When a Jewish grandfather comes to live with his son's family, he relates his experiences fleeing Eastern Europe for America, his adventures as a cowboy, and his assimilation into American culture. Original.
Examines classic and contemporary Jewish and African American children’s literature Through close readings of selected titles published since 1945, Jodi Eichler-Levine analyzes what is at stake in portraying religious history for young people, particularly when the histories in question are traumatic ones. In the wake of the Holocaust and lynchings, of the Middle Passage and flight from Eastern Europe's pogroms, children’s literature provides diverse and complicated responses to the challenge of representing difficult collective pasts. In reading the work of various prominent authors, including Maurice Sendak, Julius Lester, Jane Yolen, Sydney Taylor, and Virginia Hamilton, Eichler-Levine changes our understanding of North American religions. She illuminates how narratives of both suffering and nostalgia graft future citizens into ideals of American liberal democracy, and into religious communities that can be understood according to recognizable notions of reading, domestic respectability, and national sacrifice. If children are the idealized recipients of the past, what does it mean to tell tales of suffering to children, and can we imagine modes of memory that move past utopian notions of children as our future? Suffer the Little Children asks readers to alter their worldviews about children’s literature as an “innocent” enterprise, revisiting the genre in a darker and more unsettled light.
Linda Silver selected the titles that "represent the best in writing, illustration, reader appeal, and authentically Jewish content--in picture books, fiction and non-fiction, for readers ranging from early childhood through the high school years."--P. [4] of cover.
Native American drumming and chant; Czech and German polka; country fiddling; African American spirituals, blues and jazz; cowboy songs; Mexican corridos; zydeco; and the sounds of a Cambodian New Year’s celebration — all are part of the amazing cultural patchwork of traditional music in Texas. In Everyday Music, author and researcher Alan Govenar brings readers face-to-face with the stories and memories of people who are as varied as the traditions they carry on. From 1983 to 1988, Alan Govenar traveled more than 35,000 miles around Texas, interviewing, recording, and photographing the vast cultural landscape of the state. In Everyday Music, he compares his experiences then with his attempts to reconnect with the people and traditions that he had originally documented. Stopping at gas stations, restaurants, or street-corner groceries in small towns and inner-city neighborhoods, Govenar asked local residents about local music and musicians. What he found on his road trip around the state—and what he shares in the pages of this book — are the time-honored songs, tunes, and musical instruments that have been passed down from one generation to the next. Govenar invites you to accompany him on his journey — one that will forever change the way you look at the traditional music that is such an important part of our everyday lives. Everyday Music is accompanied by a special online resource (www.everydaymusiconline.org) with video clips, recorded interviews, and performances. The site also features special resources for teachers who want to bring this rich cultural experience into their classrooms and for general readers who simply want to know more. Table of Contents: Introduction 1 Julius Vita: Czech Accordion, Seymour 9 John Burrus: Cowboy Songs and Country Hymns, Stephenville 18 Osceola Mays: Spirituals and Poems, Dallas 30 Howard Dee “Wes” Westmoreland III: Fiddling, Gustine 40 Miguel Pedraza: Tigua Drumming and Chanting, El Paso 51 Alexander H. Moore: Barrelhouse Blues, Dallas 62 W. W. Trammell: Guitar Maker and Musician, Lone Star 73 Lydia Mendoza: Boleros, Corridos, and Rancheras, Houston 83 Original Oompah Band: German Dance Music, Tivydale 96 John Henry “Bones” Nobles: Bones Percussion, Beaumont 107 Yani Rose Keo: Cambodian Music and Dance, Houston 117 Appendix: Traditional Music in Texas Radio Series 129 Acknowledgments 131 For Further Reading, Listening, and Viewing 133 Index 137
How is the life-altering event of migration narrated for children, especially if it was caused by Anti-Semitism and poverty? What of the country of origin is remembered and what is forgotten, and what of the target country when the migration is imagined there a century later? Looking Forward, Looking Back examines today’s representation of Jewish mass migration from Eastern Europe to America around the turn of the last century. It explores the collective story that emerges when American authors look back at this exodus from an Eastern European home to a new one to be established in America. Focusing on children’s literature, it investigates a wide range of texts including young adult literature as well as picture books and hence sheds light on the dynamics of the verbal and the visual in generating images of the self and other, the familiar and the strange. This book is of interest to scholars in the field of imagology, children’s literature, cultural studies, American studies, Slavic studies, and Jewish studies.