Dangerous madmen or divinely inspired prophets? From murdering religious sects like the Assassins and the Thugs, to the orgies of the little known Khlysty and the self-mutilations of the Skloptzi; including modern day killers like the vicious Manson Family and the violent racism of the Ku Klux Klan - this book shows how cults and fanatics had such a powerful effect on the world.
An objective, well-researched history of contemporary new religions and cults.New religious movements - popularly known as cults - arouse strong public opinion and most books on the subject are polemical, giving hostile reaction rather than informed exploration. Exploring New Religions provides an account of a wide variety of new religions, focusing on their origins, beliefs and practices, which are set out in a dispassionate way, leaving readers to form their own value judgements. George Chryssides provides important analysis of the killer cults-the Jonestown People's Temple, Waco, the Solar Temple and Heaven's Gate-examining the factors that made their followers willing to die for their cause. Older groups like the Jehovah's Witnesses and Latter-day Saints (Mormons) are discussed, and Chryssides traces the development of a variety of strands of spirituality, ranging from New Thought, Spiritualism and Theosophy. Subsequent chapters include the Baha'i, the Family (formerly Children of God), the Hare Krishna movement (ISKCON), the Jesus Army, the Rastafarians, the Church of Scientology, Transcendental Meditation (TM) and the Unification Church ('the Moonies'). Lower profile groups are also discussed including: EST (Erhard Seminar Training), the New Kadampa Tradition, Brahma Kumaris, Sai Baba, Subud and the Western Buddhist Order. A study of the New Age phenomenon, and an account of societal responses to new religions at religious, societal and political levels is also included.
Published to coincide with the 50th anniversary of 'The Outsider', this comprehensive, annotated bibliography of primary and secondary sources has been fully revised and updated, incorporating an author chronology and an exhaustive index. Aimed at scholars, collectors and fans worldwide it also includes details of non-English translations of Wilson's work.
A New York Times Book Review Editors’ Choice Selection A history with sweeping implications, American Messiahs challenges our previous misconceptions about “cult” leaders and their messianic power. Mania surrounding messianic prophets has defined the national consciousness since the American Revolution. From Civil War veteran and virulent anticapitalist Cyrus Teed, to the dapper and overlooked civil rights pioneer Father Divine, to even the megalomaniacal Jim Jones, these figures have routinely been dismissed as dangerous and hysterical outliers. After years of studying these emblematic figures, Adam Morris demonstrates that messiahs are not just a classic trope of our national culture; their visions are essential for understanding American history. As Morris demonstrates, these charismatic, if flawed, would-be prophets sought to expose and ameliorate deep social ills—such as income inequality, gender conformity, and racial injustice. Provocative and long overdue, this is the story of those who tried to point the way toward an impossible “American Dream”: men and women who momentarily captured the imagination of a nation always searching for salvation.
Religion. For thousands of years this thing has dictated which people should live and which people should die, what shape our buildings should have or what colors our garments should contain, what food people should eat or what words people should speak. If religion is the opium of the masses, then beliefs about the end of the world are like overdoses. People touched by such beliefs no longer rely on a hidden, personal and intimate god, contemplated upon from the safe distance of the beating human heart. They live with the promise of divine intervention at a grand scale on the current coordinates of space and time. This can be an exceptional motivator and a game changer in terms of civil obedience, both at an individual and collective level. In the name of an immediate and palpable deity people can commit shocking cruelties. However, such belief can also account for some of the most exceptional social developments in human history.
One of the most common—and wounding—misconceptions about literary scholars today is that they simply don’t love books. While those actually working in literary studies can easily refute this claim, such a response risks obscuring a more fundamental question: why should they? That question led Deidre Shauna Lynch into the historical and cultural investigation of Loving Literature. How did it come to be that professional literary scholars are expected not just to study, but to love literature, and to inculcate that love in generations of students? What Lynch discovers is that books, and the attachments we form to them, have played a vital role in the formation of private life—that the love of literature, in other words, is deeply embedded in the history of literature. Yet at the same time, our love is neither self-evident nor ahistorical: our views of books as objects of affection have clear roots in eighteenth- and nineteenth-century publishing, reading habits, and domestic history. While never denying the very real feelings that warm our relationship to books, Loving Literature nonetheless serves as a riposte to those who use the phrase “the love of literature” as if its meaning were transparent. Lynch writes, “It is as if those on the side of love of literature had forgotten what literary texts themselves say about love’s edginess and complexities.” With this masterly volume, Lynch restores those edges and allows us to revel in those complexities.
Imagining Outer Space makes a captivating advance into the cultural history of outer space and extraterrestrial life in the European imagination. How was outer space conceived and communicated? What promises of interplanetary expansion and cosmic colonization propelled the project of human spaceflight to the forefront of twentieth-century modernity? In what way has West-European astroculture been affected by the continuous exploration of outer space? Tracing the thriving interest in spatiality to early attempts at exploring imaginary worlds beyond our own, the book analyzes contact points between science and fiction from a transdisciplinary perspective and examines sites and situations where utopian images and futuristic technologies contributed to the omnipresence of fantasmatic thought. Bringing together state-of-the-art work in this emerging field of historical research, the volume breaks new ground in the historicization of the Space Age.
