We're living in a time of unprecedented diversity in produced media content, with more characters appearing who are Black, Asian and Minority Ethnic (BAME), LGBT, disabled, or from other religions or classes. How to Write Diverse Characters discusses issues of all identities with specific reference to characterisation, not only in movies and TV, but also novel writing. It gives writers the tools to create three dimensional, authentic characters... Who just happen to be diverse.
We're living in a time of unprecedented diversity in produced media content, with more LGBT characters. more characters of color, more disabled characters, and more characters from various religions or classes. These characters also appear in genre pieces, accessible to the mainstream, instead of being hidden away in so-called "worthier" pieces, as in the past. This book discusses issues of race, disability, sexuality and transgender people with specific reference to characterization in movies, TV, and novel writing. Using such examples as the film Mad Max: Fury Road and the novel Gone Girl, the book explores how character role function really works. It discusses such questions as the difference between stereotype and archetype, why "trope" does not mean what Twitter and Tumblr think it means, how the burden of casting affects both box office and audience perception, and why diversity is not about agendas, buzzwords or being "politically correct." It also goes into what authenticity truly means, and why research is so important; why variety is key in ensuring true diversity in characterization; and what agents, publishers, producers, filmmakers and commissioners are looking for—and why.
Perijee and Me is a hilarious and touching story about an unusual friendship, a heart-stopping adventure, and the power of kindness when you’re faced with an alien invasion. If E.T. the Extra Terrestrial is still “right here” in your heart, then you’re sure to fall hard for the misunderstood Perijee and the one girl who’s desperate to save him. Caitlin is the only young person living on Middle Island. On the first day of vacation, she finds a tiny alien on the beach. Caitlin becomes close to her secret friend, whom she names Perijee, and treats him like a brother. Caitlin has a reading disability, but finds she is a good teacher, telling Perijee everything she knows about the world. There’s only one problem: Perijee won’t stop growing. And growing . . . Caitlin will have to convince the adults around her—and Perijee himself—that the creature they see as a terrifying monster is anything but. When things get out of hand, brave Caitlin embarks on a journey to save Perijee before it’s too late. Praise: "Elements of humor and an attractive jacket add to this chapter book's undeniable appeal." --Booklist "A cute read for kids who like a strong dose of absurdity." --School Library Journal "Montgomery's jam-packed narrative doesn't slow for an instant in this exaggeratedly comic drama. . . . Humor carries the day." --Kirkus Reviews "Caitlin's desperation for friendship is palpable, and the book powerfully conveys the longing for connection that drives her to risky actions. This British import is earnest, often quietly thoughtful, and quirky." --The Bulletin of the Center for Children's Books “Montgomery engages us with . . . high drama, hurtling towards a heartwarming resolution.” —The Sunday Times (London)
Alien queen Kora has a problem as vast as the endless crimson deserts. She’s the first female ruler of her territory in generations, but her people are rioting and call for her violent younger twin brother to take the throne. Despite assassination attempts, a mounting uprising of nomadic human rebels, and pressure to find a mate to help her rule, she’s determined to protect her people from her brother’s would-be tyrannical rule. Eros is a rebel soldier hated by aliens and human alike for being a half-blood. Yet that doesn’t stop him from defending his people, at least until Kora’s soldiers raze his camp and take him captive. He’s given an ultimatum: be an enslaved bodyguard to Kora, or be executed for his true identity—a secret kept even from him. When Kora and Eros are framed for the attempted assassination of her betrothed, they flee. Their only chance of survival is to turn themselves in to the high court, where revealing Eros’s secret could mean a swift public execution. But when they uncover a violent plot to end the human insurgency, they must find a way to work together to prevent genocide.
Former private investigator and New York Times notable author David Corbett offers a unique and indispensable toolkit for creating characters that come vividly to life on the page and linger in memory. Corbett provides an inventive, inspiring, and vastly entertaining blueprint to all the elements of characterization-from initial inspiration to realization-with special insights into the power of secrets and contradictions, the embodiment of roles, managing the "tyranny of motive," and mastering crucial techniques required for memorable dialogue and unforgettable scenes. This is a how-to guide for both aspiring and accomplished writers that renders all other books of its kind obsolete.
With material written by David Weber himself, this book is an official concordance of data on the Manticoran Navy. The pages cover topics ranging from the founding of Manticore to battle histories, from detailed class histories to size comparison charts of the ships, and from layouts of the pinnaces to rank insignia.
It may be drama features that win the most awards and kudos from critics, but in the current marketplace you're unlikely to sell a drama screenplay in the way you would a genre script. Breaking down the nuts and bolts of what differentiates drama from genre, Writing and Selling Drama Screenplays considers questions such as: - What is 'emotional truth'? - What separates stereotypical and authentic characters? - What are the different types of drama feature screenplay? - How do we make these films, when there's 'no money'? - What are the distribution opportunities for dramas? - Exploring the ways in which drama and authenticity work, it will empower screenwriters to make their own story and character choices, so they can write and also help to package, finance and even make their own drama features. Writing and Selling Drama Screenplays includes detailed case studies of produced dramas made on both shoestring and bigger budgets, and industry insights from their writers, directors and producers. It looks in-depth at Scottish BAFTA-winning Night People, the iconic coming out movie Beautiful Thing, the touching New Orleans drama Hours, starring the late Paul Walker, and the ambitious true story of Saving Mr Banks, based on the battle of wills between Mary Poppins author PL Travers and Walt Disney himself. It also discusses films such as Brokeback Mountain, American Beauty, The King's Speech, Juno, Erin Brockovich, Changeling and Girl, Interrupted. 'A top-notch, cutting-edge guide to writing and selling, not just practical but inspirational. Lucy's distinctive voice infuses the entire journey. Quite brilliant. Here's the woman who'll help you make things happen' - Barbara Machin, award-winning writer & creator of Waking the Dead 'Delivers the stirring call to arms that writers must not only write, but take their work to the next level themselves, making sacrifices and taking risks if they want to see their stories on screen' - Chris Jones, Filmmaker, Screenwriter & Creative Director at the London Screenwriters Festival Check out Lucy V. Hay's other screenwriting books: Writing & Selling Thriller Screenplays and Writing Diverse Characters for Fiction, Film and TV
When Owen Underwood's family move to Barrow, it's because there's nowhere safer in the Valleys - and safety is very important. Especially when the threat of tornadoes, and giant bears, is constant. But in Barrow, safety is taken to extremes. Children have to wear bright yellow at all times and are never allowed outside except to go to school. How can Owen face an entire summer of that? In secret, Owen and his friends form the Tornado Chasers. Their mission: to get as close to a Grade 5 tornado as possible. It's time for them to face their fears! And then... And then... The second hilarious, thought-provoking, highly original book from an extraordinary young talent - you've never read a novel like it!
Max is used to being called Stupid. And he is used to everyone being scared of him. On account of his size and looking like his dad. Kevin is used to being called Dwarf. And he is used to everyone laughing at him. On account of his size and being some cripple kid. But greatness comes in all sizes, and together Max and Kevin become Freak The Mighty and walk high above the world. An inspiring, heartbreaking, multi-award winning international bestseller.
The most widely used and respected book on writing fiction, Writing Fiction guides the writer from first inspiration to final revision. Supported by an abundance exercises, this guide/anthology explores and integrates the elements of fiction while offering practical techniques and concrete examples. A focus on the writing process in its entirety provides a comprehensive guide to writing fiction, approaching distinct elements in separate chapters while building on what has been covered earlier. Topics include free-writing to revision, plot, style, characterization, dialogue, atmosphere, imagery, and point of view. An anthology of diverse and contemporary short stories followed by suggestions for discussion and writing exercises, illustrates concepts while offering variety in pacing and exposure to this increasingly popular form. The book also discusses key issues including writing workshops, using autobiography as a basis for fiction, using action in stories, using dialogue, and maintaining point of view. The sixth edition also features more short short stories than any previous edition and includes quotation boxes that offer advice and inspirational words from established writers on a wide range of topics--such as writing from experience, story structure, openings and endings, and revision. For those interested in developing their creative writing skills.
