100 vintage flower images from the 1800's. Most are displayed on the cover. The backs of each print is blank paper for better use in crafting. Just cut out the pages and you have great crafting. Approximate floral image size 3.5 x 5. There are many varieties to use in your art and crafts or even as a table picture book. There are so many different vintage flowers from daisies, roses, pansies, thistles, bluebells, and wisterias to name a few.
These are beautiful vintage wildflower illustrations from 1914. Most are displayed on the cover. The backs of each image is blank paper for better use in crafting. There are 22 different vintage wildflower illustrations in this book, which are shown 88 times in the book in different sizes. There are 4 to page and 9 to page sizes. Plus 4 full page illustrations. The pages are doubled, to receive more than one copy of each illustration in the various sizes. So there is more than one copy of each floral illustration. Just cut out the pages and you have great floral illustrations to use in your art and crafts or even as a table picture book. Some of the images have been retouched, but these are from 1914 and the antique vintage quality remains in not being perfect renditions.
This 2019 offering from Vault Editions is a brilliantly curated resource of copyright free vintage botanical illustrations. With artwork from acclaimed botanical illustrators and taxonomists such as Hoola van Nooten, George Worthington Smith and Nicholas Edward Brown, this pictorial archive features a diverse range of species including lush tropical flowers, fruits and foliage, carnivorous plants, exotic fungi through to masterfully rendered perennials, roses, trees, classic English garden varietals and more.
The earliest botanical illustrations are found in ancient herbals, practical works of knowledge written to pass on crucial information about how to heal the sick. Around the time of the Renaissance, however, flowers began to be more generally appreciated for their beauty, thus encouraging talented artists to attempt to capture their magic. Botanical illustration developed into a high art form during the golden era of the 18th and early 19th centuries. From that era date some of the most stunning examples of botanical art ever made. The earliest known examples of published botanical illustration can be found in the five-volume De Materia Medica written by the ancient Greek physician and scholar Pedanius Dioscorides, a traveling physician from Asia Minor who followed the Emperor Nero's army as it campaigned across the Roman Empire. Many other illustrators followed in the path of Dioscorides--even Leonardo da Vinci tried his hand at botanicals--but undoubtedly the most well-known illustrator is the Flemish artist Pierre Joseph Redout� (1759-1840), who painted exact scientific illustrations for the botanist Charles Louis L'H�ritier. Redout� also became Marie-Antoinette's official draftsman and Painter to the Queen's Cabinet, especially well known today for his illustrations of roses.
Throughout the nineteenth and twentieth centuries, wall charts were a familiar classroom component, displaying scientific images at a large scale, in full color. But it's only now that they've been superseded as a teaching tool that we have begun to realize something their ubiquity hid: they are stunning examples of botanical art at its finest. This beautifully illustrated oversized book gives the humble wall chart its due, reproducing more than two hundred of them in dazzling full color. Each wall chart is accompanied by captions that offer accessible information about the species featured, the scientists and botanical illustrators who created it, and any particularly interesting or innovative features the chart displays. And gardeners will be pleased to discover useful information about plant anatomy and morphology and species differences. We see lilies and tulips, gourds, aquatic plants, legumes, poisonous plants, and carnivorous plants, all presented in exquisite, larger-than-life detail. A unique fusion of art, science, and education, the wall charts gathered here offer a glimpse into a wonderful scientific heritage and are sure to thrill naturalists, gardeners, and artists alike.
The third volume of this book features twenty beautiful vintage sea shell prints. Images have been retouched, while keeping their vintage feel. Single-sided printing so images can be taken out and used for framing and decor.
The seventeenth century heralded a golden age of exploration, as intrepid travelers sailed around the world to gain firsthand knowledge of previously unknown continents. These explorers also collected the world’s most beautiful flora, and often their findings were recorded for posterity by talented professional artists. The Golden Age of Botanical Art tells the story of these exciting plant-hunting journeys and marries it with full-color reproductions of the stunning artwork they produced. Covering work through the nineteenth century, this lavishly illustrated book offers readers a look at 250 rare or unpublished images by some of the world’s most important botanical artists. Truly global in its scope, The Golden Age of Botanical Art features work by artists from Europe, China, and India, recording plants from places as disparate as Africa and South America. Martyn Rix has compiled the stories and art not only of well-known figures—such as Leonardo da Vinci and the artists of Empress Josephine Bonaparte—but also of those adventurous botanists and painters whose names and work have been forgotten. A celebration of both extraordinarily beautiful plant life and the globe-trotting men and women who found and recorded it, The Golden Age of Botanical Art will enchant gardeners and art lovers alike.
Margaret Erskine Wilson, late President of Kendal Natural History Society, was a keen amateur botanist and water-colourist. In 1999, she donated to the Society 150 sheets of water-colour paintings representing a thousand British and Irish plants in flower and in fruit, painted in situ over many years and in various places. At the time she donated the paintings to Kendal Natural History Society, she wrote: Begun in 1943/4 for a friend who said, 'I might learn the names of flowers if you drew them for me, in the months they're in flower'! The result is this beautiful, previously unpublished book of all her accurate and informative illustrations, painted over a period of 45 years. Over a thousand British and Irish flowers are represented in this book and it still today serves Margaret Erskine Wilson's original purpose -- it is an easy way to learn the names of our delicate and beautiful wild flowers.
