Painters in Hanoi

Painters in Hanoi

Author: Nora Annesley Taylor

Publisher: University of Hawaii Press

Published: 2009-07-31

Total Pages: 194

ISBN-13: 0824845102

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Painting has played a significant role in modern Vietnam. Postage stamps, billboards, and annual national exhibitions attest to its fundamental place in a country where painters may be hailed as national heroes and include among their number fervent nationalists, propagandists, even dissidents. As Vietnamese painting has gained prominence in the contemporary transnational art circuits of Southeast Asia, many artists have become millionaires, yet Vietnamese painting is generally overlooked in art history surveys of the region. Nora Taylor sets out here to change that. Painters in Hanoi engages with twentieth-century Vietnam through its artists and their works, providing a new angle on a country most often portrayed through the lens of war and politics. Drawing on interviews with artists, cultural officers, curators, art critics, and others in Hanoi, Taylor surveys the impact artists have had on intellectual life in Vietnam. The book shows them within their own complex community, one fraught with tensions, politicking, and favoritism, yet also a sense of belonging. It describes their education, the role of the government in the arts, the rise and fall of individual artists, their influence as active players in the politics of place and gender, the audience for their work, and how tourism and the international art market have influenced it.


Artists Respond

Artists Respond

Author: Melissa Ho

Publisher: Princeton University Press

Published: 2019-04-02

Total Pages: 417

ISBN-13: 0691191182

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"Published in conjunction with the exhibition of the same name, on view at the Smithsonian American Art Museum, Washington, DC, March 15, 2019 to August 18, 2019."


Don't Call It Art!

Don't Call It Art!

Author: Annette Bhagwati

Publisher:

Published: 2021-10-30

Total Pages: 432

ISBN-13: 9783735607911

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Karaoke bars and noisy motorbikes, AIDS and capitalism, Buddhism and homosexuality, the allure of Western brands and a worn out country, marked by war?the works of Vietnamese artists Truong Tan, Nguyen Minh Thanh, Nguyen Quang Huy and Nguyen Van Cuong are both blunt and introspective, marked by fury and tenderness. Their work stands for a society on the brink of change?and they mark the beginning of a new art, the onset of contemporary art in Vietnam. Their unconventional works, their art performances and installations? the first ever in Vietnam?have established them as the most important protagonists of a free young art scene that emerged in Hanoi in the early 1990s. Their works have found their place not only in the collections of leading museums such as Singapore Art Museum and National Gallery Singapore, Solomon R. Guggenheim Foundation New York or Fukuoka Asian Art Museum; even recent art historical surveys in Vietnam itself now honor their names as ground-breaking artists. Four extensive artist sections are the core of the book. The archive of German artist Veronika Radulovic enables us to make these radical works accessible for the first time. Don?t Call it Art! tells the initial story of four artists and thereby bridge a gap in Vietnamese art history of the 20th century.


As Seen by Both Sides

As Seen by Both Sides

Author: C. David Thomas

Publisher: University of Massachusetts Press

Published: 1991

Total Pages: 124

ISBN-13:

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Presents a catalog of an exhibition of travelling works of art by American and Vietnamese artists.


Tran Trung Tin

Tran Trung Tin

Author: Sherry Buchanan

Publisher:

Published: 2001

Total Pages: 200

ISBN-13:

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Tran Trung Tin painted in Hanoi during the 60s and 70s, conveying the experience of the Vietnamese and the essence of human emotion in his images. When he was 12, he joined the Resisitance against the French who were occupying Vietnam at the time, devoting his youth to freeing his country only to be disappointed by the repression and misery that folowed. Living in Hanoi during the Vietnam War, forbidden to express himself in words, he turned to painting to communicate the contradictions of his time.