Yekl (1896), the first novel upon which the much acclaimed film Hester Street was based, was probably the first novel in English that had a hero from the New York's East Side.
Abraham Cahan immigrated to the United States from Lithuania at the age of 21, and he enthusiastically adopted New York City as his hometown. In this charming collection of short stories, alternately humorous and gritty, the kaleidoscope of experiences of recent immigrants to the big city are chronicled in engrossing detail.
The Imported Bridegroom, and Other Stories of the New York Ghetto is a collection of short stories by Abraham Cahan. Contents: Imported Bridegroom, A Providential Match, A Sweat-Shop Romance, Circumstances and A Ghetto Wedding.
DigiCat Publishing presents to you this special edition of "Yekl: A Tale of the New York Ghetto" by Abraham Cahan. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.
Does the American Jewish experience represent a singular communal circumstance, or does it repeat, with obvious and unavoidable variation, the older European pattern of Jewish existence? In 2004, on the occasion of the 350th anniversary of the establishment of the American Jewish community, this question seemed well worth revisiting. To explore it more fully, the Elie Wiesel Center for Judaic Studies at Boston University brought together a distinguished group of expert scholars on the main areas of American Jewish life, stretching from the colonial Jewish experience to the image of Jews in contemporary films. The present volume represents the fruit of this collective reflection and interrogation.
Herman Beavers offers a richly nuanced study of Ernes J. Gaines, James Alan McPherson, and Ralph Ellison as writers who have found ways to invest circumstances that might otherwise be seen as sites of squalor or despair with a sense of cultural vitality. He examines the Ellisonian themes and motifs the two later writers take up in their fiction, and looks at Ellison's influence on the strategies they enact to construct themselves as American writers. For Beavers, the fictions of Ellison, Gaines, and McPherson are peopled by characters who value acts of storytelling and whose stories frame a fuller, more complex, and more inclusive version of American identity than those the dominant white culture has allowed.
In this distinctive book, Philip Joseph considers how regional literature can remain relevant in a modern global community. Why, he asks, should we continue to read regionalist fiction in an age of expanding international communications and increasing nonlocal forms of affiliation? With this question as a guide, Joseph places the regionalist tradition of the late nineteenth and early twentieth centuries at the center of a contemporary conversation about community. Part of the challenge, Joseph shows, is to distinguish between versions of regionalism that speak nostalgically to modern readers and those that might enter actively into a more progressive collective dialogue. Examining the works of well-known writers including Hamlin Garland, Abraham Cahan, Willa Cather, Zora Neale Hurston, and William Faulkner, Joseph argues that these regionalist authors share a vision of local communities in open discourse with the external world -- capable of shaping public thought and policy and also of benefiting from the knowledge and experiences of outsiders. Their fiction depicts a range of localities, from Jewish American neighborhoods and midwest farming communities to southern African American towns and southwestern mixed-race parishes. Their characters are often associated with the literary-artistic process, a method stressing open-ended critique that -- unlike journalistic, philosophical, or legal processes -- ensures open dialogue.Joseph takes his argument beyond the boundaries of literary scholarship by engaging with art critics such as Lucy Lippard, distance-learning opponents such as David Noble, and civil society proponents such as Robert Putnam and Michael Sandel. Like civil society advocates today, regionalist writers used the idea of community as a discursive topos and explored how values including home and neighborhood were reconciled with such democratic ideals as individual self-determination and collective empowerment.