European Art of the Eighteenth Century

European Art of the Eighteenth Century

Author: Daniela Tarabra

Publisher: Getty Publications

Published: 2008

Total Pages: 390

ISBN-13: 9780892369218

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"The Art Through the Century series introduces readers to important visual vocabulary of Western art."--Back cover.


The Power of Color

The Power of Color

Author: Marcia B. Hall

Publisher: Yale University Press

Published: 2019-01-01

Total Pages: 305

ISBN-13: 0300237197

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This beautifully illustrated volume explores the history of color across five centuries of European painting, unfolding layers of artistic, cultural, and political meaning through a deep understanding of technique.


European Art of the Seventeenth Century

European Art of the Seventeenth Century

Author: Rosa Giorgi

Publisher: Getty Publications

Published: 2008

Total Pages: 384

ISBN-13: 9780892369348

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This volume presents the most noteworthy concepts, artists, and cultural centers of the seventeenth century through a close examination of many of its greatest paintings, sculptures, and buildings. The Baroque, rooted in classicism but with a new emphasis on emotionalism and naturalism, was the leading style of the seventeenth century. The movement exhibited both stylistic complexity and great diversity in its subject matter, from large religious works and history paintings to portraits, landscapes, and scenes of everyday life. Masters of the era included Caravaggio, whose innovations in the dramatic uses of light and shadow influenced many of the century's artists, notably Rembrandt; the sculptor, painter, and architect Bernini, with his combination of technical brilliance and expressiveness; and other familiar names such as Rubens, Poussin, Velázquez, and Vermeer. This was the era of absolute monarchs, including Spain's Habsburgs and Louis XIII and XIV of France, whose artistic patronage helped furnish their opulent palaces. But a new era of commercialism, in which artists increasingly catered to affluent collectors of the professional and merchant classes, also flourished.


Nineteenth-century European Art

Nineteenth-century European Art

Author: Petra ten-Doesschate Chu

Publisher: Prentice Hall Art History

Published: 2006

Total Pages: 562

ISBN-13:

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This survey explores the history of nineteenth-century European art and visual culture. Focusing primarily on painting and sculpture, it places these two art forms within the larger context of visual culture including photography, graphic design, architecture, and decorative arts. In turn, all are treated within a broad historical framework to show the connections between visual cultural production and the political, social, and economic order of the time. Topics covered include The Classical Paradigm, Art and Revolutionary Propaganda In France, The Arts under Napoleon and Francisco Goya and Spanish Art at the Turn of the Eighteenth Century. For art enthusiasts, or anyone who wants to learn more about Art History.


Art of Painting and Drawing Animals

Art of Painting and Drawing Animals

Author: Fredric Sweney

Publisher: Courier Dover Publications

Published: 2020-11-18

Total Pages: 201

ISBN-13: 0486844781

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Practical guide makes it easier for beginners as well as advanced artists to paint everything from dogs, cats, and deer to birds, sheep, and goats. 236 black-and-white illustrations, 26 in color.


Nineteenth-century European Paintings at the Sterling and Francine Clark Art Institute

Nineteenth-century European Paintings at the Sterling and Francine Clark Art Institute

Author: Sterling and Francine Clark Art Institute

Publisher: Clark Art Institute

Published: 2012

Total Pages: 0

ISBN-13: 9780300179651

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The core of the Clark's collection was assembled by Robert Sterling Clark (1877-1956), who once declared, "I like all kinds of art if it is good of its kind." This monumental, two-volume publication is the first fully documented catalogue of the Institute's collection of European paintings. The quality of this collection reflects the founder's philosophy in its inclusion of masterpieces as diverse as William-Adolphe Bouguereau's Nymphs and Satyr (1873) and Pierre-Auguste Renoir's A Box at the Theater (1880); works by academic painters such as Jean-Léon Gérôme; Barbizon painters such as Camille Corot and Jean-François Millet; and the Impressionists Camille Pissarro and Edgar Degas. More recent acquisitions include Théodore Rousseau's Farm in the Landes (1844-67) and Claude Monet's Rouen Cathedral (1894), and works by John Constable and J. M. W. Turner. Published on the 100th anniversary of Sterling Clark's first purchase of a European painting, these handsome volumes document each of the 374 paintings in the collection, with essays by prominent scholars, detailed bibliographic and art historical apparatus, technical notes, and over 450 color illustrations. Distributed for the Sterling and Francine Clark Art Institute


Realism in 20th Century Painting

Realism in 20th Century Painting

Author: Brendan Prendeville

Publisher:

Published: 2000

Total Pages: 224

ISBN-13: 9780500203361

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Predenville discusses the historical, artistic, and critical contexts in which painting has taken a realist turn. Color illustrations.


Painting the Century

Painting the Century

Author: Robin Gibson

Publisher:

Published: 2001

Total Pages: 284

ISBN-13:

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For art lovers everywhere, a beautiful collection of portraiture from 1920 to 2000, with over 100 master reproductions by Picasso, Bacon, Warhol, Dali and others in full-color.


Wounded Cities: The Representation of Urban Disasters in European Art (14th-20th Centuries)

Wounded Cities: The Representation of Urban Disasters in European Art (14th-20th Centuries)

Author:

Publisher: BRILL

Published: 2015-05-26

Total Pages: 227

ISBN-13: 9004300686

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Natural hazards punctuate the history of European towns, moulding their shape and identity: this book is devoted to the artistic representation of those calamities, from the late Middle Ages to the 20th century. It contains nine case studies which discuss, among others, the relationship between biblical imagery and the realistic depiction of urban disasters; the religious, political and ritual meanings of “destruction subjects” in early modern painting; the image of fire in Renaissance treatises on architecture; the first photographic campaigns documenting earthquakes’ damages; the role of contemporary art in the elaboration of a cultural memory of urban destructions. Thus, this book intends to address one of the main issues of Western civilization: the relationship of European towns with their own past and its discontinuities. Contributors are Alessandro Del Puppo, Isabella di Lenardo, Marco Folin, Sophie Goetzmann, Emanuela Guidoboni, Philippe Malgouyres, Olga Medvedkova, Fabrizio Nevola, Monica Preti and Tiziana Serena.