A Guide Book of Collectible Postcards "takes you on a unique trip into the past. Inside this book, you'll find cards of high society and lowbrow humor, natural disasters, social, political, and religious movements, popular artists' illustrations, newspaper comics, circus animals, early movie stars, athletes, planes, trains, automobiles, and the corner general store--and much more! Authors Q. David Bowers and Mary L. Martin share decades of experience in buying, selling, and collecting. They guide you from the earliest postcards of the 1870s to the Golden Age of the 1890s through the Great War, and to the modern chrome postcards found on store racks today."--Publishers website.
In this next bestselling title from Mark Teague, Ike's plans for a peaceful cruise with Mrs. LaRue are thwarted when their neighbor, Mrs. Hibbins, falls suddenly ill. While she recovers, Mrs. LaRue is taking her cats on a weeklong road trip vacation. Ike is beside himself and quickly takes up his pen to tell us why! Join award-winner Mark Teague on this romping road trip across America. Readers can follow along on the maps of the U.S. that span the endpapers. Teague drives us to the story's satisfying conclusion, and we are left with one profound question: Can cats and dogs really be friends?
The Real Photo Postcard Guide is an informative, comprehensive, and practical treatment of this wildly popular American phenomenon that dominated the United States photographic market during the first third of the twentieth century. Robert Bogdan and Todd Weseloh draw on extensive research and observation to address all aspects of the photo postcard from its history, origin, and cultural significance to practical matters like dating, purchasing, condition, and preservation. Illustrated with over 350 exceptional photo postcards taken from archives and private collections across the country, the scope of the Real Photo Postcard Guide spans technical considerations of production, characteristics of superior images, collecting categories, and methods of research for dating photo postcards and investigating their photographers. In a broader sense, the authors show how "real photo postcards" document the social history of America. From family outings and workplace awards to lynchings and natural disasters, every image captures a moment of American cultural history from the society that generated them. Bogdan and Weseloh’s book provides an admirable integration of informative text and compelling photographic illustrations. Collectors, archivists, photographers, photo historians, social scientists, and anyone interested in the visual documentation of America will find the Real Photo Postcard Guide indispensable.
New York magazine was born in 1968 after a run as an insert of the New York Herald Tribune and quickly made a place for itself as the trusted resource for readers across the country. With award-winning writing and photography covering everything from politics and food to theater and fashion, the magazine's consistent mission has been to reflect back to its audience the energy and excitement of the city itself, while celebrating New York as both a place and an idea.
Equal parts mail art, data visualization, and affectionate correspondence, Dear Data celebrates "the infinitesimal, incomplete, imperfect, yet exquisitely human details of life," in the words of Maria Popova (Brain Pickings), who introduces this charming and graphically powerful book. For one year, Giorgia Lupi, an Italian living in New York, and Stefanie Posavec, an American in London, mapped the particulars of their daily lives as a series of hand-drawn postcards they exchanged via mail weekly—small portraits as full of emotion as they are data, both mundane and magical. Dear Data reproduces in pinpoint detail the full year's set of cards, front and back, providing a remarkable portrait of two artists connected by their attention to the details of their lives—including complaints, distractions, phone addictions, physical contact, and desires. These details illuminate the lives of two remarkable young women and also inspire us to map our own lives, including specific suggestions on what data to draw and how. A captivating and unique book for designers, artists, correspondents, friends, and lovers everywhere.
Bruccoli Great War Collection at the University of South Carolina: An Illustrated Catalogue provides a reference tool for the study of one of the great watershed moments in history on both sides of the Atlantic serving historians, researchers, and collectors.
Revised Edition - April 2018: My great-grandfather, Pedro Hernández Díaz Leal, contract employee # 7604 was hired by the Isthmian Canal Commission (I. C. C.), and arrived at the Cristobal dock on October 21, 1907. As one of forty eight other workers, sailing from Vigo (Spain) and transported on the SS Taurus, Pedro was assigned to excavation work in the Culebra Cut. Because of the harsh living conditions for the Silver Payroll workers, Pedro elected to live in a jungle hut near the work area where he could hunt, fish, and plant his own food. A year and a half later, already settled and with enough savings, he purchased steamship tickets for his wife (Rosa) and their children (Julio and Genaro) who joined him in Panama in early 1909. Julio began working at the Culebra Cut, in 1910, as a water boy. Later, he was promoted to car repairman in Gorgona (1911) and machinist in Empire (1913). As the construction of the Canal advanced, the Hernández family moved to various labor camps in Gorgona, Empire, and Bas Obispo. After the opening of the Canal, they resided in La Boca and Balboa until 1950. This book takes us back to that historic period through postcards, tales, and facts. Some postcards from before 1904 (or after 1914) are also included. Because of space limitations, the longer titles on the postcards were shortened. The images presented in each chapter, more often than not, are in chronological order. This proved to be a very difficult task as they did not have dates present in them. Attached to each postcard is a text referring to the content or title of each photo. Some of the tales and facts written on the images sound inappropriate today, but that was the writing style back in 1900-1910s. A bibliography is included for those who wish to delve into the topics presented. This has been a fascinating experience. I hope that lovers of photography and history enjoy it, especially those whose ancestors worked in the Isthmian Canal Commission or lived in the Panama Canal Zone.
