Ginzburg, "the preeminent Italian historian of his generation [who] helped create the genre of microhistory" ("New York Times"), ruminates on how perspective affects what we see and understand. 26 illustrations.
USBBY Outstanding Books for Young People with Disabilities Colonial Dames of America Book Award ALA/Amelia Bloomer Book List NCSS Notable Trade Book Bank Street College of Education Best Book of the Year “An excellent beginner’s resource for biography, U.S. history, and women’s studies.” —Kirkus Reviews Here is the powerful and inspiring biography of Dorothea Lange, one of the founders of documentary photography. After a childhood bout of polio left her with a limp, all Dorothea Lange wanted to do was disappear. But her desire not to be seen helped her learn how to blend into the background and observe. With a passion for the artistic life, and in spite of her family's disapproval, Lange pursued her dream to become a photographer and focused her lens on the previously unseen victims of the Great Depression. This poetic biography tells the emotional story of Lange's life and includes a gallery of her photographs, an author's note, a timeline, and a bibliography.
A bold book, built of close readings, striking in its range and depth, The Signifying Eye shows Faulkner's art take shape in sweeping arcs of social, labor, and aesthetic history. Beginning with long-unpublished works (his childhood sketches and his hand-drawn and handillustrated play The Marionettes) and early novels (Mosquitoes and Sartoris), working through many major works (The Sound and the Fury, As I Lay Dying, Sanctuary, Light in August, and Absalom, Absalom!), and including more popular fictions (The Wild Palms and The Unvanquished) and late novels (notably Intruder in the Dust and The Town), The Signifying Eye reveals Faulkner's visual obsessions with artistic creation as his work is read next to Wharton, Cather, Toomer, and—in a tour de force intervention—Willem de Kooning. After coloring in southern literature as a "reverse slave narrative," Waid's Eye locates Faulkner's fiction as the "feminist hinge" in a crucial parable of art that seeks abstraction through the burial of the race-defined mother. Race is seen through gender and sexuality while social fall is exposed (in Waid's phrase) as a "coloring of class." Locating "visual language" that constitutes a "pictorial vocabulary," The Signifying Eye delights in literacy as the oral meets the written and the abstract opens as a site to see narrative. Steeped in history, this book locates a heightened reality that goes beyond representation to bring Faulkner's novels, stories, and drawings into visible form through Whistler, Beardsley, Gorky, and de Kooning. Visionary and revisionist, Waid has painted the proverbial big picture, changing the fundamental way that both the making of modernism and the avant-garde will be seen. A Friends Fund publication
'The Pinocchio Effect' draws on a broad array of sources to trace the making of a modern national identity in Italy. The author explores all the ways that identity was constructed through newly formed attachments, voluntary and otherwise, to the nation.
Tim barely knows his father, but he's spending the day at his dad's workplace. The set of the TV show "Dr. Riddle" seems normal at first, but it becomes clear that something strange is going on. The star of the show is just a puppet, so why does the puppet master treat it like a real boy?
This discounted ebundle includes: Bones of the Dragon, Secret of the Dragon, Rage of the Dragon, Doom of the Dragon “Action-packed, utterly riveting.” —ComicBookBin Filled with heroes and heroines and spanning locales of exotic adventure in a magic-forged world, the Dragonships of Vindras series fully illustrates the mastery of world-building and storytelling that has made Weis and Hickman into the bestselling fantasy co-authors of all time. Welcome to the World of Dragonships! Bones of the Dragon Skylan Ivorson is a sea-raider of the Vindras, an undefeated champion of the Torgun clan, and eventually the Chief of Chiefs of all Vindras clans, an honor he truly feels he deserves as one who has been blessed by Skoval, the god of war. But sometimes a blessing is a curse in disguise. Secret of the Dragon Weis and Hickman's second action-packed book in the series features a world of Viking-like warriors who sail the seas in ships powered by dragons, following their gods on a quest that will determine not only the fate of mortals but the fate of the gods as well. Rage of the Dragon In the ever-twisting saga of Skylan Ivorson and the Vindrasi Clan, this third volume pits our heroes and their lone surviving dragon against a vast army. Enemies become friends and vice versa, as adventure, romance, and war pull readers through another epic tale by the bestselling author duo. Doom of the Dragon Age-old enemies must band together to combat a group of fiendish beings bent on their destruction. With the help of a newly formed Dragon Brigade, heroes from both sides race to uncover long-hidden magical secrets that are the key to defeating their enemies and protecting their world. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
First in the Fluke Family series, Fluke Family Fortune sets the stage for the comical misadventures of Maynerd Fluke Dumsted. To afford the love of the beautiful but shrewish Sue Tue, Maynerd Dumsted sets out to follow the clues to the family fortune hidden somewhere in the cursed kingdom of Gnat. A sometimes well-intentioned ghost gnome tags along for laughs, but his selfish machinations often mean more trouble for Maynerd. Other friends join the fun, such as the lovable fire-year-old orphan, Dandy May, who cavorts with dandelion fairies; the head-bashing ogress, Grissel who hates songs sung about her; an ineffectual thousand-year-old madman; a retired clodhopper named Sam Simple and his fun loving mule, Jazibell. A family curse and the grandiose scheme of the brigand King Kryan Kruke to transform him into the new national hero, in order to reunite the four scattered kingdoms of the land of Gnaught, further complicates Maynerd's plans to find the family fortune.
The revolution is here. Bodies line the streets of Urobrun; a great pyre burns in Republic Square. The rebels grow anxious behind closed doors while Marlis watches the politicians search for answers-and excuses-inside the Chancellery. Thea, Freddy, Nan, and Sigi are caught in the crossfire, taking refuge with a vibrant, young revolutionary and a mysterious healer from Irminau. As the battle lines are drawn, a greater threat casts a dark shadow over the land. Magic might be lost-forever. This action-packed sequel to Dark Metropolis weaves political intrigue, deadly magic, and heartbreaking romance into an unforgettable narrative. Dolamore's lyrical writing and masterfully crafted plot deliver a powerful conclusion.
This study assesses the significance of Pinocchio in the twentieth and twenty-first centuries in addition to his status as the creature of a nineteenth century traversed by a cultural enthusiasm for dummies, puppets, and marionettes. This collection identifies him as a figure characterized by a 'fluid identity,' informed with transition, difference, joie de vivre, otherness, displacement, and metamorphosis, making Pinocchio a truly modern, indeed postmodern and posthuman, cultural icon. Pinocchio, Puppets and Modernity explores this crucial and as yet little visited field, reassessing Pinocchio's genealogy and progeny, as well as illuminating both the wider context and more specific cultural manifestations of the mechanical-human interface in the domains of theatre, the fine arts, literature, radio, and even virtual reality coherently with the digital metamorphosis of our times. The wide-ranging scope of this exploration encompasses Italian, French, and English literature, dummies and marionettes in modernist and contemporary theatre, the fairytale tradition, and traditional and contemporary painting, as well as the older and newer media of radio, television, cinema, and the Internet. The diverse, comparative, and multimedia focus of this original discussion testifies to the enduring transcultural legacy of Pinocchio. Eminently sellable as a traditional cultural icon, Pinocchio is equally impactful and relevant for a globalized, multicultural, and virtual society, from Collodi to Disney and beyond. Katia Pizzi is Senior Lecturer in Italian at the Institute of Germanic & Romance Studies, School of Advanced Study, University of London. She has published volumes on cultural identities, including A City in Search of an Author (2001) and The Cultural Identities of European Cities (2010), and on children's literature and illustration.