Eight interviews, eight stories, eight commentaries. Eight of Canada's finest writers. Writers Talking gives readers a chance to listen in: Terry Griggs on where stories come from, Michael Winter on writing Newfoundland, K. D. Miller on being an actor who writes. The volume also features stories by and conversations with Mary Borsky, Steven Heighton, Elise Levine, Annabel Lyon, and Lisa Moore.
Trixie, Daddy, and Knuffle Bunny take a trip to the neighborhood Laundromat. But the exciting adventure takes a dramatic turn when Trixie realizes somebunny has been left behind..../DIV DIVIn this special edition of Mo Willems's beloved and acclaimed Knuffle Bunny: A Cautionary Tale, readers will have a chance to enjoy the tale three different ways - reading, listening, and singing. Featuring the complete story, a storybook read-along, and the original cast recording of the Kennedy Center's Knuffle Bunny: A Cautionary Musical, this book-and-CD collection is sure to delight fans, both old and new.
A guide where today’s best writers reveal their secrets. How do writers approach a new novel? Do they start with plot, character, or theme? A. S. Byatt starts with color. E. L. Doctorow begins with an image. In Off the Page, authors tell us how they work, giving insight into their writing process. Gathered from some of today’s best writers—Paul Auster, Martin Amis, Gish Jen, Dan Chaon, Alice McDermott, and many others interviewed on washingtonpost.com’s “Off the Page” series—host Carole Burns has woven their wisdom into chapters illuminating to any writer or reader. How does place influence authors? How do they make a sex scene work? How do they tell when the work is done? Walter Mosley defying genre; Shirley Hazzard on love; Michael Cunningham on compassion: these and more from Richard Ford, Jhumpa Lahiri, and Charles Baxter will deepen your appreciation for the art of writing and excite you to try new ways of writing yourself.
Behind every great television show is a group of professionals working at the top of their games—but no one is more important than the writers. And while writing comedy, especially good comedy, is serious business—fraught with actor egos, demanding producers, and sleepless nights—it also can result in classic lines of dialogue. Sitcom Writers Talk Shop: Behind the Scenes with Carl Reiner, Norman Lear, and Other Geniuses of TV Comedy is a collection of conversations with the writers responsible for some of the most memorable shows in television comedy. The men and women interviewed here include series creators, show runners, and staff writers whose talent and hard work have generated literally millions of laughs. In addition to Reiner (The Dick Van Dyke Show) and Lear (All in the Family), this book features in-depth interviews with: James L. Brooks (The Mary Tyler Moore Show, The Simpsons) Al Jean (The Simpsons, The Critic) Leonard Stern (The Honeymooners, Get Smart) Treva Silverman (The Mary Tyler Moore Show) Ken Estin (Cheers) Matt Williams (Roseanne, Home Improvement) Dava Savel (Ellen) Larry Charles (Seinfeld) David Lee (Frasier) Phil Rosenthal (Everybody Loves Raymond) Mike Reiss (The Simpsons) From these conversations, readers will learn that the business of writing funny has never been all laughs. Writers discuss the creative process, how they get unstuck, the backstories of iconic episodes, and how they cope with ridiculous censors, outrageous actors, and their own demons and fears. Sitcom Writers Talk Shop will appeal to fans of all of these shows and may serve as inspiration to anyone considering a life in comedy.
American women writers have long been creating an extraordinarily diverse and vital body of fiction, particularly in the decades since World War II. Recent authors have benefited from the struggles of their predecessors, who broke through barriers that denied women opportunities for self-expression. This reference highlights American women writers who continue to build upon the formerly male-dominated canon. Included are alphabetically arranged entries for more than 60 American women writers of diverse ethnicity who wrote or published their most significant fiction after World War II. Each entry is written by an expert contributor and includes:^L^DBLA brief biography^L^DBLA discussion of major works and themes^^DBLA survey of the writer's critical reception^L^DBLA bibliography of primary and secondary sources
The Penguin Writers' Guides series provides authoritative, succinct and easy-to-follow guidance on specific aspects of written English. Whether you need to brush up your skills or get to grips with something for the first time, these invaluable Guides will help you find the best way to get your message across clearly and effectively. Business demands many different types of writing skills - from creating proposals and presentations to compiling reports and briefings. This one-stop, no-nonsense guide shows you how to improve your writing at work: including how to discover your strengths and weaknesses, how to identify your audience, how to develop your argument and keep information flowing while avoiding overused jargon. It shows how to make the most of the language you use and make your writing effective and influential.
Fifteen leading writers explore what Gilmore Girls means to them in this delightful celebration of a contemporary TV classic. Fast-talking, warm-hearted, and endlessly rewatchable, Gilmore Girls has bonded real-life mothers and daughters since 2000, when its iconic pilot introduced us to Lorelai, Rory, and their idyllic Connecticut town of Stars Hollow. More than twenty years later, it has become one of the most-streamed TV shows, ever. In an anthology as intimate and quick-witted as Gilmore Girls itself, best-selling author Ann Hood invites fifteen writers to investigate their personal relationships to the show. (“It’s a show? It’s a lifestyle. It’s a religion.”) Joanna Rakoff considers how Emily Gilmore helped her understand her own mother; Sanjena Sathian sees herself—and Asian American defiance—in Lane Kim; Freya North connects with her son through the show; Francesco Sedita discovers an antidote to pandemic loneliness; Nina de Gramont offers a comic ode to the unreality of Stars Hollow. For anyone who identifies as Team Logan, Team Jess, or even Team Dean, Life’s Short, Talk Fast reveals what Gilmore Girls tells us about ourselves—and why it matters. This publication has not been prepared, approved, or licensed by Warner Bros. Entertainment, Inc.; Warner Bros Television; or any other entity or individual associated with the creation or production of Gilmore Girls.
Based on a two-year study of first graders at a magnet school in the San Francisco Bay Area, Multiple Worlds of Child Writers: Friends Learning to Write provides an important missing link in the study of emergent literacy: the peer group and the classroom contexts that surround it. Using four richly detailed case studies, the author portrays the process through which Margaret, the teacher, and her children form a community, one supported by and supporting of the children’s growth as writers. Dyson offers new perspectives by displaying the quality of life in the classroom through children’s talk, drawings, and writing. The theoretical framework presented here for understanding children’s growth moves what is usually considered background to the foreground for study. Most works on children’s writing stress that children must “disembed” or “decontextualize” their written texts from dependency on other symbolic media and other people. Dyson, however, shows that to develop as writers, children’s text must become progressively more embedded in the social, affective, and intellectual parts of their lives. The book also emphasizes the nature of the classroom rather than the home as a distinctive context for early literacy growth. Moreover, the classroom is an urban one that includes children from diverse social and ethnic backgrounds. The classroom and children whose lives fill this book challenge current thinking about such critical issues as the developmental links between writing and other symbol systems, sequence and variability in early writing growth, the relationship between form and function in young children’s writing, and the development of literary language. This book is a must for early childhood educators, reading and language arts specialists, and scholars/researchers in the field of literacy.
