What is the meaning of 1968, a year which figures large in the social imaginary? This volume brings together leading social theorists as well as promising younger scholars to examine the phenomenon of '1968' from a number of innovative perspectives, including situating 1968 in global context. The first section includes chapters by leading scholars who were witness to the events, reflecting on untold narratives of race, gender and sexuality as well as weaving their own personal stories into the analysis. The second section critically addresses the standard theoretical concepts and assumptions of 1968. The final section examines 'other voices', examining the struggles of African students, immigrants in France, transgender peoples, and provides a critique of the notion of 'other voices'. The volume also explores if and when 1968 'ended'.
NATIONAL BESTSELLER • “In this highly opinionated and highly readable history, Kurlansky makes a case for why 1968 has lasting relevance in the United States and around the world.”—Dan Rather To some, 1968 was the year of sex, drugs, and rock and roll. Yet it was also the year of the Martin Luther King, Jr., and Bobby Kennedy assassinations; the riots at the Democratic National Convention in Chicago; Prague Spring; the antiwar movement and the Tet Offensive; Black Power; the generation gap; avant-garde theater; the upsurge of the women’s movement; and the beginning of the end for the Soviet Union. In this monumental book, Mark Kurlansky brings to teeming life the cultural and political history of that pivotal year, when television’s influence on global events first became apparent, and spontaneous uprisings occurred simultaneously around the world. Encompassing the diverse realms of youth and music, politics and war, economics and the media, 1968 shows how twelve volatile months transformed who we were as a people—and led us to where we are today.
#1 NATIONAL BESTSELLER. The definitive insider's account of American policy making in Vietnam. "Can anyone remember a public official with the courage to confess error and explain where he and his country went wrong? This is what Robert McNamara does in this brave, honest, honorable, and altogether compelling book."—Arthur Schlesinger, Jr. Written twenty years after the end of the Vietnam War, former Secretary of Defense Robert McNamara's controversial memoir answers the lingering questions that surround this disastrous episode in American history. With unprecedented candor and drawing on a wealth of newly declassified documents, McNamara reveals the fatal misassumptions behind our involvement in Vietnam. Keenly observed and dramatically written, In Retrospect possesses the urgency and poignancy that mark the very best histories—and the unsparing candor that is the trademark of the greatest personal memoirs. Includes a preface written by McNamara for the paperback edition.
The year “1968” marked the climax of protests that simultaneously captured most industrialized Western countries. The protesters challenged the institutions of Western democracies, confronting powerful, established parties and groups with an opposing force and public presence that negated traditional structures of institutional authority and criticized the basic assumptions of the post-war order. Exploring the effects the protest movement of 1968 had on the political, social, and symbolic order of the societies they called into question, this volume focuses on the consequences and echoes of 1968 from different perspectives, including history, sociology, and linguistics.
An Owl in a Hawk’s World: Top diplomat Llewellyn E Thompson was everywhere the Cold War was. Winner of the New Mexico/Arizona Book Award for Best Biography Winner of the New Mexico/Arizona Book Award for Best Biography Against the sprawling backdrop of the Cold War, The Kremlinologist revisits some of the twentieth century's greatest conflicts as seen through the eyes of its hardest working diplomat, Llewellyn E Thompson. From the wilds of the American West to the inner sanctums of the White House and the Kremlin, Thompson became an important advisor to presidents and a key participant in major global events, including the Cuban Missile Crisis and the Vietnam War. Yet unlike his contemporaries Robert S. McNamara and Dean Rusk, who considered Thompson one of the most crucial Cold War actors and the "unsung hero" of the Cuban Missile Crisis, he has not been the subject of a major biography—until now. Thompson's daughters Jenny and Sherry Thompson skillfully and thoroughly document his life as an accomplished career diplomat. In vigorous prose, they describe how Thompson joined the Foreign Service both to feed his desire for adventure and from a deep sense of duty. They also detail the crucial role he played as a negotiator unafraid of compromise. Known in the State Department as "Mr. Tightlips," Thompson was the epitome of discretion. People from completely opposite ends of the political spectrum lauded his approach to diplomacy and claimed him as their own. Refuting historical misinterpretations of the Berlin Crisis, the Austrian State Treaty, and the Cuban Missile Crisis, the Thompsons tell their father's fascinating story. With unprecedented access to Thompson's FBI dossier, State Department personnel files, letters, diaries, speeches, and documents, and relying on probing interviews and generous assistance from American and Russian archivists, historians, and government officials, the authors bring new material to light, including important information on the U-2, Kennan's containment policy, and Thompson's role in US covert operations machinery. This unique and monumental biography not only restores a central figure to history, it makes the crucial events he shaped accessible to a broader readership and gives contemporary readers a backdrop for understanding the fraught United StatesRussia relationship that still exists today.
1968 saw an extraordinary range of protests across much of the western world. Some of these were genuinely revolutionary - around ten million French workers went on strike and the whole state teetered on the brink of collapse. Others were more easily contained, but had profound longer-term implications; terrorist groups, feminist collectives, gay rights activists could all trace important roots to 1968. Bill Clinton and even Tony Blair are, in many ways, the product of that year. The Long '68 is a striking and original attempt half a century on to show how these events - from anti-war marches in the United States to revolts against Soviet oppression in eastern Europe - which in some ways still seem so current, stemmed from histories and societies that are in practice now extraordinarily remote from our own time. The book pursues the story into the 1970s to show both the ever more violent forms of radicalization that stemmed from 1968, and the brutal reactions from those in power that brought the era to an end.
During states of emergency, normal rules and rights are suspended, and force can often prevail. In these precarious intervals, when the human potential for violence can be released and rehearsed, images may also emerge. This book asks: what happens to art during a state of emergency? Investigating the uneasy relationship between aesthetics and political history, Emilia Terracciano traces a genealogy of modernism in colonial and postcolonial India; she explores catastrophic turning points in the history of twentieth-century India, via the art works which emerged from them. Art and Emergency reveals how the suspended, diagonal, fugitive lines of Nasreen Mohamedi's abstract compositions echo Partition's traumatic legacy; how the theatrical choreographies of Sunil Janah's photographs document desperate famine; and how Gaganendranath Tagore's lithographs respond to the wake of massacre. Making an innovative, important intervention into current debates on visual culture in South Asia, this book also furthers our understanding of the history of modernism.
An insightful and essential new survey of Wyeth's entire career, situating the milestones of his art within the trajectory of 20th-century American life This major retrospective catalogue explores the impact of time and place on the work of beloved American painter Andrew Wyeth (1917-2009). While previous publications have mainly analyzed Wyeth's work thematically, this publication places him fully in the context of the long 20th century, tracing his creative development from World War I through the new millennium. Published to coincide with the centenary of Wyeth's birth, the book looks at four major chronological periods in the artist's career: Wyeth as a product of the interwar years, when he started to form his own "war memories" through military props and documentary photography he discovered in his father's art studio; the change from his "theatrical" pictures of the 1940s to his own visceral responses to the landscape around Chadds Ford, Pennsylvania, and his family's home in Mai≠ his sudden turn, in 1968, into the realm of erotic art, including a completely new assessment of Wyeth's "Helga pictures"--a series of secret, nude depictions of his neighbor Helga Testorf--within his career as a who≤ and his late, self-reflective works, which includes the discussion of his previously unknown painting entitled Goodbye, now believed to be Wyeth's last work.
For about eight months in 1968 Czechoslovakia underwent rapid and radical changes that were unparalleled in the history of communist reform; in the eight months that followed, those changes were dramatically reversed. H. Gordon Skilling provides a comprehensive analysis of the events of 1968, assessing their significance both for Czechoslovakia and for communism generally. The author's account is based on all available written sources, including unpublished Communist Party documents and interviews conducted in Czechoslovakia in 1967, 1968, and 1969. He examines the historical background, the main reforms and political forces of 1968, international reactions, the Soviet intervention, and the experiment's collapse, concluding with his reasons for regarding the events of the Prague spring as a movement of revolutionary proportions. The author's account is based on all available written sources, including unpublished Communist Party documents and interviews conducted in Czechoslovakia in 1967, 1968, 1969. He examines the historical background, the main reforms and political forces on 1968, international reactions, the Soviet intervention, and the experiment's collapse, concluding with his reasons for regarding the events of the Prague spring as a movement of revolutionary proportions. Originally published in 1976. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
How to Hot Rod Small-Block Mopar Engines is a completely revised, updated edition of Larry Shepard’s classic, first published in 1989. Inside you’ll find the latest, updated information to help modify your small-block A series Mopar for high performance, street, circle track, or drag racing. Also included are updated parts information and techniques for: - Block, cranks, pistons and rods - Cylinder heads - Camshafts and valvetrain - Blueprinting techniques - Step-by-step engine assembly guide - Oil, cooling, ignition and induction systems - Engine swapping guide - Engine installation and break-in tips - Casting numbers and torque specs New part numbers, photos, parts combinations and illustrations highlight this classic handbook on how to build the ultimate small-block Mopar engine.
