This enlightening book is the go-to guide for fans for biographical information, rare photos, and interesting trivia about their favorite child stars, shows, series, networks, and the times that defined the shows. Spanning forty years of television history, this book details both the success stories and misfortunes of many child stars. Included in this book are the stories of Anissa Jones, Buffy on Family Affair, who tragically died from a drug overdose at the age of eighteen, as well as Ron Howard, who starred in both The Andy Griffith Show and Happy Days, and who later became an Academy Award–winning director. A child star herself, Kathy Garver profiles these and other legends of classic television in a book that will answer the question: Where are they now?
Looks at the lives of one hundred child stars who came of age in Hollywood during the 1970s, 1980s, and 1990s, revealing what has happened to them since their early--often fleeting--brush with fame and fortune.
This in-depth look at the psychological effects of being a former child star includes an examination of the life of Dana Plato, and includes interviews with former child actors who appeared on various television shows. Color and bandw photos.
*Includes pictures. *Includes the child stars' quotes about their own lives and careers. *Includes bibliographies for further reading. Shirley Temple remains the most famous child star of all time, but even this designation fails to reflect the magnitude of her popularity during the era in which she worked. While it is true that she was not the first child actor to reach Hollywood fame, she was the first - and to this day, perhaps the only - star who rose to the very pinnacle of the Hollywood elite before she even turned 10 years old. For this reason, it is no exaggeration to view Shirley as the progenitor for all of the child actors that succeeded her. Moreover, her cultural importance constitutes an even more important barometer through which to measure her overall significance. Not only was Shirley a film star, but she had a monumental impact on a generation of children who grew up during the Great Depression, with her plucky optimism emotionally uplifting an American public struggling both financially and emotionally. She was not only a young actress but also a brand name, someone who offered fathers and mothers hope for their children to achieve the same success as the famous child star. Yet, for all of Shirley Temple's fame, it is no doubt surprising to many that her actual films received scant critical acclaim. Her films were never mentioned on critical "best of" lists, nor did they regularly appear on the list of nominees for the Academy Awards. In many ways, Judy Garland's rise to fame seems almost predestined. Not only was she a national sensation at a young age, but her parents and sisters were all vaudeville entertainers. On top of that, Garland's parents owned and operated a movie theater, making it all the easier to draw the conclusion that singing and acting were simply professions which she was born into by virtue of her pedigree. Judy's early childhood quickly demonstrated that she had a gifted voice that developed well beyond its years and seemingly did not require any formal training in order to achieve success; her first performance before a public audience came when she was still a toddler, and she would continue to act up until her death, never pausing for more than a few months at a time. That Garland was able to secure starring roles almost immediately after signing a contract with MGM in 1935 only corroborates the belief that Garland was practically born with the ability to succeed in show business and the motion picture industry. Of course, Garland might be known today based more on her demise than anything else, and there's no denying that one of the most fascinating (and tragic) aspects of her life story is the manner in which her downward spiral occurred with the same rapid progression as her meteoric ascent. Garland died in 1969 at the age of 47, but she had lost control over her life years earlier and was actually fortunate to live as long as she did. Alongside Shirley Temple and Judy Garland, with whom he acted in a series of films, Mickey Rooney was one of America's most beloved child stars during the 1930s. Rooney had already made his mark in A Family Affair (1937), but he was the face of the incredibly successful Andy Hardy series, which produced several box office hits and featured Rooney in 13 movies, several alongside Judy Garland, who shot to fame as a teen in The Wizard of Oz. At the same time, the fact that the peak of his success came when he was so young has helped obscure the fact that he has acted in 10 different decades. Rooney is one of the only actors still alive who worked in the silent film era, yet he recently appeared in 2012's Last Will and Embezzlement. In the process, Rooney has been awarded a Juvenile Academy Award, an Honorary Academy Award, two Golden Globes and an Emmy Award.
Raising a Child Star aims to empower you and your rising star as you navigate the road to stardom and support your child's creative passions. It will educate you about how the business works, pitfalls to avoid, and important steps you may miss.Written by Diana Ivelis, mom to three children who are in the entertainment industry and L.A. based youth talent agent, this book outlines the steps you can take to help you and your child as you begin the journey into the entertainment industry.
A guide to child stars and the movies that made them famous traces the lives, careers, and changing fortunes of child actors, including Mary Pickford, Judy Garland, James Dean, and Tatum O'Neal
A look at the world of child actors combines candid interviews, profiles, and anecdotes concerning the experiences of such young performers as Kristy McNichol, Jodie Foster, Gary Coleman and many others, both famous and unknown.
Former child actor Paul Petersen once said, "Fame is a dangerous drug and should be kept out of the reach of children." It is certainly true that many child actors have fallen prey to the dangers of fame and suffered for it later in life, but others have used fame to their advantage and gone on to even more successful careers in adulthood. This work is a compilation of interviews with 39 men and women who, as children, worked in the motion picture industry in Hollywood. They all handled their childhood celebrity differently. Lee Aaker, Mary Badham, Baby Peggy, Sonny Bupp, Ted Donaldson, Edith Fellows, Gary Gray, Jimmy Hunt, Eilene Janssen, Marcia Mae Jones, Sammy McKim, Roger Mobley, Gigi Perreau, Jeanne Russell, Frankie Thomas, Beverly Washburn, Johnny Whitaker, and Jane Withers are among those interviewed. They talk candidly about their experiences on and off the set, the people they worked with, and what they did after their careers ended. The pros and cons of being a child actor and the effects that it had on them later in life are discussed at great length.
At the age of twenty-two, Lisa Jakub had what she was supposed to want: she was a working actor in Los Angeles. She had more than forty movies and TV shows to her name, she had been in blockbusters like Mrs. Doubtfire and Independence Day, she walked the red carpet and lived in the house she bought when she was fifteen. But something was missing. Passion. Purpose. Happiness.Lisa had been working since the age of four, after a man approached her parents at a farmer’s market and asked her to audition for a commercial. That chance encounter dictated the next eighteen years of her unusual— and frequently awkward—life. She met Princess Diana... and almost fell on her while attempting to curtsy. She filmed in exciting locations... and her high school asked her not to come back. She went to fancy parties... and got kind of kidnapped that one time. Success was complicated.Making movies, traveling the world, and meeting intriguing people was fun for a while, but Lisa eventually realized she was living a life based on momentum and definitions of success that were not her own. She battled severe anxiety and panic attacks while feeling like she was living someone else’s dream. Not wanting to become a child actor stereotype, Lisa retired from acting and left L.A. in search of a path that felt more authentic to her.In this funny and insightful book, Lisa chronicles the adventures of growing up in the film industry and her difficult decision to leave behind the only life she had ever known, to examine her priorities, and write the script for her own life. She explores the universal question we all ask ourselves: what do I want to be when I grow up?
The child star is an iconic figure in Western society representing a growing cultural trend which idolises, castigates and fetishises the image of the perfect, innocent and beautiful child. In this book, Jane O’Connor explores the paradoxical status of the child star who is both adored and reviled in contemporary society. Drawing on current debates about the commercialisation and sexualisation of childhood and fears about children ‘growing up too soon’, she identifies hostile media attention around child stars as indicative of broader social concerns about the ‘correct’ role and place of children in relation to normative ideals of childhood. Through reference to extensive empirical examples of the way child stars such as Shirley Temple, Macaulay Culkin, Charlotte Church and Jackie Coogan have been constructed in the media, this book illustrates both the powerlessness and the power held by this tiny band of children, and demonstrates their significance as representatives of the public face of childhood throughout the twentieth century and beyond.
