A history of professional wrestling from its roots in legitimate sport to its days as a carnival attraction followed by the growth of regional rivalries and culminating as television-centered entertainment.
A walk-through wrestling history, starting with the founding fathers such as Ed “Strangler” Lewis and the incomparable Lou Thesz, to modern-day masters such as Daniel Bryan and Kurt Angle. The Wrestlers’ Wrestlers spotlights elite performers and analyzes exactly what made them your favorite wrestler’s favorite wrestlers. Authors Dan Murphy and Brian Young interviewed more than 40 in-ring veterans, historians, referees, and promoters to get a unique insider’s look at the people who have made a lasting impact on the world of professional wrestling. It offers a special peek “behind the curtain” and a rare look into the top stars’ thoughts on their peers, their influences, and their personal favorites. The Wrestlers’ Wrestlers is a history of professional wrestling but also a tribute to the frequently misunderstood art itself. Featuring stars of the 1920s to today, this essential read deserves a prominent spot on the bookcase of every fan and historian.
Professional wrestling is one of the most popular performance practices in the United States and around the world, drawing millions of spectators to live events and televised broadcasts. The displays of violence, simulated and actual, may be the obvious appeal, but that is just the beginning. Fans debate performance choices with as much energy as they argue about their favorite wrestlers. The ongoing scenarios and presentations of manly and not-so-manly characters—from the flamboyantly feminine to the hypermasculine—simultaneously celebrate and critique, parody and affirm the American dream and the masculine ideal. Sharon Mazer looks at the world of professional wrestling from a fan’s-eye-view high in the stands and from ringside in the wrestlers’ gym. She investigates how performances are constructed and sold to spectators, both on a local level and in the “big leagues” of the WWF/E. She shares a close-up view of a group of wrestlers as they work out, get their faces pushed to the mat as part of their initiation into the fraternity of the ring, and dream of stardom. In later chapters, Mazer explores professional wrestling’s carnivalesque presentation of masculinities ranging from the cute to the brute, as well as the way in which the performances of women wrestlers often enter into the realm of pornographic. Finally, she explores the question of the “real” and the “fake” as the fans themselves confront it. First published in 1998, this new edition of Professional Wrestling: Sport and Spectacle both preserves the original’s snapshot of the wrestling scene of the 1980s and 1990s and features an up-to-date perspective on the current state of play.
'A brilliant oral history of the golden age of British wrestling and magnificent wider social history.' Richard Osman The classic account of the men and women who used to fight each other for pride and money. Simon Garfield brings them to life in one last glorious bout of jealousy, myth, revenge, passion and deep devotion. When British wrestling was dropped from the ITV schedules in the mid-80s it left the giants of the ring - Big Daddy, Giant Haystacks, Kendo Nagasaki - bereft. This is the true story of the circuit, the big names and their rivalries, told with humour, warmth and affection. This edition features a new afterword by the author.
The Wrestler's Body tells the story of a way of life organized in terms of physical self-development. While Indian wrestlers are competitive athletes, they are also moral reformers whose conception of self and society is fundamentally somatic. Using the insights of anthropology, Joseph Alter writes an ethnography of the wrestler's physique that elucidates the somatic structure of the wrestler's identity and ideology. Young men in North India may choose to join an akhara, or gymnasium, where they subject themselves to a complex program of physical and moral fitness. Alter's first-hand description of each detail of the wrestler's regimen offers a unique perspective on South Asian culture and society. Wrestlers feel that moral reform of Indian national character is essential and advocate their way of life as an ideology of national health. Everyone is called on to become a wrestler and build collective strength through self-discipline.
Performance and Professional Wrestling is the first edited volume to consider professional wrestling explicitly from the vantage point of theatre and performance studies. Moving beyond simply noting its performative qualities or reading it via other performance genres, this collection of essays offers a complete critical reassessment of the popular sport. Topics such as the suspension of disbelief, simulation, silence and speech, physical culture, and the performance of pain within the squared circle are explored in relation to professional wrestling, with work by both scholars and practitioners grouped into seven short sections: Audience Circulation Lucha Gender Queerness Bodies Race A significant re-reading of wrestling as a performing art, Performance and Professional Wrestling makes essential reading for scholars and students intrigued by this uniquely theatrical sport.
Professional Wrestling and the Commercial Stage examines professional wrestling as a century-old, theatrical form that spans from its local places of performance to circulate as a popular, global product. Professional wrestling has all the trappings of sport, but is, at its core, a theatrical event. This book acknowledges that professional wrestling shares many theatrical elements such as plot, character, scenic design, props, and spectacle. By assessing professional wrestling as a neglected but prototypical case study in the global business of theatre, Laine argues that it is an exemplary form of globalizing, commercial theatre. He asks what theatre scholars might learn from pro wrestling and how pro wrestling might contribute to conversations beyond the ring, by considering the laboring bodies of the wrestlers, and analyzing wrestling’s form and content. Of interest to scholars and students of theatre and performance, cultural studies, and sports studies, Professional Wrestling and the Commercial Stage delimits the edges of wrestling’s theatrical frame, critiques established understandings of corporate theatre, and offers key wrestling concepts as models for future study in other fields.
Wrestling dates back to ancient times, but it was not until Edmond Desbonnet (1867-1953) produced his groundbreaking work The Kings of Wrestling in 1910 that its history was set down in book-length form. His work consists of nearly 150 biographies and accompanying photos of the men who pioneered professional wrestling, particularly in the nineteenth and early twentieth centuries. He explains how Greco-Roman wrestling emerged in France around 1845 and then evolved into a big business during its golden age of 1890 to 1910. The sport drew men from all over Europe as well as Africans, Turks, East Indians, Russians, Americans, and others. Wrestling became the first truly international sport the world had ever known. Desbonnet wrote his history in French, and it is translated here for the first time. This richly illustrated edition has an introduction and extensive annotations, along with many contemporary newspaper articles, book excerpts and magazine pieces from French, Italian and German sources.
Written by a law professor (who also happens to be a wrestling fan), this book is an entertaining and informative exploration of legal cases involving professional wrestling. Relying upon judicial decisions and court documents, it discusses the legal theories and procedures involved in legal disputes involving professional wrestling and explores how the legal system--an institution devoted to arriving at the truth involved in any conflict--has dealt with the business of professional wrestling, a business with a long history of obscuring the truth. Topics include: the legal issues involved when a wrestler goes into the crowd and beats up a fan; Hulk Hogan's defamation lawsuit against World Championship Wrestling for statements made during a live pay-per-view event; and race and sex discrimination in professional wrestling.
Wrestling has a long and rich history in India, and it is profoundly ingrained in the country’s cultural fabric. Wrestling in India has progressed from ancient times, when it was practised as a kind of military training, to the present day, where it has evolved into a competitive sport. This book intends to investigate the evolution and development of wrestling in India, with a focus on the critical role of diet and nutrition in wrestler success and performance. This book is divided into five chapters, which are as follows