On the surface, the use of photography in autobiography appears to have a straightforward purpose: to illustrate and corroborate the text. But in the wake of poststructuralism, the role of photography in autobiography is far from simple or one-dimensional
A unique tribute to art films as seen through the eyes of master cinematographer Vittorio Storaro, the winner of three Academy Awards. The volume is a compendium of Storaro's extraordinary fifty-year career and a tribute to the creative sources of his work, as celebrated through more than 500 illustrations that reflect his singular style. In cinematography, there is not just one kind of light, but an infinite range of variants: not only the day and night specified in the screenplays, but also the daylight and artificial light, the darkness and the twilight, the sunrise and the sunset, the sun and the moon. And each one tells a story, expresses an idea or an emotion, and digs down into the subconscious. "The Muses" are the female figures of Greek mythology who have inspired the cinematography of Storaro in terms of aesthetics, light, color, and value.
While most people associate Japanese film with modern directors like Akira Kurosawa, Japan's cinema has a rich tradition going back to the silent era. Japan's "pure film movement" of the 1910s is widely held to mark the birth of film theory as we know it and is a touchstone for historians of early cinema. Yet this work has been difficult to access because so few prints have been preserved. Joanne Bernardi offers the first book-length study of this important era, recovering a body of lost film and establishing its significance in the development of Japanese cinema. Building on a wealth of original-language sources-much of it translated here for the first time-she examines how the movement challenged the industry's dependence on pre-existing stage repertories, preference for lecturers of intertitles, and the use of female impersonators. Bernardi provides in-depth analysis of key scripts-The Glory of Life, A Father's Tears, Amateur Club, and The Lust of the White Serpent-and includes translations in an appendix. These films offer case studies for understanding the craft of screenwriting during the silent era and shed light on such issues as genre, authorship and control, and gender representation. Writing in Light helps fill important gaps in the history of Japanese silent cinema. By identifying points at which "pure film" discourse merges with changing international trends and attitudes toward film, it offers an important resource for film, literary, and cultural historians.
"When I begin to write, I open myself and wait. And when I turn toward an inner spiritual awareness, I open myself and wait." With that insight, Pat Schneider invites readers to contemplate their lives and deepest questions through writing. In seventeen concise thematic chapters that include meditations on topics such as fear, freedom, tradition in writing and in religions, forgiveness, joy, social justice, and death, How the Light Gets In gracefully guides readers through the artistic and spiritual questions that life offers to everyone. Praised as a "fuse lighter" by author Julia Cameron and "the wisest teacher of writing I know" by the celebrated writing guru Peter Elbow, Pat Schneider has lived a life of writing and teaching, passion and compassion. With How the Light Gets In, she delves beyond the typical "how-to's" of writing to offer an extended rumination on two inner paths, and how they can run as one. Schneider's book is distinct from the many others in the popular spirituality and creative writing genre by virtue of its approach, using one's lived experience--including the experience of writing--as a springboard for expressing the often ineffable events that define everyday life. Her belief that writing about one's own life leads to greater consciousness, satisfaction, and wisdom energizes the book and carries the reader elegantly through difficult topics. As Schneider writes, "All of us live in relation to mystery, and becoming conscious of that relationship can be a beginning point for a spiritual practice--whether we experience mystery in nature, in ecstatic love, in the eyes of our children, our friends, the animals we love, or in more strange experiences of intuition, synchronicity, or prescience."
Tailor your screenplay to sell. Find out what Hollywood script readers, producers, and studio executives want in a screenplay (and why) from someone who’s been there. Discover what it takes to begin a lasting career as a screenwriter. Peppered with interviews from established professionals, Writing for the Green Light: How to Make Your Script the One Hollywood Notices gives you a sharp competitive edge by showcasing dozens of everyday events that go on at the studios but are rarely if ever discussed in most screenwriting books. With his behind-the-scenes perspective, Scott Kirkpatrick shows you why the system works the way it does and how you can use its unwritten rules to your advantage. He answers such questions as: Who actually reads your script? How do you pique the interest of studios and decision makers? What do agents, producers, and production companies need in a script? How much is a script worth? What are the best genres for new writers and why? What are real steps you can take to ‘break in’ to television writing? How do you best present or pitch a project without looking desparate? How do you negotiate a contract without an agent? How do you exude confidence and seal your first deal? These and other insights are sure to give you and your screenplay a leg-up for success in this competitive landscape!
In this powerful and evocative memoir, Oscar-winning director and screenwriter, Oliver Stone, takes us right to the heart of what it's like to make movies on the edge. In Chasing The Light he writes about his rarefied New York childhood, volunteering for combat, and his struggles and triumphs making such films as Platoon, Midnight Express, and Scarface. Before the international success of Platoon in 1986, Oliver Stone had been wounded as an infantryman in Vietnam, and spent years writing unproduced scripts while taking miscellaneous jobs and driving taxis in New York, finally venturing westward to Los Angeles and a new life. Stone, now 73, recounts those formative years with vivid details of the high and low moments: we sit at the table in meetings with Al Pacino over Stone's scripts for Scarface, Platoon, and Born on the Fourth of July; relive the harrowing demon of cocaine addiction following the failure of his first feature, The Hand (starring Michael Caine); experience his risky on-the-ground research of Miami drug cartels for Scarface; and see his stormy relationship with The Deer Hunter director Michael Cimino. We also learn of the breathless hustles to finance the acclaimed and divisive Salvador; and witness tensions behind the scenes of his first Academy Award-winning film, Midnight Express. The culmination of the book is the extraordinarily vivid recreation of filming Platoon in the depths of the Philippine jungle with Kevin Dillon, Charlie Sheen, Willem Dafoe, Johnny Depp et al, pushing himself, the crew and the young cast almost beyond breaking point. Written fearlessly, with intense detail and colour, Chasing the Light is a true insider's story of Hollywood's years of upheaval in the 1970s and '80s, and Stone brings this period alive as only someone at the centre of the action truly can.
From the author of Stylish Academic Writing comes an essential new guide for writers aspiring to become more productive and take greater pleasure in their craft. Helen Sword interviewed one hundred academics worldwide about their writing background and practices. Relatively few were trained as writers, she found, and yet all have developed strategies to thrive in their publish-or-perish environment. So how do these successful academics write, and where do they find the “air and light and time and space,” in the words of poet Charles Bukowski, to get their writing done? What are their formative experiences, their daily routines, their habits of mind? How do they summon up the courage to take intellectual risks and the resilience to deal with rejection? Sword identifies four cornerstones that anchor any successful writing practice: Behavioral habits of discipline and persistence; Artisanal habits of craftsmanship and care; Social habits of collegiality and collaboration; and Emotional habits of positivity and pleasure. Building on this “BASE,” she illuminates the emotional complexity of the writing process and exposes the lack of writing support typically available to early-career academics. She also lays to rest the myth that academics must produce safe, conventional prose or risk professional failure. The successful writers profiled here tell stories of intellectual passions indulged, disciplinary conventions subverted, and risk-taking rewarded. Grounded in empirical research and focused on sustainable change, Air & Light & Time & Space offers a customizable blueprint for refreshing personal habits and creating a collegial environment where all writers can flourish.
Go on a journey of discovery, magic, science, and hope with this remarkable debut novel about a girl's powerful connection to a mysterious lake. Twelve-year-old Addie should stay away from Maple Lake. After all, her twin brother, Amos, drowned there only a few months ago. But its crisp, clear water runs in Addie's veins, and the notebook Amos left behind -- filled with clues about a mysterious creature that lives in the lake's inky-blue depths -- keeps calling her back. So despite her parents' fears, Addie accepts a Young Scientist position studying the lake for the summer, promising she'll stick to her job of measuring water pollution levels under adult supervision. Still, Addie can't resist the secrets of Maple Lake. She enlists the lead researcher's son, Tai, to help her investigate Amos's clues. As they collect evidence, they also learn that Maple Lake is in trouble -- and the source of the pollution might be close to home. Addie finds herself caught between the science she has always prized and the magic that brings her closer to her brother, and the choice she makes will change everything.
Contributor Martin Padget's essay: Native Americans, the Photobook and the Southwest: Ansel Adams' and Mary Austin's Taos Pueblo was awarded the 2010 Arthur Miller Essay Prize. This book offers a collection of essays on the interface between literature and photography, as exemplified in important North American texts.
You can write the Light Novel or Webnovel you want... Right now, writers just like you are making stories that are setting the world on fire. Light Novels are getting turned into games, anime, and movies, while Webnovels are making authors into millionaires with legions of fans. And, all of them started with just an idea, and a little creativity. You're creative and you have amazing ideas - you just need a little extra help in shaping those ideas into something that brings out their potential. Let a writing teacher with over twenty years of experience guide you through the writing process of making your story dreams into story reality. In this book you'll learn... The 10 things popular Light Novels and Webnovels have in common How to master the 8 major webfiction genres, including Isekai, litRPGs, Fantasy, Slice-of-Life and Romance About all 3 styles of Asian light fiction - Japanese, Korean and Chinese, and what makes each of them special. To use the 5 levels of story to build solid serials that get read to the end 12 simple steps to turning your ideas into epic stories And...so much more Rise to the challenge, and show the world what only you can do. This is your opportunity to show off your ideas and join the ranks of writers who are blazing trails across the world. Get How to Write Light Novels and Webnovels today Starting making your own legend.