In this groundbreaking work, Gnostic teacher Tau Malachi and Harvard-educated independent scholar Siobhán Houston have teamed up to present powerful Gnostic healing practices in a clear and systematic way found nowhere else. Techniques include mystical prayer, meditation, and sacred ceremony, and are suitable for both beginning and experienced healers. All the practices in this guidebook facilitate direct spiritual and mystical experiences that will awaken your soul and lead to self-realization. Essentially, it is a book of healing as a way of the Path to Enlightenment—Divine Gnosis. Praise for Tau Malachi “Malachi perfectly captures the oral tradition within the written word.”—Publishers Weekly
Here is the real voice of Mary Magdalene, giving secret teachings from her Mystery School! During the years that followed the crucifixion, a Gnostic group met in Midsummer Gatherings on the island of Cyprus. Channeling by the angelic source Alariel has revealed eight Keynote Speeches by Mary Magdalene during these Gatherings. These speeches show a profound understanding of the Way that Jeshua taught. This is forbidden knowledge—forbidden by the Church because it could lead to the enlightenment and empowerment of those who heard it and applied it in their lives. The Pure Transmission which forms the teachings of Mary Magdalene has been restored to us through angelic intervention at the end of the planetary cycle. These teachings will change your perception of Mary Magdalene forever!
The Greek word "gnosis," defined as direct spiritual knowledge or insight, has its origins in historical offshoots of Christianity in late antiquity. But the terms "Gnosticism" and "gnosis" have become widespread in many other contexts. They are common in contemporary scholarship on religion and in popular usage among magical, religious, and spiritual practitioners. And they have entered popular usage in contemporary society, with applications in numerous political, religious, and cultural contexts. Gnosis and Gnosticism have become leitmotifs in popular culture, in films such as The Matrix and Dark City, as well as in anime and other popular art forms. In American Gnosis, Arthur Versluis explores the fascinating connection between the Gnostic tradition and contemporary American spirituality, politics, and popular media. Versluis surveys themes of Gnosticism and gnosis in American culture, both within the United States and in global contexts. Versluis shows that gnosis is key to understanding a wide spectrum of global syncretic religious and intellectual movements-some sensational, even wild, but all fascinating. American gnosis, he argues, is a defining feature of hybrid new religious forms in the twenty-first century. Versluis provides case studies of major contemporary figures and texts that are emblematic of neo-gnosticism, offering a comprehensive framework of gnosis and an understanding of gnostic trends in modernity. He explores how neo-gnostic memes recur in social media and shows how American gnosis has manifested as spiritual independence, reflecting the ever-growing demographic category "spiritual but not religious." In delving into the intersection of contemporary American spirituality, politics, and literature, American Gnosis uncovers the remarkable prevalence of neo-gnostic elements today.
A long-awaited new edition of the seminal text on the spiritual system that is a convergence of Gnosticism and Haitian voodoo, The Voudon Gnostic Workbook is a singular sacred work that is comprehensive in scope -- from "how to be a lucky Hoodoo" to how magick and voodoo intersect energetically, to esoteric time travel. Complete with charts and graphs and instructive interdimensional physics, The Voudon Gnostic Workbook is an "object of desire" among students of the occult. Weiser's long-anticipated republication of this rare text will be an event in the annals of esoteric publishing, as the book itself is somewhat of an "unholy grail." There are listservers devoted to it and much discussion of the mysteries held within its pages. While The Voudon Gnostic Workbook has remained a controversial book considered important for masters of metaphysics, it recently came into popular culture and renewed popularity when Grant Morrison revealed it had been the inspiration for his cult comics The Invisibles, using the cribbed time travel from Bertiaux' s masterwork. Voodoo is not an evil religion and is much misunderstood. It derives from the Dahomean Gods called the "Loa." Esoteric voodoo is actually a highly practical procedure for leading us into making contact with the deepest levels of our being and most ancient modes of consciousness. Michael Bertiaux's Voudon Gnostic Workbook is the most comprehensive and illuminating contemporary book on the subject. Launched out of a correspondence course and series of classes for students and followers of Voudon Gnosticism and the OTO, this seminal text is at once one of the most mysterious and magnificent of all esoteric books.
According to the ancient Gnostics—the early Christians who wrote such controversial texts as the recently discovered Gospel of Judas—we are all capable of gnosis, or direct knowledge of the true reality that lies behind the material world. Andrew Phillip Smith, author of respected works on the lost sayings of Jesus, the Gospel of Philip, and other Gnostic subjects, now offers a highly accessible layman’s introduction to this long-suppressed philosophy that offers an intriguing alternative to accepted Christian beliefs. With references to The Da Vinci Code, The Matrix, and other fictions inspired by the Gnostic worldview, this is an eye-opening, and possibly life-changing book meant to revive forgotten traditions, and perhaps even allow readers to experience gnosis themselves.
This commentary on The Gospel of Thomas originally appeared--in a much-truncated form--between and November of 2003 and March of 2005, on the Fantastic Planet weblog. Composed as an attempt to provide a cohesive collection of thoughts and meditations on that most prevalent of Gnostic scriptures, I wanted to produce something that would be useful instead of merely interesting, something that addressed modern concerns within a Gnostic context, by a Gnostic, for people interested in Gnosticism.
This is the interiorized mythopoetic wet dream of Buffy Strangelove and his multifarious personae, swallowing L. Ron Hubbard and Jerry Falwell whole before breakfast and puking it out before lunch.
Many regard religious experience as the essence of religion, arguing that narratives might be created and rituals invented but that these are always secondary to the original experience itself. However, the concept of "experience" has come under increasing fire from a range of critics and theorists. This Reader presents writings from both those who assume the existence and possible universality of religious experience and those who question the very rhetoric of "experience". Bringing together both classic and contemporary writings, the Reader showcases differing disciplinary approaches to the study of religious experience: philosophy, literary and cultural theory, history, psychology, anthropology; feminist theory; as well as writings from within religious studies. The essays are structured into pairs, with each essay separately introduced with information on its historical and intellectual context. The ultimate aim of the Reader is to enable students to explore religious experience as rhetoric created to authorize social identities. The book will be an invaluable introduction to the key ideas and approaches for students of Religion, as well as Sociology and Anthropology. CONTRIBUTORS: Robert Desjarlais, Diana Eck, William James, Craig Martin, Russell T. McCutcheon, Wayne Proudfoot, Robert Sharf, Ann Taves, Charles Taylor, Joachim Wach, Joan Wallach Scott, Raymond Williams
Gnosis traces the use of powerful gnostic visionary techniques from Hellenistic Gnosticism and Jewish merkabah mysticism, through Muhammad, the Ismaeilis, and theosophical Sufism to medieval neoplatonism, and renaissance alchemy.
The Zen Buddhist monastery Daitokuji in Kyoto has long been revered as a cloistered meditation centre, a repository of art treasures, and a wellspring of the "Zen aesthetic." Gregory Levine's Daitokuji unsettles these conventional notions with groundbreaking inquiry into the significant and surprising visual and social identities of sculpture, painting, and calligraphy associated with this fourteenth-century monastery and its enduring monastic and lay communities. The book begins with a study of Zen portraiture at Daitokuji that reveals the precariousness of portrait likeness; the face that gazes out from an abbot's painting or statue may not be who we expect it to be or submit quietly to interpretation. By tracing the life of Daitokuji's famed statue of the chanoyu patriarch Sen no Riky-u (1522-91), which was all but destroyed by the ruler Toyotomi Hideyoshi (1537-98) but survived in Rash-omon-like narratives and reconstituted sculptural forms, Levine throws light upon the contested status of images and their mytho-poetic potential. Levine then draws from the seventeenth-century journal of K-ogetsu S-ogan, Bokuseki no utsushi, to explore practices of calligraphy connoisseurship at Daitokuji and the pivotal role played by the monastery's abbots within Kyoto art circles. The book's final section explores Daitokuji's annual airings of temple treasures not merely as a practice geared toward preservation but also as a space in which different communities vie for authority over the artistic past. An epilogue follows the peripatetic journey of the monastery's scrolls of the 500 Luohan from China to Japan, to exhibition and partial sale in the West, and back to Daitokuji. Illuminating canonical and heretofore ignored works and mining a trove of documents, diaries, and modern writings, Levine argues for the plurality of Daitokuji's visual arts and the breadth of social and ritual circumstances of art making and viewing within the monastery. This diversity encourages reconsideration of stereotyped notions of "Zen art" and offers specialists and general readers alike opportunity to explore the fertile and sometimes volatile nexus of the visual arts and religious sites in Japan.
