Mary Elizabeth Braddon's 'Wyllard's Weird' is a captivating addition to the Mystery Classics Series, showcasing a thrilling narrative filled with twists and turns that will keep readers on the edge of their seats. Braddon's exemplary use of suspense and intricate plot developments places this novel within the context of classic mystery literature, making it a must-read for enthusiasts of the genre. The seamless blend of psychological depth and intricate storytelling creates a rich and engaging reading experience for those drawn to Victorian-era mysteries. Braddon's attention to detail in constructing the various characters and their motivations adds layers of complexity to the narrative, ensuring a satisfying and immersive read for all who delve into its pages. Mary Elizabeth Braddon, a prolific Victorian-era writer, drew inspiration from the societal norms and expectations of her time to craft compelling stories that often challenged conventions. Her ability to navigate the complexities of human nature and weave them into her narratives is evident in 'Wyllard's Weird,' showcasing her skill as a master storyteller. Through her vivid descriptions and intricate characterizations, Braddon invites readers to explore the dark recesses of the human psyche, keeping them engrossed from start to finish. Readers seeking a gripping mystery with a touch of psychological depth will find 'Wyllard's Weird' to be a satisfying page-turner that combines brilliant storytelling with a keen understanding of human nature. Braddon's expertly crafted tale is a testament to her enduring legacy as one of the foremost writers of Victorian literature, making this novel a must-read for fans of classic mysteries.
This lavishly illustrated history features rare covers and classic illustrations, revealing how crucial artists were to establishing the identity and popularity of crime fiction. During its “classic era”—from 1850 to 1950—a variety of writers developed every important element of the genre: the police detective, the professional sleuth, the hard-boiled private eye, the secret agent, and of course, the criminal masterminds, crooks, and gangsters. From Sherlock Holmes and James Bond to Edgar Allan Poe and Joseph Conrad, this book explores an exciting cultural history. Crime enthusiasts can here see how famous (and sometimes infamous) works of crime fiction originally looked, and how unknown writers and illustrators became responsible for one of the cornerstones of popular culture.
Arthur Prescott finds respite from the drudgery of his professorship in the Barchester Cathedral Library, where he researches the Holy Grail and his long-delayed guidebook for the medieval cathedral. His tranquility is shattered by Bethany Davis, a young American academic who has come to digitise the library’s ancient manuscripts. But hostility turns to affection when Arthur discovers Bethany is a kindred spirit, a Grail fanatic. They begin a quest for the lost Book of Ewolda, which could reveal secrets about the cathedral and the Grail, and their connections to King Arthur and the Knights of the Round Table. As Arthur and Bethany delve into the past, the secret history of England—from the Norman invasion to the Civil War, the Industrial Revolution and the Blitz—is revealed. A thrilling adventure for history lovers, The Lost Book of the Grail is also an ode to the joys of reading. Charlie Lovett is a writer, teacher and playwright whose books include the New York Times bestseller The Bookman’s Tale and First Impressions. He is a bibliophile and a former antiquarian bookseller. He and his wife split their time between North Carolina and the Cotswolds. ‘In his latest literary mystery, Lovett supplements his trademark meld of books, romance, and adventure with an element of (fairly English) humor and some nods in the direction of P.G. Wodehouse...There's lots of research too...but it's underpinned by a pleasing treasure hunt mixed with the romantic involvement of two genially mismatched figures. A solidly built, innocently bookish diversion with a distinct Masterpiece Theater flavor.’ Kirkus Reviews ‘Former antiquarian bookseller Lovett here does what he did so well in his debut, The Bookman’s Tale.’ Library Journal ‘The Lost Book of the Grail is for every book addict. Full of suspense, delightful twists and turns, this is a tale about friendship, love, and the purpose of life.’ Nina George, New York Times bestselling author of The Little Paris Bookshop ‘Vivid, engaging...A love story and a detective story filled with wonderful historic detail.’ Kate Alcott ‘A mystery, a history, a pleasure—and a treasure.’ Gregory Maguire ‘Lovett considers topics both contemporary and timeless: the relevance and future of physical libraries; the advantages and drawbacks of electronic documents; love, devotion and friendship; recollection and truth; setting priorities for life; and faith and belief...Lovett’s expertise in, respect for and love of old books is apparent on every page...Not only bibliophiles will be charmed by this thoroughly enjoyable tale.’ BookMooch ‘Merging medievalist erudition, literary sleuthing and romantic comedy, Charlie Lovett’s The Lost Book of the Grail is an entertaining romp the well-read will enjoy.’ Age ‘Lovett explores the nature of faith and doubt while unravelling the long history of the cathedral and its treasures...For bibliophiles, Grail enthusiasts and anyone who loves a good quest, Arthur’s story is a rich, erudite and entertaining adventure.’ Shelf Awareness ‘Charlie Lovett’s charming novel combines Arthurian legend, Christian beliefs, history and a love of books to produce a grown-up’s version of Dan Brown’s The Da Vinci Code...An engaging concoction of mystery, ancient manuscripts, secret codes, literary sleuthing, the real meaning of faith and mild romance. It will enthral those readers who love books and history.’ Canberra Weekly ‘What a fascinating book by Charlie Lovett, author of The Bookman’s Tale. Its denouement sends tingles through the body...The plot meanders through a then-and-now of glorious old books and manuscripts, the thrills of discovery and agony of obstacles. It is eminently engaging.’ SA Weekend
