He is a loveless Alpha, the most horrible pack leader of the MOON STONE; handsome, muscular, bossy and domineering, he takes what he wants. She, a lonely wolf girl, born in a cursed the red night, alone, the enemy of vampires and their followers, endowed with very powerful powers. The Moon goodness has decided to unite them, but not everything will be plain sailing. An enemy to fight, a past to be deleted. He Carter Darren. She Nicolette Gary. What will happen if these two souls meet?
Brings contemporary Japanese literary and artistic fairy-tale adaptations into conversation with Euro-American feminist fairy-tale re-creation and scholarship. As in the United States, fairy-tale characters, motifs, and patterns (many from the Western canon) have pervaded recent Japanese culture. Like their Western counterparts, these contemporary adaptations tend to have a more female-oriented perspective than traditional tales and feature female characters with independent spirits.In From Dog Bridegroom to Wolf Girl: Contemporary Japanese Fairy-Tale Adaptations in Conversation with the West,Mayako Murai examines the uses of fairy tales in the works of Japanese women writers and artists since the 1990s in the light of Euro-American feminist fairy-tale re-creation and scholarship. After giving a sketch of the history of the reception of European fairy tales in Japan since the late nineteenth century, Murai outlines the development of fairy-tale retellings and criticism in Japan since the 1970s. Chapters that follow examine the uses of fairy-tale intertexts in the works of four contemporary writers and artists that resist and disrupt the dominant fairy-tale discourses in both Japan and the West. Murai considers Tawada Yoko’s reworking of the animal bride and bridegroom tale, Ogawa Yoko’s feminist treatment of the Bluebeard story, Yanagi Miwa’s visual restaging of familiar fairy-tale scenes, and Konoike Tomoko’s visual representations of the motif of the girl’s encounter with the wolf in the woods in different media and contexts. Forty illustrations round out Murai’s criticism, showing how fairy tales have helped artists reconfigure oppositions between male and female, human and animal, and culture and nature. From Dog Bridegroom to Wolf Girl invites readers to trace the threads of the fairy-tale web with eyes that are both transcultural and culturally sensitive in order to unravel the intricate ways in which different traditions intersect and clash in today’s globalising world. Fairy-tale scholars and readers interested in issues of literary and artistic adaptation will enjoy this volume.
When my parents were banished from Wolf City before I was born, I thought there was no way I would ever live in a pack again. Cuffed, with my shifter magic bound, I was forced to go to school with witches and vampires in order to keep my true nature from coming out. Then I met him. Sawyer Hudson. The Alpha's son was visiting the Delphi College for Magically Banished Youth and spotted me. He took one look at me, and an hour later, I was being pulled out of school, taken into Wolf City and leaving my parents and everything I knew behind. It's the Alpha's son's selection year, the year he must pick a mate, and every female aged 18-22 must be in attendance. I've landed myself in the middle of Werewolf Bachelor, and just when I think I've got a handle on things, Sawyer releases my cuffs, unbinds my magic, and sees what I really am. The problem is, I don't know what this creature is that I transform into. It's not an ordinary werewolf, that's for damn sure.
Cwen, a poor weaver struggling to make a living at Whitby Abbey, is accused of possessing a valuable necklace; if found guilty she could be hanged. Wulfrun, Cwen's daughter, sets out to prove her mother's innocence. Set in turbulent Anglo-Saxon times, this is the story of a resourceful, dauntless heroine, determined and clever as the wolf that she is named for. In WOLF GIRL, Theresa Tomlinson links her enthusiasm for creating strong, adventurous heroines with her interest in history and mythology of the North East Coast of England.
The story is about a girl who was raised by a wolf pack after she was thrown away by her evil mother who wanted to be queen. As she grew up, she met a boy in town and the two fell in love however, the boy did not know that his step mother was the mother of the girl and she was his sister. The evil step mother wanted to keep the girl a secret from the king and the boy and wanted to kill her but the wolf pack ate the step mom.
The magic of mythology meets the grit of history in a blazing blockbuster retelling of the Persian Wars from award-winning author Tom Holland, lavishly illustrated by Jason Cockcroft. I come to tell you a story. A story unlike any that has been told before. The Trojan War is ancient history. The gods of Olympus are silent and have not appeared to mortals for generations. In the city-state of Sparta, young Gorgo's mother gives a warning with her dying breath: the Persians are coming. The princess Gorgo, weaned on her nurse's stories of gods and shapeshifters, never forgets her mother's last words. When at last the drums of war begin to sound, she is swept up in a dangerous game of politics, treachery, and vengeance. With the blood of Herakles and Zeus himself running through her veins and the awakening of a dormant supernatural power, Gorgo, now queen of Sparta, must help lead her city-state against a mighty empire. Unraveling like prophecy and featuring stunning art from acclaimed illustrator Jason Cockcroft, Tom Holland's dramatic reimagining of one of history's most formidable wars will echo through the mind of the reader long after they have reached the final page.
This is an interdisciplinary examination of depictions of girlhoods through a comparative study of foundational fairy tales revised and reimagined in popular narrative, film, and television adaptations. The success of franchises such as The Hunger Games, Twilight and Divergence have re-presented the young heroine as an empowered female, and often a warrior hero in her own right. Through a selection of popular culture touchstones this empowerment is questioned as a manipulation of feminist ideals of equality and a continuation of the traditional vision of female awakening centering on issues of personal choice, agency, physical violence, purity, and beauty. By investigating re-occurring storytelling frameworks and archetypes, Untaming Girlhoods examines different portrayals of girlhoods in the 20th- and 21st-century Anglo-American cultural imaginary that configure modern girlhoods, beyond the fairy-tale princess or the damsel in distress, into refigurations that venture away from the well-trodden path for a new breakaway path to authentic selfhood. This will be a useful and enlightening text for students and researchers in Girlhood Studies, Gender Studies, Film Studies, Popular Culture and Media Studies.
Beware the Full Moon! Take a hair-raising tour of werewolf legends. Meet shape-shifters, dogmen, and all variety of human and lupine mixes in this blood curling story collection from two distinguished paranormal researchers! From today's lycanthropic creatures found in pop culture such as Dracula, Twilight and An American Werewolf in London to the earliest mentions in folklore of the shape-shifting legend, Werewolf Stories: Shape-Shifters, Lycanthropes, and Man-Beasts is an eye-opening tour through the ages of all things werewolf. Along the way, readers land at the doorstep of creatures like serial killer Fritz Haarmann, tiger people and their thirst for human blood, Romulus and Remus, the legendary founders of Rome, shapeshifters of all kinds and sizes, and even a spell to repel werewolves. This fascinating tome provides 140,000 years of blood-pounding evidence of strange and obsessional behavior. It tells of stories of becoming a werewolf and the intricacies of slaying the beast. A true homage to the creature, it includes full moon of topics such as … Fenrir, the wolf child of the giantess Angrboda and the god Loki, from the Old Norse myth of Ragnarok Notorious serial killers, including Peter Stumpp and Michael Lupo, who thought themselves to be—and modeled their crimes on—werewolves Coyote people, tricksters, and were-animals of Navajo legend The Basque butchers of Louisiana and the loup-garou Diana, the goddess of the wilderness and the hunt, and her pack of hunting dogs, who once ruled all the dark forests of Europe Leopard creature-men and the deadly cult whose members expressed their were-leopard lust for human blood and flesh that has been in existence in West Africa for several hundred years The “werewolf of the Dordogne,” Francis Leroy, and his uncontrollable bloodlust during the full moon The secret terrorist group Organization Werewolf, established in 1923, and its possible allegiance to Adolf Hitler Ghouls from Arabic folklore, the demonic Djinns that hover near burial grounds and sustain themselves on human flesh stolen from graves Tasmania’s thylacine and sightings of the “probably extinct” creature and its remarkable—and frightening—jaw capacity Alaska’s Kushtaka and other stories of the Bigfoot man-beast Puerto Rico’s chupacabra and its powerful goat-like legs, three-clawed feet, and penchant for sucking blood The Doñas de Fuera of Sicily, small fairies who looked human, aside from their paw-like feet, and were cruel and dangerous when crossed Enkidu, perhaps our earliest written record of a man-beast that appears on a Babylonian fragment circa 2000 BCE and tells the story of King Gilgamesh and his werewolf-like friend in The Epic of Gilgamesh And many more stories and histories of werewolves, night-stalkers, lycanthropes, and man-beasts Noted cryptozoologists and paranormal researchers Nick Redfern and Brad Steiger share personal stories and encounters with werewolves in Werewolf Stories. They take a deep dive into the legends, the history, the pop-culture take on the man-beast. It's a wild and weird road-trip into the mystery-filled domain of the disturbingly real world of shape-shifters and werewolves!
This ground-breaking collection focuses on how theatre, dance, and other forms of performance are helping to transform our ecological values. Top scholars explore how familiar and new works of performance can help us recognize our reciprocal relationship with the natural world and how it helps us understand the way we are connected to the land.
