Siapa Nama Kamu? Art in Singapore Since the 19th Century

Siapa Nama Kamu? Art in Singapore Since the 19th Century

Author: Low Sze Wee

Publisher: National Gallery Singapore

Published: 2015-11-25

Total Pages: 111

ISBN-13: 9811405573

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Published to accompany National Gallery Singapore’s inaugural exhibition Siapa Nama Kamu?, the catalogue stands on the shoulders of giants to present a survey of Singapore art from the 19th century to the present, charting major themes across broad time periods. Over 400 works of art in a wide range of media are brought together to trace the ebb and flow of the history of Singapore art. Curatorial essays provide insight into the exhibition making, as well as examine the geographical confines of Singapore, the parameters of national identity and margins of time.


Siapa Nama Kamu?

Siapa Nama Kamu?

Author: Sara Siew

Publisher:

Published: 2015

Total Pages: 326

ISBN-13:

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This album offers an overview of Siapa Nama Kamu? through an inspired selection of 100 works from the exhibition. Beautifully reproduced in full color, these images tell the story of nearly two centuries of art in Singapore--one of diverse influences, shared impulses and ceaseless flux. Accompanying curatorial texts explain the themes and concerns of the exhibition, making for a compelling look at the most comprehensive survey of art in Singapore to date.


Goh Beng Kwan

Goh Beng Kwan

Author: Ilsa Sharp

Publisher:

Published: 2019

Total Pages: 344

ISBN-13: 9789811416002

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This book is a tribute to the lifetime achievement of one of Singapore's most celebrated career artists, Goh Beng Kwan. It presents an extensive catalogue of his works, dating back to the 1950s, right up to today. He provides convincing evidence that he has paved the way for modern artists in Singapore as this book guides you on a journey through his work. -- Foreword.


The Machine as Art/ The Machine as Artist

The Machine as Art/ The Machine as Artist

Author: Juliette Bessette

Publisher: Mdpi AG

Published: 2020-10-21

Total Pages: 316

ISBN-13: 9783039360642

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The articles collected in this volume from the two companion Arts Special Issues, "The Machine as Art (in the 20th Century)" and "The Machine as Artist (in the 21st Century)", represent a unique scholarly resource: analyses by artists, scientists, and engineers, as well as art historians, covering not only the current (and astounding) rapprochement between art and technology but also the vital post-World War II period that has led up to it; this collection is also distinguished by several of the contributors being prominent individuals within their own fields, or as artists who have actually participated in the still unfolding events with which it is concerned


Color for Science, Art and Technology

Color for Science, Art and Technology

Author: Kurt Nassau

Publisher: Elsevier

Published: 1997-12-18

Total Pages: 511

ISBN-13: 0080529372

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The aim of this book is to assemble a series of chapters, written by experts in their fields, covering the basics of color - and then some more. In this way, readers are supplied with almost anything they want to know about color outside their own area of expertise. Thus, the color measurement expert, as well as the general reader, can find here information on the perception, causes, and uses of color. For the artist there are details on the causes, measurement, perception, and reproduction of color. Within each chapter, authors were requested to indicate directions of future efforts, where applicable. One might reasonably expect that all would have been learned about color in the more than three hundred years since Newton established the fundamentals of color science. This is not true because:• the measurement of color still has unresolved complexities (Chapter 2)• many of the fine details of color vision remain unknown (Chapter 3)• every few decades a new movement in art discovers original ways to use new pigments, and dyes continue to be discovered (Chapter 5)• the philosophical approach to color has not yet crystallized (Chapter 7)• new pigments and dyes continue to be discovered (Chapters 10 and 11)• the study of the biological and therapeutic effects of color is still in its infancy (Chapter 2).Color continues to develop towards maturity and the editor believes that there is much common ground between the sciences and the arts and that color is a major connecting bridge.