Sometimes you have a dream and when you wake up, you thank God "it was just a dream." God uses dreams to reveal what is going on in the spiritual realm of one's life. Dreams often reveal things that we may physically be unaware. When you have a dream, ignoring it does not solve the problem. God uses dreams to guide us to we make correct decisions in our lives. He also uses dreams to warn us if something bad was going to happen so we can pray and change it. More importantly, God uses dreams to reveal His purpose in our lives. Every dream has a purpose and interpretation. For instance, when you dream you are eating, being chased by people, driving a car, taking exams, being in a place you have never been, being in a place you know or used to live, etc; God is directing speaking to you things that are going on in your life. The Bible has answers to all these dreams and many others. This book will reveal God's word to you in a personal level because interpretations of dreams are personal and are based on God's message to you
Stephen Crafti walks the reader through another superb collection of architect designed beach houses - some permanent residences, some weekenders, some luxury residences, some more redolent of the traditional beach shack. Full of ideas for the aspiring designer, renovator or builder. Includes floor plans.
With “McMansions” increasingly giving way to “tiny” houses, the desire to downsize and be more ecologically and economically prudent is a concept many are beginning to embrace. Focusing on dwelling spaces all under 1,000 square feet, TINY HOUSES (Rizzoli, April 2009) by Mimi Zeiger aims to challenge readers to take a look at their own homes and consider how much space they actively use. Ranging from tree houses to floating houses, TINY HOUSES features an international collection of over thirty modular and prefab homes, each one embodying “microgreen living”, defined as the creation of tiny homes where people challenge themselves to live “greener” lives. By using a thoughtful application of green living principles, renewable resources for construction, and clever ingenuity, these homes exemplify sustainable living at its best.
A 100-year visual history of the magazine, showcasing the work of top interior designers and architects, and the personal spaces of numerous celebrities. Architectural Digest at 100 celebrates the best from the pages of the international design authority. The editors have delved into the archives and culled years of rich material covering a range of subjects. Ranging freely between present and past, the book features the personal spaces of dozens of private celebrities like Barack and Michelle Obama, David Bowie, Truman Capote, David Hockney, Michael Kors, and Diana Vreeland, and includes the work of top designers and architects like Frank Gehry, David Hicks, India Mahdavi, Peter Marino, John Fowler, Renzo Mongiardino, Oscar Niemeyer, Axel Vervoordt, Frank Lloyd Wright, and Elsie de Wolfe. Also included are stunning images from the magazine’s history by photographers such as Bill Cunningham, Horst P. Horst, Simon Upton, Francois Dischinger, Francois Halard, Julius Shulman, and Oberto Gili. “The book is really a survey of how Americans have lived—and how American life has changed—over the past 100 years.” ?Los Angeles Times “A Must-Have Book!” ?Interior Design Magazines “Written in the elevated quality that only the editors of Architectural Digest can master so well, AD at 100: A Century of Style is the world’s newest guide to the best and brightest designs to inspire your next big home project.” ?The Editorialist
Ho, Ho, Ho! Merry Christmas to you all! This festive season, we are playing the Santa, and offering you our own Christmas basket of holiday goodies: the greatest Christmas novels and magical Christmas Tales: Life and Adventures of Santa Claus (L. Frank Baum) The Little City of Hope (F. Marion Crawford) Little Women (Louisa May Alcott) The Wonderful Wizard of OZ (L. Frank Baum) Little Lord Fauntleroy (Frances Hodgson Burnett) Christmas with Grandma Elsie (Martha Finley) Anne of Green Gables (Lucy Maud Montgomery) The Christmas Angel (Abbie Farwell Brown) At the Back of the North Wind (George MacDonald) Black Beauty (Anna Sewell) The Christmas Child (Hesba Stretton) The Wonderful Life - Story of the life and death of our Lord (Hesba Stretton) The Tailor of Gloucester (Beatrix Potter) The Ice Queen (Ernest Ingersoll) A Merry Christmas (Louisa May Alcott) The Gift of the Magi (O. Henry) The Fir Tree (Hans Christian Andersen) The Little Match Girl (Hans Christian Andersen) The Holy Night (Selma Lagerlöf) Little Gretchen and the Wooden Shoe (Elizabeth Harrison) A Letter from Santa Claus (Mark Twain) The Elves and the Shoemaker (Brothers Grimm) Mother Holle (Brothers Grimm) A Kidnapped Santa Claus (L. Frank Baum) The Shepherds and the Angels (Bible) The Heavenly Christmas Tree (Fyodor Dostoevsky) A Russian Christmas Party (Leo Tolstoy) Vanka (Anton Chekhov) The Nutcracker and the Mouse King (E. T. A. Hoffmann) A Christmas Carol (Charles Dickens) The Chimes (Charles Dickens) The Sleeping Beauty in the Wood (Robinson Perrault) The Blue Bird (Madame d'Aulnoy) Christmas Every Day (William Dean Howells) The Pony Engine and the Pacific Express (William Dean Howells) The Pumpkin Glory (William Dean Howells) Christmas Eve & Christmas Day (Edward Everett Hale) A Visit From Saint Nicholas (Clement Moore) Christmas - A Story (Zona Gale) The Story of the Other Wise Man (Henry van Dyke) Where Love Is, God Is (Leo Tolstoy) Christmas Roses (Anne Douglas Sedgwick)....
There are many ways to show our devotion to an author besides reading his or her works. Graves make for popular pilgrimage sites, but far more popular are writers' house museums. What is it we hope to accomplish by trekking to the home of a dead author? We may go in search of the point of inspiration, eager to stand on the very spot where our favorite literary characters first came to life—and find ourselves instead in the house where the author himself was conceived, or where she drew her last breath. Perhaps it is a place through which our writer passed only briefly, or maybe it really was a longtime home—now thoroughly remade as a decorator's show-house. In A Skeptic's Guide to Writers' Houses Anne Trubek takes a vexed, often funny, and always thoughtful tour of a goodly number of house museums across the nation. In Key West she visits the shamelessly ersatz shrine to a hard-living Ernest Hemingway, while meditating on his lost Cuban farm and the sterile Idaho house in which he committed suicide. In Hannibal, Missouri, she walks the fuzzy line between fact and fiction, as she visits the home of the young Samuel Clemens—and the purported haunts of Tom Sawyer, Becky Thatcher, and Injun' Joe. She hits literary pay-dirt in Concord, Massachusetts, the nineteenth-century mecca that gave home to Hawthorne, Emerson, and Thoreau—and yet could not accommodate a surprisingly complex Louisa May Alcott. She takes us along the trail of residences that Edgar Allan Poe left behind in the wake of his many failures and to the burned-out shell of a California house with which Jack London staked his claim on posterity. In Dayton, Ohio, a charismatic guide brings Paul Laurence Dunbar to compelling life for those few visitors willing to listen; in Cleveland, Trubek finds a moving remembrance of Charles Chesnutt in a house that no longer stands. Why is it that we visit writers' houses? Although admittedly skeptical about the stories these buildings tell us about their former inhabitants, Anne Trubek carries us along as she falls at least a little bit in love with each stop on her itinerary and finds in each some truth about literature, history, and contemporary America.
Matthew Wilde, a master creator of horror movies, was seeing his nightmares come to horrifying life in this strange house--giant fireballs that barbequed human flesh, a phantom Porsche that drove its passengers to death and a teen-age sex queen who turned into a skeleton seductress.