The 'Swinging Sixties' were a concoction of many things that brought Britain to the forefront - England winning the World Cup on 1966, mini skirts and mini cars, the Beatles and Twiggy. 'The 1960s Scrapbook' presents a unique visual record of a turbulent decade.
Wth Edward VII on the throne and the dawn of a new century, Britain embraced the technology of the future. Motor transport began to replace the horse, and by the end of the Edwardian era, the possibilities of the aeroplane could be seen. While the telepho
By exploring the processes of collecting, which challenge the bounds of normally acceptable practice, this book debates the practice of collecting ‘difficult’ objects, from a historical and contemporary perspective; and discusses the acquisition of objects related to war and genocide, and those purchased from the internet, as well as considering human remains, mass produced objects and illicitly traded antiquities. The aim is to apply a critical approach to the rigidity of museums in maintaining essentially nineteenth-century ideas of collecting; and to move towards identifying priorities for collection policies in museums, which are inclusive of acquiring ‘difficult’ objects. Much of the book engages with the question of the limits to the practice of collecting as a means to think through the implementation of new strategies.
This definitive book on Burroughs’ decades-long cut-up project and its relevance to the American twentieth century, including previously unpublished works. William S. Burroughs’s Nova Trilogy (The Soft Machine, Nova Express, and The Ticket That Exploded) remains the best-known of his textual cut-up creations, but he committed more than a decade of his life to searching out multimedia for use in works of collage. By cutting up, folding in, and splicing together newspapers, magazines, letters, book reviews, classical literature, audio recordings, photographs, and films, Burroughs created an eclectic and wide-ranging countercultural archive. This collection includes previously unpublished work by Burroughs such as cut-ups of work written by his son, cut-ups of critical responses to his own work, collages on the Vietnam War and the Watergate scandal, excerpts from his dream journals, and some of the few diary entries that Burroughs wrote about his wife, Joan. William S. Burroughs Cutting Up the Century also features original essays, interviews, and discussions by established Burroughs scholars, respected artists, and people who encountered Burroughs. The essays consider Burroughs from a range of perspectives—literary studies, media studies, popular culture, gender studies, post-colonialism, history, and geography. “A landmark in scholarship.” —Choice
Many British baby boomers are very nostalgic about a supposed golden age; a vanished world when children were generally freer, happier and healthier than they are now. They wandered about all day; only returning home at teatime when they were hungry. Nobody worried about health and safety or 'stranger danger' in those days and no serious harm ever befell children as a result.In Post-War Childhood, Simon Webb examines the facts and figures behind the myth of children's carefree lives in the post-war years, finding that such things as the freedom to roam the streets and fields came at a terrible price. In 1965, for example, despite there being far fewer cars in Britain, 45 times as many children were knocked down and killed on the roads as now die in this way each year.Simon Webb presents a 'warts and all' portrait of British childhood in the years following the end of the Second World War. He demonstrates that contrary to popular belief, it was by any measure a far more hazardous and less pleasant time to be a child, than is the case in the twenty-first century.