Written by one of the world's leading paleographers, this book reconstructs the ways Western cultures have used writing—on tombstones, monuments, scrolls, books, posters—to commemorate the dead from the tombs of ancient Egypt to the Vietnam Memorial in Washington, D.C.
Jack Rowan thought his life was a living Hell. Then he tried dying. Now he'll do anything to get back into the world. Anything. DEAD LINES: THE SCREENPLAY, the adaptation of the bestselling and harrowing book by John Skipp & Craig Spector, is now brought to chilling screen life by Craig Spector & Philip Nutman. With forewords by Spector and Nutman, an afterword by Skipp, and an essay by Spector on converting an idea from small screen to big and print to screen (through two collaborations!) DEAD LINES: THE SCREENPLAY is a must read for anyone who loves movies, books, and the magic of the written word. So turn the lights off and let the screen glow. This is digital reading for the movie in your mind. Meet young struggling writer, Jack Rowan. His career never took off. His life is in the toilet. His girlfriend dumped him. He's crashing on the couch of his successful photographer friend. Jack finishes his book — a collection of short stories titled NIGHTMARE NYC. Boxes it up and hides it in a crawlspace. Then climbs a ladder in the living room, puts the rope around his neck, takes one long last swig off a bottle of vodka. Looks at a photo in his hand: of himself, and his ex. Says: look what you made me do. Jack steps off the ladder. And into oblivion. Months later. Two girls -- Meryl, Boston Back Bay bred and trying to escape her overbearing father; and Katie, a waitress from Nowhere, Texas -- become unlikely roommates. Then start to become friends. One night Meryl finds the box containing Jack’s lost manuscript. She becomes intrigued with her ‘mystery writer' and his dark, brooding, moody vision of the city. As Meryl reads and slowly falls in love, stange things begin happening in the apartment, and her dreams. Jack's back, but he's dead. He needs a body. He decides, Meryl's will do. If she will let him in....
The Writing Dead features original interviews with the writers of today's most frightening and fascinating shows. They include some of television's biggest names—Carlton Cuse (Lost and Bates Motel), Bryan Fuller (Hannibal, Dead Like Me, Wonderfalls, and Pushing Daisies), David Greenwalt (Angel and Grimm), Gale Anne Hurd (The Walking Dead, The Terminator series, Aliens, and The Abyss), Jane Espenson (Buffy the Vampire Slayer and Battlestar Galactica), Brian McGreevy (Hemlock Grove), Alexander Woo (True Blood), James Wong (The X-Files, Millennium, American Horror Story, and Final Destination), Frank Spotnitz (The X-Files and Millennium), Richard Hatem (Supernatural, The Dead Zone, and The Mothman Prophecies), Scott Buck (Dexter), Anna Fricke (Being Human), and Jim Dunn (Haven). The Writing Dead features thought-provoking, never-before-published interviews with these top writers and gives the creators an opportunity to delve more deeply into the subject of television horror than anything found online. In addition to revealing behind-the-scene glimpses, these writers discuss favorite characters and storylines and talk about what they find most frightening. They offer insights into the writing process reflecting on the scary works that influenced their careers. And they reveal their own personal fascinations with the genre. The thirteen interviews in The Writing Dead also mirror the changing landscape of horror on TV—from the shows produced by major networks and cable channels to shows made exclusively for online streaming services such as Netflix and Amazon Studios. The Writing Dead will appeal to numerous fans of these shows, to horror fans, to aspiring writers and filmmakers, and to anyone who wants to learn more about why we like being scared.
This edited volume includes a compilation of new approaches to the investigation of inscriptions from different cultural contexts. Innovative research questions about "material text cultures" are examined with reference to Classical Athens, late ancient and Byzantine churches and urban spaces, Hellenistic and Roman cities, and medieval buildings.
This book summarizes seventy of my honoring-the-dead books that I was directed to write by the dead. The dead would direct me in my dreams, usually within a week after they die, to write a book for their loved ones. They would tell me what to write, what photographs to use, and to whom to send the book. This is the reason why I had decided to publish this book. The dead dont forget you after they die. Dont forget them. People dont change after they die. Ive had many good experiences and a few very bad experiences with them. If I was able to communicate with the dead, you can to. Its a very interesting story how I had acquired this capability, which I discussed in this book. I was not born with that capability. I also discuss two of my prior lifetimes, which have also helped me communicate with the dead. These are all things that I suggest that you know about. It all helps, like it has helped me. Its all true, and it can be verified in the seventy books that I have written. This book summarizes what is in those seventy books. This book gives a number of examples that nothing happens by accident. You can be whatever you want to be. I did it, and you can do it too. In this lifetime, I meet my mother in my 1620 AD lifetime, who had given me my current capabilities.
At last! A companion activity book to the immensely popular Four Square Writing Method. Chock-full of projects and ideas that are tailor-made to work with the Four Square Writing Method, this volume includes age-appropriate activities designed to take advantage of the language-learning connection and help students use what they know to learn new things.