Traces and redefines the lives of noted women using a new and distinctly feminine voice and language, thereby giving equal weight to the ambitions and choices of women
Why is it that generations of writers had to describe George Sand as 'a great man'? Why did Dorothy L. Sayers, having created a heroine as independent as herself, then marry off Harriet Vane? And why did Carolyn Heilbrun resort to the pseudonym of Amanda Cross to write her own detective fiction? For Carolyn Heilbrun, May Sarton's "Journal of a Solitude" was a watershed which marked a new way of writing about women's lives. Before then, traditional biography and autobiography assumed that only one narrative was acceptable for women: romantic love leading to conventional marriage. This book uses fascinating insights into the lives of unconventional women such as Virginia Woolf and Colette to show how their stories have been distorted by this assumption.
Heilbrun looks at the biographies and memoirs of women who have altered the face of literature and the world, and reveals the ways in which feminism has changed our perceptions of their lives.
This book examines the relationship between words and images in various life-writing works produced by nineteenth to twenty-first century American and British women. It addresses the politics of images in women’s life writing, contending that the presence or absence of images is often strategic. Including a range of different forms of life writing, chapters draw on traditional (auto)biographies, travel narratives, memoirs, diaries, autofiction, cancer narratives, graphic memoirs, artistic installations, quilts and online performances, as life writing moves from page to screen and other media. The book explores a wide range of women who have crossed the boundary between text and image: painters who have become writers, novelists who have become painters, writers who hesitate between images and words, models who seize the camera, and artists who use the frame as a page.
Popular author Nava Atlas explores the writing life of famous women writers in this beautifully designed and illustrated book. The journals, letters, and diaries of twelve celebrated women writers, including Jane Austen, Charlotte Bronte, Madeleine L Engle, Anais Nin, George Sand, Edith Wharton, and Virginia Woolf, illuminate the author s creative process. Nava s own insightful commentary provides reassuring tips and advice on such subjects as dealing with rejection, money matters, and balancing family with the solitary writing process that will resonate with women writers in today s world. With 100+ vintage photos, illustrations, and ephemera, this book is a splendid gift book for writers.
Three women are lost in a single morning, one at a commuter train, one at a school, one while walking her dog in the woods. The police think the women are making some kind of political statement by setting themselves on fire....maybe members of a cult. But Cassandra knows better. You won't rest until Cassandra, a mom and former anthropologist, solves the mystery of these fiery deaths. Part mystery, part science fiction, part a suburban domestic novel, Only the Women are Burning asks important questions about women in contemporary suburban lives.
This book includes work by 64 women from 10 countries. Contributors respond to the question: What is conceptual writing? 'I'll Drown My Book' offers feminist perspectives within this literary phenomenon.
For over six years, The Woman in the Story has been the go-to resource for writers who want to be gender-mindful when they figure how to create female characters. Inspired by female psychology and gender issues, this how-to book casts a refreshingly honest and empowering women-centric light on every stage of the screenwriting process.
"A frank, passionate plea for us to move away from sexual polarization and the prison of gender toward a world in which individual roles and modes of personal behavior can be freely chosen. . . . An interesting, lively and valuable general introduction to a new way of perceiving our Western cultural tradition, with emphasis upon English literature." --Joyce Carol Oates, New York Times Book Review