Inspired by Art Spiegelman's groundbreaking comic anthology Raw, with all the artists either former Raw contributors or fans, the art here runs the gamut from surprising to shocking to surreally beautiful. Captured in full-colour reproductions (as well as a fair amount of black and white), this book showcases some of the most important comics and comic-themed art being created today.
In this new Zippy collection, Zippy visits his doppelganger atop the Leaning Tower of Pizza, talks Republicanism with several symbolic elephants, imagines he's in a Deputy Dawg cartoon and deconstructs King Kong—and that's just between breakfast and lunch.
Bill Griffith is best known as the creator of the Zippy daily comic strip, currently running in over 300 newspapers nationwide, but Zippy was conceived as an underground comix character before he became embraced in the mainstream. Beginning in 1969, Griffith contributed stories to a long list of legendary undergrounds. Lost and Found is not only a collection of these underground comix — hand-picked by the artist himself — but a mini-memoir of the artist’s comix career during the early days of the San Francisco Underground and his nearly twenty year on-again, off-again involvement with Hollywood and TV. This collection from one of the great, pioneering cartoonists also features Griffith’s comics for High Times, The National Lampoon, The San Francisco Examiner and The New Yorker.
The New York Times bestselling memoir about growing up in small-town Indiana, from the author of The Solace of Leaving Early. When Haven Kimmel was born in 1965, Mooreland, Indiana, was a sleepy little hamlet of three hundred people. Nicknamed "Zippy" for the way she would bolt around the house, this small girl was possessed of big eyes and even bigger ears. In this witty and lovingly told memoir, Kimmel takes readers back to a time when small-town America was caught in the amber of the innocent postwar period–people helped their neighbors, went to church on Sunday, and kept barnyard animals in their backyards. Laced with fine storytelling, sharp wit, dead-on observations, and moments of sheer joy, Haven Kimmel's straight-shooting portrait of her childhood gives us a heroine who is wonderfully sweet and sly as she navigates the quirky adult world that surrounds Zippy.
.html by Bill Griffith Bill Griffith's Zippy the Pinhead is a pop culture icon. Born in underground comix, the surrealist character is now one of the most recognizable characters on the newspaper pages, and is currently in production as an animated series to debut on the Showtime Network in 2002. Syndicated since 1986 by King Features, ZIPPY is read in over 200 newspapers seven days a week. Zippy's trademark non-sequitur, "Are we having fun yet?" has become so often-repeated that it is now in Bartlett's Familiar Quotations. His likeness was graphittied on the former Berlin Wall, while Dan Akroyd is rumored to have created his Saturday Night Live characters, the Coneheads, after seeing Zippy for the first time. With Zippy Annual 2001 (a.k.a. "Z2K1"), all of Griffith's hilarious strips from 2000 and 2001 are collected into one place to guide us into the 21st Century. Millennium fever never seemed so, well, absurd. Frivolity is a stern taskmaster, and these brilliant black-and-white dailies and color Sundays (Griffith is a master of color and the printing process of the newspaper page) spotlight Griffith's inimitably existential and surreal sense of humor. "Bill Griffith's nationally syndicated Zippy continually stretches the intellectual bounds of the daily newspaper strip," writes the San Francisco Examiner. Plus, it's damn funny. SC, 160pg, PC
A collection of Zippy the Pinhead strips from the early '80s. An excellent introduction Bill Griffith's popular comic strip. From his first appearance in Tales of the Toad, Zippy has lived a true American Success Story.
