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Author: Evan S. Smith
Publisher: Penguin
Published: 1999
Total Pages: 310
ISBN-13: 9780399525339
DOWNLOAD EBOOKDescribes the writing method called premise-driven comedy, examines how comedy affects character development and story structure, discusses guidelines on script layouts, and offers advice on establishing a career
Author: Jurgen Wolff
Publisher:
Published: 1997
Total Pages: 213
ISBN-13: 9780330350525
DOWNLOAD EBOOKThis is a definitive guide on how to write and, more importantly, sell scripts for situation comedies. It provides tips on character development, sub-plots, manuscript formats and comedy and timing.
Author: James Mendrinos
Publisher: Penguin
Published: 2004
Total Pages: 356
ISBN-13: 9781592572311
DOWNLOAD EBOOKYou've always known writing comedy was about more than just being funny. But how do you create a joke and work it into a script or a stand-up routine? Comedian, writer, and teacher Jim Mendrinos has the answers. In The Complete Idiot s Guide to Comedy Writing, Mendrinos gives readers the principles he teaches in his popular courses, from understanding what funny is and how to find it, to how to actually construct comedy. Working through the basic constructions and forms including premises, points of view, and twists, he shows the variations of written, verbal, and physical comedy. With useful exercises, Mendrinos helps writers refine their writing, appeal to their audience, and even break writer's block by learning techniques for brainstorming, free association, lists, and finding infinite points of view.
Author: Sheldon Bull
Publisher:
Published: 2007
Total Pages: 0
ISBN-13: 9781932907278
DOWNLOAD EBOOKThis comprehensive guide is for those who want to launch a career as a television sitcom writer and features detailed inside information on how to write scripts that will get noticed.
Author: Scott McClanahan
Publisher:
Published: 2013
Total Pages: 0
ISBN-13: 9781937512033
DOWNLOAD EBOOKA colorful and elegiac coming-of-age story that announces Scott McClanahan as a resounding, lasting talent.
Author:
Publisher: Unistar Books
Published:
Total Pages: 180
ISBN-13:
DOWNLOAD EBOOKAuthor: John Vorhaus
Publisher: Bafflegab Books
Published: 2012-05-25
Total Pages: 48
ISBN-13:
DOWNLOAD EBOOKWriting situation comedies isn’t really that hard. So much of what you need to know is already defined for you. You know that your script needs to be a certain short length, with a certain small number of characters. You know that your choice of scenes is limited to your show’s standing sets and maybe one or two swing sets or outside locations. You know how your characters behave and how they’re funny, either because you invented them or because you’re writing for a show where these things are already well established. Sitcom is easy and sitcom is fun. Sitcom is the gateway drug to longer forms of writing. It’s a pretty good buzz and a pretty good ride, a great way to kill an afternoon, or even six months. And now, thanks to comedy writing guru John Vorhaus (author of THE COMIC TOOLBOX: HOW TO BE FUNNY EVEN IF YOU'RE NOT), writing situation comedy is easier than ever. In THE LITTLE BOOK OF SITCOM, you'll find a whole trove of tools, tricks and problem-solving techniques that you can use -- now, today -- to be the sitcom writer of your wildest dreams. Ready to write? Ready to have fun? THE LITTLE BOOK OF SITCOM is the big little book for you.
Author: Manny Basanese
Publisher: Routledge
Published: 2021-11-29
Total Pages: 276
ISBN-13: 1000485056
DOWNLOAD EBOOKNavigating through the challenging process of writing a comedy pilot, this book will help screenwriters to create an original script for television. Practical and accessible, the book presents a step-by-step guide focusing on the key elements of the process. Incorporating both the history of TV comedy as well as its current evolving state in this age of the dramedy and an ever-increasing variety of broadcast and streaming platforms, the book will serve as a guide for the fledgling sitcom scribe. Author Manny Basanese breaks down the comedy pilot writing process from what may be perceived as an overwhelming, time-consuming mission into a series of much more manageable, smaller steps (from logline to outline to 1st, 2nd and polished draft). Utilizing his experience in Hollywood’s sitcom trenches, the author offers real-world advice on such topics as building the comedy pilot "world," creating memorable comic characters, sound sitcom structure, and the importance of crafting an emotional through line in a comedy pilot. Finally, there is also practical career guidance for marketing this just-completed script and breaking into the industry with advice on various topics such as the value of networking as well as gaining representation in the competitive Hollywood jungle. It is ideal for students of screenwriting and aspiring comedy screenwriters.
Author: Evan S. Smith
Publisher: Penguin
Published: 2009-12-01
Total Pages: 362
ISBN-13: 1101151625
DOWNLOAD EBOOKThis new edition of Writing Television Sitcoms features the essential information every would-be teleplay writer needs to know to break into the business, including: - Updated examples from contemporary shows such as 30 Rock, The Office and South Park - Shifts in how modern stories are structured - How to recognize changes in taste and censorship - The reality of reality television - How the Internet has created series development opportunities - A refined strategy for approaching agents and managers - How pitches and e-queries work - or don't - The importance of screenwriting competitions
Author: Marc Blake
Publisher: A&C Black
Published: 2011-09-23
Total Pages: 311
ISBN-13: 1408130890
DOWNLOAD EBOOKThe craft of sitcom is possibly the hardest of all screenwriting genres, demanding a complex set of skills. How NOT to Write a Sitcom is a troubleshooting guide aimed at both the novice and the practising sitcom writer. It illustrates and explains the many pitfalls in concept, characterisation, plotting and dramatic/comedic writing,which pepper the hundreds of scripts submitted every year. Each point is illustrated with an example of the error and each section contains practical suggestions and exercises for the writer to apply to their own writing. The book makes no assumption of the reader other than an interest in the form. It contains interviews with current producers as well as interviews with successful practioners of the craft. Marc Blake is a script consultant, writer and teacher of writing for sitcom. In this book he acts as a `script mechanic' for writers - stripping a sitcom down to its component parts, isolating the faults and fixing them. What script editors and producers are looking for are scripts that work. Naturally they want a genius in embryo, but above all they first want to see something that is roadworthy.
