The Word is Art

The Word is Art

Author: Michael Petry

Publisher: National Geographic Books

Published: 2018-11-27

Total Pages: 0

ISBN-13: 0500239665

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A fascinating overview of how contemporary artists incorporate text and language into work that speaks to the most pressing issues of the 21st century. In this new volume celebrated artist and curator Michael Petry, addresses media and marketplace concerns about the state of language and the value of books in the digital age. As words find new modes of transmission in contemporary society, text becomes information, and information strives to become free, Petry asks, what value can text hold in the sphere of visual art? Looking at the work of a broad range of artists including Bruce Nauman, Julien Breton, Jeremy Deller, Takashi Murakami, Tracey Emin, Christian Boltanski, and more, The Word is Art explores this and related questions and demonstrates how words remain critical, powerful, and central to art practice. Presenting major areas where the word has dominated artistic practice, this book takes us on a fascinating and richly illustrated global tour of diverse contemporary art forms.


Image to Word

Image to Word

Author: Kathleen Walsh-Piper

Publisher: Scarecrow Press

Published: 2002

Total Pages: 164

ISBN-13: 9780810843073

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CD-ROM contains the digitized images found in the book.


Explodity

Explodity

Author: Nancy Perloff

Publisher: Getty Publications

Published: 2017-01-21

Total Pages: 210

ISBN-13: 1606065084

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The artists’ books made in Russia between 1910 and 1915 are like no others. Unique in their fusion of the verbal, visual, and sonic, these books are meant to be read, looked at, and listened to. Painters and poets—including Natalia Goncharova, Velimir Khlebnikov, Mikhail Larionov, Kazimir Malevich, and Vladimir Mayakovsky— collaborated to fabricate hand-lithographed books, for which they invented a new language called zaum (a neologism meaning “beyond the mind”), which was distinctive in its emphasis on “sound as such” and its rejection of definite logical meaning. At the heart of this volume are close analyses of two of the most significant and experimental futurist books: Mirskontsa (Worldbackwards) and Vzorval’ (Explodity). In addition, Nancy Perloff examines the profound differences between the Russian avant-garde and Western art movements, including futurism, and she uncovers a wide-ranging legacy in the midcentury global movement of sound and concrete poetry (the Brazilian Noigandres group, Ian Hamilton Finlay, and Henri Chopin), contemporary Western conceptual art, and the artist’s book. Sound recordings of zaum poems featured in the book are available at www.getty.edu.


The Painted Word

The Painted Word

Author: Tom Wolfe

Publisher: Farrar, Straus and Giroux

Published: 2008-10-14

Total Pages: 116

ISBN-13: 1429961201

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"America's nerviest journalist" (Newsweek) trains his satirical eye on Modern Art in this "masterpiece" (The Washington Post) Wolfe's style has never been more dazzling, his wit never more keen. He addresses the scope of Modern Art, from its founding days as Abstract Expressionism through its transformations to Pop, Op, Minimal, and Conceptual. The Painted Word is Tom Wolfe "at his most clever, amusing, and irreverent" (San Francisco Chronicle).


The Visible Word

The Visible Word

Author: Johanna Drucker

Publisher: University of Chicago Press

Published: 1994

Total Pages: 306

ISBN-13: 0226165027

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Drucker skillfully traces the development of this critical position, suggesting a methodology closer to the actual practices of the early avant-garde artists based on a rereading of their critical and theoretical writings. After reviewing theories of signification, the production of meaning, and materiality, she analyzes the work of four poets active in the typographic experimentation of the 1910s and 1920s: Ilia Zdanevich, Filippo Marinetti, Guillaume Apollinaire, and Tristan Tzara. Drucker explores the context for experimental typography in terms of printing, handwriting, and other practices concerned with the visual representation of language. Her book concludes with a brief look at the ways in which experimental techniques of the early avant-garde were transformed in both literary work and in applications to commercial design throughout the 1920s and early 1930s.


Word Art

Word Art

Author: Gwendolyn Beth

Publisher: WestBow Press

Published: 2014-12-16

Total Pages: 303

ISBN-13: 1490849025

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Pondering June 22, 2012, 8:15 a.m. What benefit are penned words if they are meaningless? If I am penning simply to promote me, I am dead within. Some books are informative and entertaining, while others are a waste of trees. What have you been moved to read lately? What are you searching for an answer to? What is your burning desire to learn or understand? When you think you have that answer, ask yourself why. Inner conflict is a pretty good indicator of spiritual warfare. Does the preceding statement raise any red flags for you? At times, when Im experiencing conflict within, it has always resulted from my human nature and Satan battling my spirit. I have penned about much of this; Ive no doubt there will be more.


Word Art + Gesture Art = Tone Art

Word Art + Gesture Art = Tone Art

Author: Hanns-Werner Heister

Publisher: Springer Nature

Published: 2023-03-06

Total Pages: 719

ISBN-13: 3031201094

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This book offers a truly interdisciplinary discussion on the relationship between the vocal and the instrumental in music and other arts and in everyday communication alike. Presenting an in-depth systematical and historical analysis of the evolution of word and gesture art, it gives extensive information on the anthropological, biological, and physiological influences and interactions in music and beyond. The book gives a unique definition of the genuinely vocal and instrumental from their generative deep structure: They derive from and are determined in their production by the duality of voice and hands, and in terms of product as the tone or ‘tonal’ on the one hand, and the percussive, that is noise plus rhythm, on the other. This book succeeds in bringing together perspectives from art, and from natural and social sciences, merging them to offer new explanations about the relationship between the vocal and instrumental, and eventually about the origins of music, arts, and language. It offers new perspectives on the intertwining between the vocal and the instrumental, specifically in the context of the expressions of human languages. At the same time, this book aims at clarifying and explaining the role of words and gestures in different contexts, such as society and communication, education, and arts.


Art, Word and Image

Art, Word and Image

Author: John Dixon Hunt

Publisher: Reaktion Books

Published: 2010

Total Pages: 410

ISBN-13: 9781861895202

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A highly illustrated survey of the use of words (or language) in art. Art, Word and Image asks what it means when a painting is 'invaded' by language - how do the two forms converse and combine, and what messages are intended for the viewer?


Wicked Words and Epic Tales

Wicked Words and Epic Tales

Author: Jon Schaffer

Publisher:

Published: 2020-10-31

Total Pages:

ISBN-13: 9781952847028

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Wicked Words & Epic Tales is a collection of his lyrics, and a variety of the artwork that they inspired. Schaffer is the author of numerous heavy metal anthems such as Watching Over Me, Melancholy (Holy Martyr), Dante's Inferno, the Something Wicked trilogy, Damien, Travel in Stygian, A Question of Heaven, Gettysburg (1863), Raven Wing, Timeless Spirit, Spirit of the Times, and so many others. This volume is a celebration of his works over 30 years of songwriting. Included in this deluxe hardback edition is a totally new concept in audio, on CD format, that Schaffer has dubbed "A Narrative Soundscape." All of the output penned solely by Schaffer is represented in this fantastic visual display of a long and storied career.


The Art of Description

The Art of Description

Author: Mark Doty

Publisher: Graywolf Press

Published: 2014-12-02

Total Pages: 119

ISBN-13: 1555979181

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"It sounds like a simple thing, to say what you see," Mark Doty begins. "But try to find words for the shades of a mottled sassafras leaf, or the reflectivity of a bay on an August morning, or the very beginnings of desire stirring in the gaze of someone looking right into your eyes . . ." Doty finds refuge in the sensory experience found in poems by Blake, Whitman, Bishop, and others. The Art of Description is an invaluable book by one of America's most revered writers and teachers.