DigiCat Publishing presents to you this special edition of "Yankee Gypsies" by John Greenleaf Whittier. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.
Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.
Photographs and essays help chronicle one hundred years of history for the New York Yankees professional baseball team, profiling key players, coaches, and moments in the team's history.
The two pennant winners in 1926, the National League's Cardinals and the American League's Yankees, were a study in contrasts. The Yankees were heavily composed of first- and second-generation Americans and based in New York, the epicenter of baseball; the Cardinals, on the other hand, were mostly a collection of farm boys playing at the western fringe of the major leagues. But both teams arrived battle-tested, as St. Louis had fought a long, close race with Cincinnati and New York had survived a dramatic late-season run by Cleveland. Their classic World Series meeting went seven games and produced one of the legendary pitcher-batter confrontations of baseball history.
Yankees in Petrograd, Bolsheviks in New York examines the myth of America as the Other World at the moment of transition from the Russian to the Soviet version. The material on which Milla Fedorova bases her study comprises a curious phenomenon of the waning nineteenth and early twentieth centuries—pilgrimages to America by prominent Russian writers who then created travelogues. The writers' missions usually consisted of two parts: the physical journey, which most of the writers considered as ideologically significant, and the literary fruit of the pilgrimages. Until now, the American travelogue has not been recognized and studied as a particular kind of narration with its own canons. Arguing that the primary cultural model for Russian writers' journey to America is Dante's descent into Hell, Federova ultimately reveals how America is represented as the country of "dead souls" where objects and machines have exchanged places with people, where relations between the living and the dead are inverted.
In a compelling story of the installation and operation of U.S. bases in the Caribbean colony of Trinidad during World War II, Harvey Neptune examines how the people of this British island contended with the colossal force of American empire-building at a critical time in the island's history. The U.S. military occupation between 1941 and 1947 came at the same time that Trinidadian nationalist politics sought to project an image of a distinct, independent, and particularly un-British cultural landscape. The American intervention, Neptune shows, contributed to a tempestuous scene as Trinidadians deliberately engaged Yankee personnel, paychecks, and practices flooding the island. He explores the military-based economy, relationships between U.S. servicemen and Trinidadian women, and the influence of American culture on local music (especially calypso), fashion, labor practices, and everyday racial politics. Tracing the debates about change among ordinary and privileged Trinidadians, he argues that it was the poor, the women, and the youth who found the most utility in and moved most avidly to make something new out of the American presence. Neptune also places this history of Trinidad's modern times into a wider Caribbean and Latin American perspective, highlighting how Caribbean peoples sometimes wield ''America'' and ''American ways'' as part of their localized struggles.
Almost Yankees is a poignant and nostalgic narrative of the lives and travails of Minor League Baseball, focusing on the 1981 championship season of the New York Yankees’ Triple-A farm club, the Columbus Clippers. That year was especially notable in the annals of baseball history as the year Major League Baseball went on strike in midseason. When that happened, the Clippers were suddenly the best team in baseball and found themselves the focus of national media attention. Many of these Minor Leaguers sensed this was their last, best chance to make an impression and fulfill their dreams to one day reach the majors. The Clippers’ raw recruits, prospects, and Minor League veterans responded to this opportunity by playing the greatest baseball of their lives on the greatest team most of them would ever belong to. Then the strike ended, leaving them to return to their ordinary aspirational lives and to be just as quickly forgotten. Almost Yankees is the previously untold baseball story of a team and its players performing in the shadow of one of the sport’s most famous teams and infamous owners. Featuring interviews with more than thirty former players (including Steve Balboni, Dave Righetti, Buck Showalter, and Pat Tabler) and dozens of other baseball and media figures, this season’s narrative chronicles success, failure, resilience, and redemption as told by a special group of players with hopes and dreams of big-league glory. J. David Herman, who worshipped the team as an eleven-year-old, tracked down his old heroes to learn their stories—and to better understand his own. The season proved to be a launching pad for some, a final chance for others, and the end of the dream for many others.
