20 Years: the Acquisitions of the Musée Du Quai Branly

20 Years: the Acquisitions of the Musée Du Quai Branly

Author: Yves Le Fur

Publisher: Skira Paris

Published: 2019

Total Pages: 0

ISBN-13: 9782370741202

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The Musée du quai Branly in Paris, opened in 2006, is home to over 450,000 works from the indigenous cultures of Africa, Asia, Oceania and the Americas. The vast majority of these pieces were formerly housed in the Musée national des Arts d'Afrique et d'Océanie (now closed) and in the ethnographic department of the Musée de l'Homme. Since its inception in 1998, the Quai Branly museum newly acquired 77,082 of those works, including 15,587 objects and 61,225 graphic works and photographs. 20 Years provides a behind-the-scenes look at the formation of the museum, and the growth of its collection through the acquisition process. With over 400 images, 20 Years includes contributions from ten department heads and others at the museum, discussing their decision process for acquiring new items and the new research opportunities enabled by 20 years' worth of acquisitions.


Recent Acquisitions: A Selection: 2018–20: Part II: Late Eighteenth Century to Contemporary

Recent Acquisitions: A Selection: 2018–20: Part II: Late Eighteenth Century to Contemporary

Author: Ian Alteveer

Publisher: Metropolitan Museum of Art

Published:

Total Pages: 52

ISBN-13:

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The second volume in a special two-part edition of Recent Acquisitions, this Bulletin celebrates works acquired by the Museum in 2019 and 2020, many of which were gifts bestowed in honor of the Museum’s 150th anniversary year. Highlights of this volume include Jean-Baptise Carpeaux’s astonishing portrayal of an African woman in the marble sculpture Why Born Enslaved!, a monumental storage jar by African American potter and poet David Drake, an exquisite lacquer mirror case depicting an 1838 meeting between the crown prince of Iran and the tsar of Russia, and Carmen Herrera’s abstract work dating to 1949, Iberic. This publication also honors the many generous contributions from donors that make possible the continued growth of The Met's collection.


Paris Primitive

Paris Primitive

Author: Sally Price

Publisher: University of Chicago Press

Published: 2007-10-15

Total Pages: 251

ISBN-13: 0226680703

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In 1990 Jacques Chirac, the future president of France and a passionate fan of non-European art, met Jacques Kerchache, a maverick art collector with the lifelong ambition of displaying African sculpture in the holy temple of French culture, the Louvre. Together they began laying plans, and ten years later African fetishes were on view under the same roof as the Mona Lisa. Then, in 2006, amidst a maelstrom of controversy and hype, Chirac presided over the opening of a new museum dedicated to primitive art in the shadow of the Eiffel Tower: the Musée du Quai Branly. Paris Primitive recounts the massive reconfiguration of Paris’s museum world that resulted from Chirac’s dream, set against a backdrop of personal and national politics, intellectual life, and the role of culture in French society. Along with exposing the machinations that led to the MQB’s creation, Sally Price addresses the thorny questions it raises about the legacy of colonialism, the balance between aesthetic judgments and ethnographic context, and the role of institutions of art and culture in an increasingly diverse France. Anyone with a stake in the myriad political, cultural, and anthropological issues raised by the MQB will find Price’s account fascinating.


The Anticolonial Museum

The Anticolonial Museum

Author: Bruno Brulon Soares

Publisher: Taylor & Francis

Published: 2023-08-18

Total Pages: 183

ISBN-13: 1000932699

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The Anticolonial Museum acknowledges some of the consequences of colonialism in the current work of museums. Looking at museum theory in a critical way, it proposes a radical revision of museums’ rhetoric on decolonisation, as well as their public image and practices. Bringing together a collection of reflections on decolonisation through the observation of museum performance and discourse, the author considers current practices in response to the social claims of marginalised groups and activists. Drawing from a genealogy of decolonial thinking in museology, Brulon Soares identifies the inherent paradoxes reflected in museum work. The book’s focus is not exclusively on the reality of colonised countries, nor on the context of former imperialist nations—instead, it raises anticolonial questions, finding common ground between the different actors involved in the museum: scholars, students, curators, practitioners, community members and Indigenous creators. One of the central aims of this book is to view the museum as a locus for multiple enunciations, thus identifying in museum practice the active possibility of reconnecting subjectivities and restoring material fluxes to effectively repair the bonds that have been frayed by colonialism and an expanding modernity. The Anticolonial Museum will be of great interest to researchers and students engaged in the study of decolonisation. It will also be essential for practitioners who wish to reconsider the impact of coloniality on their own position and everyday practice.


Getty Research Journal, No. 13

Getty Research Journal, No. 13

Author: Gail Feigenbaum

Publisher: Getty Publications

Published: 2021-03-09

Total Pages: 226

ISBN-13: 1606067168

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The Getty Research Journal features the work of art historians, museum curators, and conservators around the world as part of Getty’s mission to promote the presentation, conservation, and interpretation of the world’s artistic legacy. Articles present original scholarship related to Getty collections, initiatives, and broad research interests. This issue features essays on a Parthian stag rhyton and new epigraphic and technical discoveries; gendered devotion and owner portraits in illuminated manuscripts from northern France around 1300; a technical analysis of heraldic devices in a missal from Renaissance Bologna; a new social and collective practice of drawing among French architect pensionnaires of the 1820s and 1830s at Pompeii; artist Malvina Hoffman’s representations of race during her travels to Southeastern Europe as part of her work with the American Yugo-Slav Relief; Raimundo de Madrazo y Garreta’s painting Reverie—The Letter and the small-world sensation as a methodology for global art history; arguments that disprove the attribution of the J. Paul Getty Museum’s sculpture Head with Horns to artist Paul Gauguin; Head with Horns and Gauguin’s creative appropriation of objects; and the unpublished first draft of critic Clement Greenberg’s essay "Towards a Newer Laocoon."


French Primitivism and the Ends of Empire, 1945-1975

French Primitivism and the Ends of Empire, 1945-1975

Author: Daniel J. Sherman

Publisher: University of Chicago Press

Published: 2011-11-15

Total Pages: 307

ISBN-13: 0226752690

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For over a century, the idea of primitivism has motivated artistic modernism. Focusing on the three decades after World War II, known in France as “les trentes glorieuses” despite the loss of most of the country’s colonial empire, this probing and expansive book argues that primitivism played a key role in a French society marked by both economic growth and political turmoil. In a series of chapters that consider significant aspects of French culture—including the creation of new museums of French folklore and of African and Oceanic arts and the development of tourism against the backdrop of nuclear testing in French Polynesia—Daniel J. Sherman shows how primitivism, a collective fantasy born of the colonial encounter, proved adaptable to a postcolonial, inward-looking age of mass consumption. Following the likes of Claude Lévi-Strauss, Andrée Putman, and Jean Dubuffet through decorating magazines, museum galleries, and Tahiti’s pristine lagoons, this interdisciplinary study provides a new perspective on primitivism as a cultural phenomenon and offers fresh insights into the eccentric edges of contemporary French history.


Proceedings of the XVth International Conference of Ethiopian Studies, Hamburg, July 20-25, 2003

Proceedings of the XVth International Conference of Ethiopian Studies, Hamburg, July 20-25, 2003

Author: Siegbert Uhlig

Publisher: Otto Harrassowitz Verlag

Published: 2006

Total Pages: 1140

ISBN-13: 9783447047999

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The XVth International Conference of Ethiopian Studies took place in Hamburg in July 2003. More than 400 scientists from over 25 countries participated. 130 contributions from the program were selected for this volume. They are mostly written in English and deal on the regions of Ethiopia and Eritrea and cover the span from the 4th Century to the present. The volume is divided into the following chapters: Anthropology (20 Articles), History (25), Arts (10), Literature and Philology (10), Religion (5), Languages and Linguistics (25), Law and Politics (10), Environmental, Economic and Educational Issues (10).