Collected for the first time in a deluxe edition are the comics that deserve it the least: the infamous Eerie Publications' horror comics! Incredibly gory and crazy, the Eerie Pubs pushed the boundaries of good taste with blood-drenched, spine-cracking tales ripped (and redrawn) from the pages of Pre-Code horror comics.
Eerie Publications' horror magazines brought blood and bad taste to America's newsstands from 1965 through 1975. Ultra-gory covers and bottom-of-the-barrel production values lent an air of danger to every issue, daring you to look at (and purchase) them. The Weird of World of Eerie Publications introduces the reader to Myron Fass, the gun-toting megalomaniac publisher who, with tyranny and glee, made a career of fishing pocketbook change from young readers with the most insidious sort of exploitation. You'll also meet Carl Burgos, who, as editor of Eerie Publications, ground his axe against the entire comics industry. Slumming comic art greats and unknown hacks were both employed by Eerie to plagiarize the more inspired work of pre-Code comic art of the 1950s. Somehow these lowbrow abominations influenced a generation of artists who proudly blame career choices (and mental problems) on Eerie Publications. One of them, Stephen R. Bissette (Swamp Thing, Taboo, Tyrant), provides the introduction for this volume. Here's the sordid background behind this mysterious comics publisher, featuring astonishingly red reproductions of many covers and the most spectacularly creepy art.
Censored out of existence by Congress in the 1950s, rare comic book images--many of which have been rarely seen since they were first issued--are now revealed once again in all of their eye-popping inventive outrageousness. Original.
In bestselling author Christopher Golden's supernatural thriller Red Hands, sometimes a story is a warning. Sometimes the warning comes too late When a mysterious and devastating bioweapon causes its victims to develop Red Hands, the touch of death, weird science expert Ben Walker is called to investigate. A car plows through the crowd at a July 4th parade. The driver climbs out, sick and stumbling, reaching out...and everyone he touches drops dead within seconds. Maeve Sinclair watches in horror as people she loves begin to die and she knows she must take action. But in the aftermath of this terror, it’s Maeve who possesses that killing touch. Fleeing into the mountains, struggling with her own grief and confusion, Maeve faces the dawning realization that she will never be able to touch another human being again. "Weird s**t expert” Ben Walker is surprised to get a call from Alena Boudreau, director of the newly restructured Global Science Research Coalition. There’s an upheaval in the organization and she needs to send someone she can trust to Jericho Falls. Whoever finds Maeve Sinclair first will unravel the mystery of her death touch, and many are willing to kill her for that secret. Walker’s assignment is to get her off the mountain alive. But as Maeve searches for a hiding place, hunted and growing sicker by the moment, she begins to hear an insidious voice in her head, and the yearning, the need... the hunger to touch another human being continues to grow. When Walker and Maeve meet at last, they will unravel a stunning legacy of death and betrayal, and a malignant secret as old as history.
Literary darling Dermot Nolan is out of ideas and has reached crisis point. Then an unsigned manuscript falls into his hands, titled 'My Worst Nightmares - My Delicious Memoirs.' It tells of a homicidal twisted 'Dreamhealer' who snares his victims via a website called worstnightmares.net. He then seduces them into revealing their innermost fears and kills them by revisiting their very own nightmares upon them, magnified a hundred fold. Sweeping aside the dangers of plagiarism, Nolan reworks the manuscript, at the same time researching the 'fictional' killings. But are they 'fictional'? And could Nolan be writing his own ticket to death?
A second edition hardcover of the Eisner Award winner! Carl Seltz is a suburban insurance investigator, a loving husband, and devoted father. Nixon is a berserk, homicidal tax collector racking up mind-boggling body counts in a diseased urban slaughterhouse. Unit Four is the ultimate robot killing machine and the last hope of the future's enslaved mechanical servants. And they're all the same psychotic entity.
Eerie Publications' horror magazines brought blood and bad taste to America's newsstands from 1965 through 1975. Here's the sordid background behind this mysterious comics publisher, featuring astonishingly red reproductions of many covers and the most spectacularly creepy art.