas that gave this movement its intellectual authority, and of the challenges to that authority that emerged in the 1980s and 1990s. Working chronologically, Egan traces the struggle to wring from the early editions evidence of precisely what Shakespeare wrote. The story of another struggle, between competing interpretations of the evidence from early editions, is told in detail and the consequences for editorial practice are comprehensively surveyed, allowing readers to discover just what is at stake when scholars argue about how to edit Shakespeare.
This study develops the important work carried out on American literature through the frameworks of transnational, transatlantic, and trans-local studies to ask what happens when these same aspects become intrinsic to the critical narrative. Much cultural criticism since the 1990s has sought to displace perceptions of American exceptionalism with broader notions of Atlanticism, transnationalism, world-system, and trans-localism as each has redefined the US and the world more generally. This collection shows how the remapping of America in terms of global networks, and as a set of particular localities, or even glocalities, now plays out in Americanist scholarship, reflecting on the critical consequences of the spatial turn in American literary and cultural studies. Spanning twentieth and twenty-first century American poetry, fiction, memoir, visual art, publishing, and television, and locating the US in Caribbean, African, Asian, European, and other contexts, this volume argues for a re-modelling of American-ness with the transnational as part of its innate rhetoric. It includes discussions of travel, migration, disease, media, globalization, and countless other examples of inflowing. Essays focus on subjects tracing the contemporary contours of the transnational, such as the role of the US in the rise of the global novel, the impact of Caribbean history on American thought (and vice versa), transatlantic cultural and philosophical genealogies and correspondences, and the exchanges between the poetics of American space and those of other world spaces. Asking questions about the way the American eye has traversed and consumed the objects and cultures of the world, but how that world is resistant, this volume will make an important contribution to American and Transatlantic literary studies.