Designed to encourage readers to read and think critically, compassionately, and globally, this comprehensive collection of contemporary writing in English spotlights English as an international literary language. The broad range of genres from some of the world's finest writers, cross diverse gender, generational and ethnic lines. Breadth and quality of essays, memoirs, poems and stories cover such enduring themes as heritage, family, community, identity and autonomy, love and commitment, (post) colonization, the immigrant experience and alienation. For individuals interested in expanding the boarders of their reading to include a showcase of English language literature.
A collection of stories and poems by contemporary writers from Iran, Iraq, North Korea, and other countries the United States considers enemies that have been translated into English.
Featuring the work of more than 28 writers from upwards of 20 countries, this collection transports us to the frontiers of twenty-first century literature. In these pages, some of the most accomplished writers in world literature–among them Edwidge Danticat, Ha Jin, Cynthia Ozick, Javier Marias, and Nobel laureates Wole Soyinka, Günter Grass, Czeslaw Milosz, Wislawa Szymborska, and Naguib Mahfouz–have stepped forward to introduce us to dazzling literary talents virtually unknown to readers of English. Most of their work–short stories, poems, essays, and excerpts from novels–appears here in English for the first time. The Chilean writer Ariel Dorfman introduces us to a story of extraordinary poise and spiritual intelligence by the Argentinian writer Juan Forn. The Romanian writer Norman Manea shares with us the sexy, sinister, and thrillingly avant garde fiction of his homeland’s leading female novelist. The Indian writer Amit Chaudhuri spotlights the Bengali writer Parashuram, whose hilarious comedy of manners imagines what might have happened if Britain had been colonized by Bengal. And Roberto Calasso writes admiringly of his fellow Italian Giorgio Manganelli, whose piece celebrates the Indian city of Madurai. Every piece here–be it from the Americas, Africa, Europe, the Middle East, South Asia, East Asia, Southeast Asia, or the Caribbean–is a discovery, a colorful thread in a global weave of literary exchange. Edited by Samantha Schnee, Alane Salierno Mason, and Dedi Felman
A long-awaited corrective to the controversial idea of world literature, from a major voice in the field. Katerina Clark charts interwar efforts by Soviet, European, and Asian leftist writers to create a Eurasian commons: a single cultural space that would overcome national, cultural, and linguistic differences in the name of an anticapitalist, anti-imperialist, and later antifascist aesthetic. At the heart of this story stands the literary arm of the Communist International, or Comintern, anchored in Moscow but reaching Baku, Beijing, London, and parts in between. Its mission attracted diverse networks of writers who hailed from Turkey, Iran, India, and China, as well as the Soviet Union and Europe. Between 1919 and 1943, they sought to establish a new world literature to rival the capitalist republic of Western letters. Eurasia without Borders revises standard accounts of global twentieth-century literary movements. The Eurocentric discourse of world literature focuses on transatlantic interactions, largely omitting the international left and its Asian members. Meanwhile, postcolonial studies have overlooked the socialist-aligned world in favor of the clash between Western European imperialism and subaltern resistance. Clark provides the missing pieces, illuminating a distinctive literature that sought to fuse European and vernacular Asian traditions in the name of a post-imperialist culture. Socialist literary internationalism was not without serious problems, and at times it succumbed to an orientalist aesthetic that rivaled any coming from Europe. Its history is marked by both promise and tragedy. With clear-eyed honesty, Clark traces the limits, compromises, and achievements of an ambitious cultural collaboration whose resonances in later movements can no longer be ignored.
In Writers Without Borders: Writing and Teaching Writing in Troubled Times, Lynn Z. Bloom presents groundbreaking research on the nature of essays and on the political, philosophical, ethical, and pragmatic considerations that influence how we read, write, and teach them in times troubled by terrorism, transgressive students, and uses and abuses of the Internet. Writers Without Borders reinforces Bloom’s reputation for presenting innovative and sophisticated research with a writer’s art and a teacher’s heart. Each of the eleven essays addresses in its own way the essay itself as one way to live and learn with others.
• A remarkable work of reportage from one of the most important young writers of today • In this collection of essays, Nir Baram explores the day-to-day experiences, hopes and beliefs of those Israelis and Palestinians currently living along the Green Line, from the refugees camps and the Shomron settlement outposts, to where the separation wall cuts through Bethlehem • Accessible, insightful and beautifully written, A Land Without Borders provides an extraordinary window into the Palestinian–Israel conflict and the region’s current political and cultural climate • This eye-witness account offers a contemporary and vivid portait of the West Bank and Jerusalem in an effort to understand the future of this complex politcal debate • Text will publish this remarkable collection ahead of the 50th anniversary of the Six-Day War in June 2017 • Nir Baram is a renowned Israeli activist, political figure and writer whose five novels have been translated into more than ten languages and published to critical acclaim around the world. Text published Baram’s acclaimed, bestselling novel Good People in English for the first time in 2016 • Baram was a guest of the prestigious Sydney Writers' Festival in 2016 and is likely to tour again to the region • Finished copies available to the media and the trade well in advance of publication
In this rich, eye-opening, and uplifting digital anthology, dozens of esteemed writers, poets, and artists from more than thirty countries send literary dispatches from life during the pandemic. Net proceeds benefit booksellers in need. As our world is transformed by the coronavirus pandemic, writers offer a powerful antidote to the fearful confines of isolation: a window onto lives and corners of the world beyond our own. In Mauritius, a journalist contends with denialism and mourns the last days of summer, lost to the lockdown. In Paris, a writer struggles to protect his young son from fear. In Chile, protesters who prevailed against tear gas and rubber bullets are now halted by a virus. In Queens, after thirteen-hour shifts in the ER, a doctor dons running shoes and makes the long jog home. And We Came Outside and Saw the Stars Again takes its title from the last line of Dante's Inferno, when the poet and his guide emerge from hell to once again behold the beauty of the heavens. In that spirit, the stories, essays, poems, and artwork in this collection--from beloved authors including Jhumpa Lahiri, Mario Vargas Llosa, Eavan Boland, Daniel Alarcón, Jon Lee Anderson, Claire Messud, Ariel Dorfman, and many more--detail the harrowing experiences of life in the pandemic, while pointing toward a less isolated future. Together, they comprise a profound global portrait of the defining moment of our time, and send a clarion call for solidarity across borders. Our literary culture depends on bookstores--and those irreplaceable sources of conversation and community, of inspiration and solace, have been decimated by the lockdown. Net proceeds from And We Came Outside and Saw the Stars Again will go to the Book Industry Charitable Foundation, which helps the passionate booksellers we readers depend upon.
"Describes Argentina's horrific dirty war, the chaotic final years of brutal dictatorship in Somalia, and the modern-day excesses of Italy's right-wing politics through the words of two half-sisters, their mothers, and the elusive father who ties their stories together"--
This book asks what it takes for people to encounter one another ethically when practices, worldviews and imaginations clash. It engages over 40 contributors across geographies, disciplines, art forms and practices in a conversation that touches on topics ranging from the climate catastrophe to the disintegration of the welfare state and the erasure of certain bodies from public spaces. It is concerned with how these ‘big’ questions play out in ‘small’ everyday encounters in classrooms, rehearsal rooms, arts projects, charity events or city markets. The book’s polyphonic text does not present answers to its central questions in the way a typical research publication might do. Instead, it creates a flow and invites the reader to join a conversation. By refusing to deliver an argument, the book opens new possibilities for relating to others in the academy and arts. This book is open access under a CC BY ND licence.
