This is a collection of 13 familiar folk and classic melodies arranged for guitar trio. the arrangements are easy to play and should provide enjoyment for the student guitar ensemble. In addition, these trios may be used effectively as performance pieces for recitals, festivals and concerts.
Designed with easy, intermediate, and more challenging parts, this mix of traditional, classical, and original melodies arranged for guitar trio is ideal for a classroom of students at various playing levels. Written in 3-part score format in standard notation only, these 1 to 3-page arrangements are ideal for advancing sightreading skills as well as recital performance. All the arrangements are in guitar-friendly keys and use open strings as much as possible. The author’s downloadable audio recordings are available for every tune; these can be used strictly as an audio reference or for private or group play-along. Even beginning guitarists can enjoy the ensemble experience with this much-anticipated book! In addition, many of the first and second guitar parts can be played on another soprano instrument like the violin, flute, or recorder—so a mixed ensemble is also possible. Includes access to online audio.
This collection of arrangements for solo guitar is an ideal introduction to Scarlatti's music. The ten varied pieces were carefully chosen for their musical character and technical suitability at intermediate and advanced levels. Core repertoire for Grades 68 of ABRSM's Guitar syllabus. Includes idiomatic adaptations, with original ornamentation.
As guitar instruction increases in popularity in secondary schools, many band, choir, and orchestra teachers are asked to teach guitar. In one helpfully concise volume, Teaching Beginning Guitar Class: A Practical Guide provides all of the practical tools that are necessary to teach guitar in the classroom, especially for music instructors who are not guitar specialists. Formatted to follow the school year from summer planning to opening weeks of the fall semester to a week-to-week timeline for the full school year, Teaching Beginning Guitar Class encompasses all possible needs for a non-guitar playing music instructor navigating the world of guitar instruction in a classroom setting. In twelve expertly organized chapters, author and veteran guitar teacher Bill Swick gives hard and fast guides for instruction, providing reassurance alongside invaluable tips for novice guitar educators. This book addresses questions such as 'I Do Not Play Guitar, Why Do I have to Teach Guitar?'; 'What is the Classroom Lifespan of a Guitar?'; and 'New Students in January?' while also providing practical solutions including basic setup, how to select the correct method book, and equipment maintenance.
Most instrumentalists would agree with the author’s introductory statement, that the six Bach cello suites are “…one of the greatest collections of solo instrumental music ever written.” Many amateur classic guitarists have endeavored to play favorite movements of the suites, and a few professionals have recorded all six in their entirety. The author himself has played them on various plucked-string instruments. Here, for the first time, Rob MacKillop and Mel Bay Publications present the Six Cello Suites of J. S. Bach, transcribed for the plectrum-style acoustic or electric guitarist! According to MacKillop, Bach had an overall didactic plan and each suite increases in emotional depth and difficulty, posing specific problems to the plectrum guitarist or any instrumentalist. For example: Using a pick, how do you play a 2-note interval when there is a string in-between the two notes? MacKillop provides a good deal of fingering in the early suites suggesting solutions to this and other issues, but ultimately encourages readers to make their own decisions through careful analysis and left-hand fingering. If you stay the course and play through all six suites, you will gain a personal understanding not only of the Baroque suite, but also of left-hand digitation, picking direction, and the guitar fretboard. Written in standard notation in guitar-friendly keys for the intermediate to advanced plectrum guitarist, this book is destined to be a part of university curriculums and recitals worldwide. It deserves a place in your music library too.
For years, classical guitarists have enjoyed playing the lute music of the English composer, John Dowland (1563-1626). Forty of his beautiful compositions are included in this volume. the book is intended for the guitarist with intermediate to advanced fingerstyle technique, and can be played on both nylon and steel string instruments. In order to help capture the unique character of Dowland's music, renaissance lute tuning (capo on the third fret with the G string tuned to F sharp) is used throughout. the pieces progress more or less in order of increasing difficulty, and special care has been taken to be sure any group of consecutive pieces can be played with satisfying results. Standard notation only. Includes FREE downloadable companion audio files.
Not a "method" in the traditional sense, this book explains what happens in the finest classical guitar playing and what in turn the student can do to mold his or her playing to that ideal.
Specially transcribed and arranged for beginning and intermediate guitar players, this anthology of 49 classics includes such perennial favorites as Beautiful Dreamer, Amazing Grace, Aura Lee, On Top of Old Smoky, Blue Tail Fly, Camptown Races, Dixie's Land, Yankee Doodle, Sweet Betsy from Pike, John Henry, and many more.
For three guitars. These two works were originally composed as film music. "Bad Boy" was first published in 1971, and was originally composed as music for the film Furyo Shonen (Bad Boy).